ࡱ> { sbjbjzz Dk|, , 84<htBB(jjj$ܪ 7!7!7! jj4"___7!*ajj_7!___ j`wda4k:Ө80hz8x8t8_,  Rh7!7!7!7!8, L: Gender Aspects of Traditional Calendar Gearid Crualaoich The terms calendar and gender are discussed in relation to the reckoning of changing patterns of behaviour deemed timely and the determination of timeless characteristics conventionally associated with taxonomic classes. The coming together of calendar time and gender type is instanced in literature and in Irish vernacular calendar custom, especially as set down in The Year in Ireland. Two accounts, male and female, of aspects of Brdeog custom at February 1 are commented on and the traditional reckoning of calendrical quarter days is examined to reveal the patterning of the gendered personifications associated with them. Any aspect of Traditional Calendar one cares to address will already have had light thrown on it in the writings and scholarship of Dr. Caoimhn Danachair, in whose honour, the lecture out of which this paper has emerged was delivered. Dr. Danachairs work, on every side, was marked by clarity in both conceptual and expressive terms and it is perhaps with this characteristic of his scholarship in mind that we can begin with a consideration of the meanings inherent in the two chief terms of our title: calendar and gender. Calendar essentially has to do with the reckoning of time or, better, perhaps, of timeliness in regard to the performance of certain behaviours. It is the perception of timeliness, in individuals, and in groups or community, that triggers actions such as, for instance, those of going to bed, celebrating Christmas, studying for exams. Of all such actions and behaviours it can be said that there is a differential appropriateness depending on age, for example in the case of children versus adults going to bed; religion or ethnicity in the case of Christians versus non-Christians celebrating Christmas; educational aspiration in the case of students versus non-students studying for exams. At different times, different individuals and different groups perform different actions so that the passage of time always involves a course of change. In calendar we register such course of change in the various aspects of our lives religious, civic, recreational and our environments physical, social and symbolic. Gender, on the other hand has essentially to do with the reckoning of type or kind, with categorical class and genus. Here, whether we are pondering the types and kinds in the physical, social or symbolic contexts of our lives, what we do amounts to a determination of identity and the conventional recognition of fixed and indeed timeless characteristics that we associate with that gender identity. Again here a differential in gender characterisation can be envisaged, which is a kind of appropriateness that relates to the behaviours and modes of being we associate with and expect regarding various female and male roles in human society, in the animal and plant worlds and in the symbolic worlds of artistic creativity and religious myth. This perception of change and passage of time, on the one hand and that recognition of gender identity, masculine and feminine, on the other are, of course, matters of consciousness on the part of the perceiving and recognizing human mind and human agency. As humans we are conscious of distinctions in respect of the registration of the passage of time and conscious of distinctions in the recognition of kind. The consciousness of such distinctions is directly reflected in language structure and in language use, as when we speak, in English, of now and then, of past, present and future time and of mice and men, boy and girl, female and male, in ascending orders of subjectivity and abstraction. The Danachair Lecture takes place annually near February 1, the Feast of St Bridget, in recognition of the abiding contribution to traditional calendar scholarship that Caoimhn Danachairs work entails. The combination of time-reckoning and gender identity recognition involved in this particular point of the traditional year in Ireland is paralleled in Scottish tradition in respect of January 25, Burns Night with its customary meal of neeps and whisky and its ritual Toast to the Lasses enjoined on those partaking of the male fare. The celebrated poem by Robert Burns To a Mouse seems to me to offer another significant instance of the combination of the registering in consciousness the heightened consciousness of the poet of the passage of time and its tragic human implications and the recognition not only of the generic separateness of mice and men but of a basic creaturely commonality in the condition of worldly existence. The final two stanzas of the poem have the poet directly addressing his fellow creature, the mouse, whose nest lies destroyed under the poets plough. But, Mousie, thou art no thy lane, In proving foresight may be vain: The best laid schemes o mice an men Gang aft agley. An leae us nought but grief an pain For promised joy. Still thou art blest, compared wi me, The present only toucheth thee: But och! I backward cast my ee On propects drear! An forward, tho I canna see, I guess an fear. Burns here highlights a crux of consciousness; how it confers freedom to transcend the present in reflection and imagination and delight and yet brings the realisation that grief and pain, regret and fear are the human lot for much of time. One thinks of the lines Auden threads through his poem Spain 1937: _ _ _ Yesterday all the past _ _ _ _ _ _ Tomorrow, perhaps, the future _ _ _ _ _ _ But today the struggle _ _ _ Behind the surface implication of political struggle, there is, as always with Auden, the potentially metaphysical. There is surely a sense in which much of culture and tradition, art and artefact, is a coping mechanism developed by conscious humans to reduce, albeit symbolically, the guesswork and the insecurity of life and to assuage, somewhat, in symbolic containment, the fear and the terror of existence attendant on consciousness. Time is a somewhat elusive concept in the scholarly study of culture and tradition. The great Emile Durkheim held that the only way we can conceive of time is in terms of the collective representations that come to us as our social and cultural traditions, whether as ideas, patterns of behaviour or modes of experience. Ideas about the passage of time are represented in the ways a) time is envisaged as being divided into units of various length, b) the sense in which the rate at which time passes is perceived to vary and c) the degree to which the organisation of the temporal is regarded as more or less structured (seasonality, for instance versus notions of 24/7 and 365. Patterns of behaviour held to be appropriate to different times are, perhaps, most vividly expressed in the words of the first eight verses of Ecclesiastes, Chap. 3 that begin: All things have their season: and in their time all things pass under heaven: Modes of experience of the passage of time amount to the ordering of reality within some temporal framework as, for instance in the case of peoples common perception of the reality of such as the run-up to Christmas, the darkest hour before the dawn, the season of mists and mellow fruitfulness. Time, it thus appears, is both a human imaginative construction and a subjective experience in individual consciousness. As imaginative construction we project it outside ourselves onto our surrounding environments and also internally onto our lives within these environments. The outside projection yields the various annual cycles in nature, society and ideology while the internal projection gives rise to ideas of a life-cycle for both the individual and the community. As subjective experience, the indispensable now is inevitably accompanied by memory and imagination with both of these subject to the potential vagaries of creativity. Projection and subjectivity combine to induce the sense of time flowing by our consciousness of being in the moment and the sense of there being a linear succession or progression of nows. Virginia Woolf envisaged us as living our lives in what she termed moments of being each one of them, in a sense, eternal within the flow of the Great River of Being. Examples of such moments can extend from my own personal teenage perceptive of being always and forever present with classmates at a soccer match at Turners Cross, Cork, on the day before our return to school after the apparently endless Summer holidays to the terrifying, revelatory eternity of the look Orpheus gives behind at his wife Eurydice as she moves back from him forever and forever. Something of the power of that mythic moment is repeatedly found within our human experience of presence at a deathbed at the moment of an individuals passing and especially here it is true to say that we experience time and its passage as something that is at once truly repetitive and uniquely non-repetitive at one and the same time. On the repetitive or cyclical side of time we find ideas like Eliades myth of eternal return (Eliade, 1954) while on the non-repetitive, linear side we have notions of progress and the march of history. When gender is added to this duality of consciousness regarding the passing of time we can consider ideas like Kristevas opposition of Womens Time (cyclical/repetitive) to Mens Time (linear/progressive) in the symbolic expression and representation of time and the perception of its passage (Kristeva, 1986). Womens Time, in this perspective, contains serial birthings and renewals at biological, social and symbolic/cosmological levels of life of the immortal female. Mens Time involves the progressive carrying forward of the male, from the single creativity of origin of one birth, to an attempt at leaving an heroic if mortal mark on the world. Mythological stories of goddess and warrior/king in Irish and in other Indo-European traditions yield numerous examples of the applicability of Kristevas ideas. Gender too involves the recognition of an oppositional polarity which is projected onto the contents of consciousness as these derive from our perception of our physical and social environments and our imaginative construction of symbolic ones. The basic case of grammatical gender is instructive where words assigned masculine and feminine genders are accompanied by a further category deemed of neutral gender and where the gender assignment varies across languages cf. cailn, girl in Irish being a masculine noun while stail, stallion is feminine. Sure polarity is clearly a matter of culture rather than of nature where continuum rather than sharply-defined opposition is the reality. Day shades into night; black shades into white; hot shades into cold; young shades into old and winter shades into spring shades into summer. We can understand that, by contrast with the culturally absolute of masculine and feminine genders there are overlapping commonalities and continua in the maleness and femaleness of human individuals at both the biological and psychological levels so that the question of sex and gender produces a situation somewhat akin to the perception of time and its passage as both repetitive and unique. The either/or of cultural assignment is countered by the possibility of a both/and alternation/duality/ambiguity. We can illustrate this contrast of the culturally clear-cut with the naturally less clear-cut in the case of both body and mind. In respect of the level of the anatomy of the human body a very definite sharing of features underlies the polarity of a Charles Atlas figure vis--vis a Miss Universe. In terms of biochemistry also any polarity between the sexes is more complicated than a simple 100% testosterone vs oestrogen divide. In respect of mind much has been made of the Jungian ideas of a joint Animus/Anima constitution of every psyche. Showing ones feminine side can be a major concern for some males while womens liberation issues include the dismantling of an emotional stereotyping of the feminine woman. Levi-Strauss (1969) holds that, in totemic societies, taxonomic categories derived from a conventionalized perception of nature serve to structure culture overall. Thus, at the level of cognition in totemic societies 'animals are good to think with'. Similarly, in respect of Irish vernacular cultural tradition, it appears to be the case that, at the level of cognition, a conventionally polarised perception of gender is good to think with. We can illustrate this in terms of a wide range of examples from what is regarded as common knowledge in our own society. Firstly there is the kind of animism involved in attributing gender identity to inanimate objects such as the tongs (female) and the poker (male) of the fireplace and the widespread attribution of female gender to boats and cars. There is an interesting metaphorical extension of this in the Irish language where male discussion of female attractiveness can take the form (in coastal fishing community discourse) of apparently talking about a boat e.g. Nach deas an bd sin? _ _ _ / Isnt she the good looking woman?. Then there is the mind-set underlying the social division of labour into constituencies of mens work and womens work with the stereotypical attribution exercising a considerable degree of social control over the behaviours of individuals. Furthermore, in popular cosmology the universe and its ruling energies are envisaged in a gendered fashion to produce such terms as Mother Nature, God the Father, Lady Luck/Fortuna whom one would placate together with her opposite whom one would execrate Life is a bitch. Time also is gendered in the terms of popular cosmology in the case of Old Father Time contrasting with the Baby who represents New Year. While it appears to be generally accepted that the baby New Year is male we can note that in Irish literary tradition an ige, youth is personified as female, as in the celebrated Teach Cuana episode of the medieval tale Feis Tighe Chonin and the Fenian tale of Diarmuid and the ball seirce, love spot. Thinking in such oppositional polarities gives rise, of course, to ideas of the dangerous liminal status of phenomena that are perceived as being in-between the identities of conventional taxonomic classification. Two classics of the scholarship of such liminality and its cultural and social consequences are van Genneps Rites de Passage (van Gennep, 1960) and Douglass Purity and Danger (Douglas, 1966). One should also mention the work of Turner (1982) who develops the idea of liminality and its functions into a theory of communitas wherein social structure is being continually challenged and overthrown in cycles of anti-structure and re-structuration that continue endlessly in the lives of communities. Coming to the matter of gender identity within the calendar of Irish vernacular tradition we can note, at the outset, how so much of our information appears to come out of what is, largely, the world of male perception. Informants and collectors for the Irish Folklore Commission were predominantly male. Caoimhn Danachair (1972) and Samus Cathin (1995) are major analysts and commentators on calendar organization and calendar custom in Irish tradition though they are joined in this regard by Mire Mac Neill (1962) and her exhaustive and meticulous study of the harvest festival and its rituals. We are able to compare two accounts of the spring festival customs at February 1, L le Brde St Bridgets Day that come from elderly male and female informants, respectively, and there would appear to be some gender-specific aspects involved. One account comes from the South Kerry district of Ubh Rthach and was collected by Professor Samus Duilearga from Sen Conaill of Cill Rialaigh ( Duilearga, 1948). The other is from Corca Dhuibhne in West Kerry and was collected by Pdraig Tyers from Mrs Brd Granville of Pariste an Fhirtaraigh (Tyers, 1973), who lived nearly a half-century later than Sen Conaill. Brd Granville reports that girls only visited from house-to-house in the festive Brdeog custom and that such visitation took place on St Bridgets Day itself. She says that eggs and pennies were collected in the course of the visitation by the girls and that all such proceeds were given to parents at home. Sen Conaill, on the other hand, tells us that both boys and girls processed in house visitation and that this took place on St Bridgets Eve. He reports that some of the visiting groups were masked (boys?) in his youth and that nowadays boys only go in the Brdeog. The house visitation of the Brdeog involved carrying around an effigy of St Bridget and Conaill reports that a turnip stump was sometimes used for the head of the effigy surely a male touch? as is his comment that while no money was collected in the visitation of his youth, it is money for drink that is wanted by the (male?) participants in the contemporary, Brdeog. Brd Granville goes on to describe the custom of the Brat Brde, St. Bridgets Mantle whereby a piece of cloth is said to acquire healing powers and claims that the Brat Brde of a woman whose own name is Brd, Bridget would be of greater efficacy. She also describes the use of the Brat Brde in the case, not of human illness, but of the mare and the sow who will not suckle their new-born young. This female account of the female-derived promotion of lactation in the animal realm is consistent with the fertility of flocks symbolism of St Bridget Day customs and its concern with milk and butter. Caoimhn Danachairs important book, The Year in Ireland, a calendar of custom and belief has many examples of a gendered, hierarchical division projected within the social mind-set of the pre-modern community throughout the phases of the year. In pre-Lenten Shrovetide marriage divination (by females) and in the patriarchal arrangement of marriage in the ceremonies of the match and the dowry we find prominent preliminaries to weddings with their detailed patterns of customary behaviours so well described in the Danachair book. Something of the masculinist social tyranny of marriage is caught in the unkind, and sometimes, cruel jokes, verses and pranks of Chalk Sunday and the Skellig Lists where the unmarried are pilloried and humiliated. At St Patricks Day, March 17 there is gender distinction in the way the two major customs giving expression to the patronal celebration are reported. The Pota Pdraig celebratory drink of (mostly) whiskey with ones companions presents as a largely male affair with women, as at Christmas, associated more with the consumption of tea. The other major Patricks Day custom, the wearing of an emblem, has males wearing a square of material, most often stout paper or cardboard, on which cruciform patterns have been coloured in while females wear a single small cross of paper or wood to which multi-coloured ribbons are attached. On Palm Sunday it is males (men and boys) who are reported as wearing the blessed palm. Easter involves a clear division of labour in the preparations of the home for celebration of the feast. The cleaning and decoration of the house and its surrounds has women concentrating on the interior, domestic sphere while men attended to the public sphere of the yard and the haggard. For Good Friday it was customary for males to have their hair cut understood to be a protection against headache in the future, while women, on the day, let their hair down loosely the traditional accompaniment of mourning in ritual (e.g. the wake) and in literature. Christmas, and the twelve days of its traditional season, shows the clearest gender division in the separation of Christmas (on Dec 25) taken to be the male, solar solstice celebration, involving the festive consumption of beef and whiskey from Nollaig na mBan, Womens Christmas on Jan 6 when cake and tea were understood to constitute the festive fare. It has been argued that there are strong lunar associations at Jan 6, with the end of the twelve days of symbolic darkness into which traditional cosmology gathers the dark days of the interlunium periods (days/nights on which there is no moon) throughout the year. With Epiphany and its enlightenment, on Jan 6, the female world is restored out of the dead natural world at midwinter, just as the male activities of Dec 26, centring on hunting activities, and especially the hunt for, the death of and the symbolic waking/resurrection of the wren in the ceremonies and festivities of L an Dreoiln and its Wren Boy celebrations, marks a male reawakening at the dead time of the natural year. The Year in Ireland is a very rich source of evidence for much more that could be said on calendrical gender division in the social sphere, and it suggest very many topics for further research relating to this subject. Moving from the social mind-set to the realm of cosmology we can see how a gendered projection accompanies the overall organization and structure of the various layers of the traditional calendar. This way of reckoning the yearly round derives from a mixture of the calculations and conceptions of Roman and Celtic antiquity, medieval Christendom and early modern Enlightenment in astronomy and other sciences, as these converge with an underlying system that pre-existed from pre-historic times. That indigenous calendar of the annual round was based on the perceived rhythms of fertility and reproduction associated with earth and sea as observed and reflected on by those engaged in pastoralism, agriculture and fishing. The incomer calendars, Romano-Celtic, Christian and Enlightenment, were based on the observation and measurement of the movement in the heavens of sun, moon and stars. Both indigenous and incomer calendars have a basic model or system that is applied to human affairs and the business of life at both instrumental and symbolic levels, to keep track, so to speak, of timeliness and its appropriate behaviours throughout the annual cycle. Both models have point/period, festival/season structures with four pre-eminent points/festivals giving two quadripartite calendars, each with its own set of Quarter-Day hinges, to use Caoimhn Danachairs terminology. The two calendars, incomer and indigenous, that underlie the seamless surface round of custom and belief whereby the year continually proceeds in the civil, ecclesiastical and technological orders of the actual experience and practice of life are well caught in the account ( Duilearga, 1948) Sen Conaill of Cill Rialaigh gives of what he describes as the True Quarters and the Crooked Quarters of the year. The True Quarters / Rtha Frinneacha na Bliana A quarter from Lnasa to Samhain, Rth Lnasa go Samhain; A quarter from Samhain to St. Brigids Day, Rth Shamhain go L Fhile Brde. A quarter from St. Brigids Day to Bealthaine, Rth L Fhile Brde go Bealthaine, A quarter from Bealthaine to Lnasa. Rth Bhealthaine go Lnasa. The Crooked Quarters / Rtha Cama na Bliana A quarter from St. Johns Day to St. Michaels Day Rth L Fhile Shan Sein go L Fhil Mhchl. A quarter from St Michaels Day to Christmas Rth L Fhile Mhchl go Nollaig. A quarter from Christmas to St. Patricks Day Rth Nollaig go L Fhil Pdraig. A quarter from St. Patricks Day to St. Johns Day Rth L Fhil Pdraig go L Fhil Shan Sein. The quatrains can be reproduced as two diagrams that illustrate both the structural organization of the two calendars and the way in which a gendered personification has been projected onto them that combines figures from both Celtic and Christian mythology. One is also able to see how the indigenous calendar is oriented to the rhythms of earth; the incomer calendar to the rhythms of sky. TRUE QUARTERS  CROOKED QUARTERS  The gender associations of the structure of the incomer calendar of the Crooked Quarters are predominantly male and Christian: St Patrick, St John the Baptist, St Michael the Archangel and the Infant Jesus placed at the quarter-days. The gendered personification of the forces associated in custom and legend with the True quarter-days of the indigenous calendar are, on the other hand, predominantly female, and involve a mingling of Christianity and pre-Christian/Celtic figures. The Christian Mary and the Celtic Mongfind can be found to represent the two True quarter-days that focus on the sacred otherworld, each surrounded by less personified associations deriving from Christian and Celtic tradition. The two True quarter-days focused on fertility in the animal and vegetable worlds respectively are personified in figures that again mingle Christian and Celtic mythology. The Brd of Feb. 1 is both Celtic goddess and Christian Holy Woman and at Aug. 1 the Celtic god Lugh is present along with the Christian Holy Man, Patrick, in the rituals and the legends so comprehensively studied by Mire Mac Neill in The Festival of Lughnasa. One should note, gender-wise, here, that Mire Mac Neill, in treating of what she calls The Myth in the Legend of the harvest festival, points to the presence of the feminine at this quarter-day also, in the person of a cailleach, an elderly sacred female, who is associated with the male hero of the winning of the harvest of corn (Lugh) or the harvest of souls (Patrick) in the struggle with the primeval forces that the mythological import of Lughnasa signifies. Caoimhn Danachair, in the Foreword to The Year in Ireland claims that calendar and calendar custom reach into every corner of life and culture. A discussion of the topic of gender in the traditional Irish calendar, undertaken as a tribute to his memory, shows the truth of this and the soundness, as ever, of his scholarly judgement. Tagartha Douglas, M., 1966, Purity and Danger. London: RKP. Eliade, M., 1954, The Myth of the Eternal Return or Cosmos and History. Princeton: Princeton UP. Kristeva, J., 1986, Womens Time in Toril Moi (ed.) The Kristeva Reader, Oxford: Blackwell. Mac Neill, M., 1962, The Festival of Lughnasa. Oxford: Oxford UP. Cathin, S., 1995, The Festival of Brigit. Dublin: DBA. Danachair, C. [Danaher, K.], 1972, The Year in Ireland, Cork: Mercier. Duilearga, S., 1948, Leabhar Shein Chonaill, Baile tha Cliath: An Cumann le Baloideas ireann. Van Gennep, A., 1960, The Rites of Passage, London: RKP. Tyers, P., 1973, ms do Naomh Brd. Tip B8 (Lr Lnasa 1973) in Cnuasach de Thipeanna Fuaime Ionad na Gaeilge Labhartha, Coliste na hOllscoile, Corcaigh. Gearid Crualaoich is a graduate of UCC and a postgraduate alumnus of the ҹ޸þ of Pennsylvania and the London School of Economics and Political Science. He is Emeritus Professor and former Head of the Department of Baloideas/Folklore & Ethnology at UCC. Widely published in Irish and English on aspects of Irish literary and cultural tradition, including mythological legend and life-cycle ritual. The Book of the Cailleach was published by Cork ҹ޸þ Press in 2003.     PAGE 4 Gearid Crualaoich PAGE 3 Gender Aspects of Traditional Calendar Bascna 4 (2008): 1-14 &';<> @HMRI""-)4)))..+1J1M1S1112 2m77i99;;? ?C?N?l?~???ꬣhFhFaJhFhBIaJhFhX0hBICJaJhwhE:h>fgh>fgaJhqhBI6]hqhBICJaJ hqhBIhBI hBIhBIhX0@'<=>  ,Rc6$a$gdBIh`hgdvkgdwgdX0dhgdBI gdBIgdBIgdBIgdBI6IJia#$q+z-t/47?BiGH+KM~Ph`hgdBIh`hgdvkh`hgd>fg!$a$gdX0gdBI$a$gdBI?AA9AKAFEREEE^F}F~FFFGGGGGIIII"K)K`KjKKKKKKLULMMQ'Q,V-V|VV9YGYYY[[]&]^^a5a6a7aaaaaaaaaaa8b9b^btbbbbbbbbbb hX0hX0hX0hBI5 hX05 hqhX0h>fghBIhX0hFhqhBI6] hqhBIM~POSUZ^aaaaaaaaaa b b9b]b^bbbbbb !7^`7gdX0!gdX0gdBIh`hgdvkh`hgdBIbbb'c(c\ccccccd5d6djdddd&f'f/f0fMfNfgdBI gdLr6$a$gdBIgdBI !7^`7gdX0gdX0!gdX0b'c(cIcZc[c\ccccccdYdZdhdidjdddd&f'f.f/f0f2f?fCfDfLfMfNfOfPfQfRf̯xpe]hLr6CJaJhqhLr6CJaJhBICJaJjhLr6h)CJUaJhqhBICJaJhLr65@CJ\aJhqhLr65@CJ\aJ hLr65\hvk5CJ\aJhBI5CJ\aJ hBI5\ hqh>fghBI hX0hX0 hqhX0 hqhBIhX0hX0hBI5$NfPfQfRfdfefffhflnn(n[nno\oooEp~pqqgdBI |^`|gdH gdX0 dhgdBIh`hgdvk gd) gdBI $ a$gd)RfSfcfefffgfhfpfh=hzhhiiMjQjjjjjkk%l&lClGllllllmnn'n(n/nȶwslchBIhBICJ hX0hBIhX0hBICJaJh)hBICJaJh hqhBI6]hF hqhBIh)CJaJhqhBICJaJ#jhLr6h 5CJU\aJhqhBI5CJ\aJh)5@CJ\aJhqhBI5@CJ\aJhLr65@CJ\aJ$/n:n;nLnTnUnYnZn[nlnmnnnnnnoo ooo.o/oGoOoPo\opoqoooooooooooop#pFpZp[popqpwpxp~ppppppqqq q4qrrssss»µjhYU hBIhe hd7CJ hd76]hd7hd7hd75hqhd7CJaJhBICJaJ hCJhBIhBI6CJhBIhBICJ h>fgCJAq qssss s s ssssss2s3s4s?sfsgshss$hh]h`ha$gdA$a$gd>fg hh]h`hgdAgdA&`#$dhgdd7 gdd7gdBIs s s s ssssssssss2s4s5s;ss?sEsFsMsNsPsQs\s]sesfsgshsosws{s}sssss޵ hBIhehh`h>fghA he6]hemH sH hghACJaJhghX0CJaJhehghA6CJaJh 0J5\mHnHuhe0J5\jhe0J5U\jhYUhY)ssssgdBIB 00hP:p` .!"#$% DpDd J  C &Atrue QR5IdqT Y DF IdqT Y JFIF,,wExifMM*bj(1r2i,,Adobe Photoshop CS Windows2008:09:16 17:27:44f&(. AHHJFIFHH Adobe_CMAdobed            o" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?TI%)$IJI$RI$8 r27㌐KP)ihc辯WM4^.moTɆ0gV`;e˛cfֵS}6[{l&G>E OC,|}LԾC^S}{;ڎ[h7Ƕ?=tU3ʿf׺o/K)K͹ZI%5f*yMآzGM6߳U,kqc:S32)h ZkrݵOF(_qFénmOOY)fPMG֗r+c%veo<UT L]_fYۿ76Ũl}?+}_~־z? Au'UN;ɳ{9~6ϴ$J]Ջ+2#]#G5?ESIJI$RI$TI%)$^IPC\)h@w4(mbJ[~#.V5kCZh$I)럶._hw/m{_nMOM?J[VEEߢXq=Fߧޟ]1Kyw)$'Wqߊ08zq7^poK)п9bI$I%52Uyn'TiAB;q^jo>IMI%)$IOsg]CFQ,Vn}7gk~Yu7zV݂+U{-ZW>e[,} sc\?=c}Tݮl~۳o$C76W+}NṨ/:4.l-[O Պ\ZP=.sU{3^x{l|\N3Si^-jl~},`}e]6s0qCHՍS =:roҪWGi˿ ڰ6S#pků}kai=Y!Ոtz_lcgJ}lJ7<~wG\{2jaiɬeuYcu!w1>Kg_,im3;VHJs~YN-,/ ll8dz~bLdN_e!K7W[?[[km,G>;+իSԣq׳#\ܴ?ͱ¯rņzϲ%=FXēk)ee c~@n/FQ 1>;/ܧ^MxoѲ o[U_ج$,c455@pRI$I%)$IOTI%)$IJI$RI$duǯ[sis]='z"'neH`Ϸ,OFT+jnyc,ۘ1'i#GV6?CQ[m=ֳӱog-KZRXr]ҲmΩ;=F꛿Dݿf˭歯7*Uv30}umYKc))I$JRI$I$$I)Photoshop 3.08BIM%8BIM,,8BIM&?8BIM x8BIM8BIM 8BIM 8BIM' 8BIMH/fflff/ff2Z5-8BIMp8BIM@@8BIM8BIMIf Untitled-1fnullboundsObjcRct1Top longLeftlongBtomlongfRghtlongslicesVlLsObjcslicesliceIDlonggroupIDlongoriginenum ESliceOrigin autoGeneratedTypeenum ESliceTypeImg boundsObjcRct1Top longLeftlongBtomlongfRghtlongurlTEXTnullTEXTMsgeTEXTaltTagTEXTcellTextIsHTMLboolcellTextTEXT horzAlignenumESliceHorzAligndefault vertAlignenumESliceVertAligndefault bgColorTypeenumESliceBGColorTypeNone topOutsetlong leftOutsetlong bottomOutsetlong rightOutsetlong8BIM( ?8BIM8BIM ]o AJFIFHH Adobe_CMAdobed            o" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?TI%)$IJI$RI$8 r27㌐KP)ihc辯WM4^.moTɆ0gV`;e˛cfֵS}6[{l&G>E OC,|}LԾC^S}{;ڎ[h7Ƕ?=tU3ʿf׺o/K)K͹ZI%5f*yMآzGM6߳U,kqc:S32)h ZkrݵOF(_qFénmOOY)fPMG֗r+c%veo<UT L]_fYۿ76Ũl}?+}_~־z? Au'UN;ɳ{9~6ϴ$J]Ջ+2#]#G5?ESIJI$RI$TI%)$^IPC\)h@w4(mbJ[~#.V5kCZh$I)럶._hw/m{_nMOM?J[VEEߢXq=Fߧޟ]1Kyw)$'Wqߊ08zq7^poK)п9bI$I%52Uyn'TiAB;q^jo>IMI%)$IOsg]CFQ,Vn}7gk~Yu7zV݂+U{-ZW>e[,} sc\?=c}Tݮl~۳o$C76W+}NṨ/:4.l-[O Պ\ZP=.sU{3^x{l|\N3Si^-jl~},`}e]6s0qCHՍS =:roҪWGi˿ ڰ6S#pků}kai=Y!Ոtz_lcgJ}lJ7<~wG\{2jaiɬeuYcu!w1>Kg_,im3;VHJs~YN-,/ ll8dz~bLdN_e!K7W[?[[km,G>;+իSԣq׳#\ܴ?ͱ¯rņzϲ%=FXēk)ee c~@n/FQ 1>;/ܧ^MxoѲ o[U_ج$,c455@pRI$I%)$IOTI%)$IJI$RI$duǯ[sis]='z"'neH`Ϸ,OFT+jnyc,ۘ1'i#GV6?CQ[m=ֳӱog-KZRXr]ҲmΩ;=F꛿Dݿf˭歯7*Uv30}umYKc))I$JRI$I$$I)8BIM!SAdobe PhotoshopAdobe Photoshop CS8BIMhttp://ns.adobe.com/xap/1.0/ 4294967295 514 358 1 300/1 300/1 2 2008-09-16T17:27:44Z 2008-09-16T17:27:44Z 2008-09-16T17:27:44Z Adobe Photoshop CS Windows adobe:docid:photoshop:36c278bc-840c-11dd-9623-cd24e18c8956 image/jpeg @ICC_PROFILE0ADBEmntrRGB XYZ acspAPPLnone-ADBE cprt2desc0kwtptbkptrTRCgTRCbTRCrXYZgXYZbXYZtextCopyright 1999 Adobe Systems IncorporateddescAdobe RGB (1998)XYZ QXYZ curv3curv3curv3XYZ OXYZ 4,XYZ &1/Adobed@fA     u!"1A2# QBa$3Rqb%C&4r 5'S6DTsEF7Gc(UVWdte)8fu*9:HIJXYZghijvwxyzm!1"AQ2aqB#Rb3 $Cr4%ScD&5T6Ed' sFtUeuV7)(GWf8vgwHXhx9IYiy*:JZjz ?ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~g񋦻 )0]S;~mmlڴs[r{UmM9VcbV45{u\;,؛wh|=e}07GVT:nv^ٟT[76 fi%=fB&2dou_i{W>mv]gjú#pA{{;F/ Kᒧ;SqQ$AT{tx>7蟖1ؽ{k}{O`ZvVN݁V7nF3"(j_udx{xt;vb:7w@u&ձ{acSzuؽձz{bئT+ZcpT¢ {?{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~c#m{nV읓սu_}a:c`[ݹ;uQGUUQZi)ja^Z?~J?,[Rɮb:G}_ilun3/:kr{{o1!f"Ou?GdQ/O/#vwoK~lnslサ{>ao\cnG!]io]@z۳PC۸?u?iDZvM?x`.}]&z{ .%;#QB0t;>/u)Ep^cG{t'{Lw?d M?ZJ/uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tH?w[_7WˎN쾩[ga])GyMմ1pRla7:-{fqXcT2堛 UtI~:__iv^Gݔ;/$ݭ>=/}.]KU?qKKRDL?ǫ:Ӻo]f fǰ67vm mb7#TMd#YG#񃶾Jg21~|[7 ~O?['pGh>'.߾OPոܙWۑ{ur]ʰ尿Ҵ#0&:') {^pR͑vR%Xg^ ݟMvvcr|nRg*τ; uRGqu+monom~ jj#PPBTRnX*#U^?i:o罻?_?ݙ؛{.6OO,s'?U;tLV_9 r6{Ϛ,{OeG:pvGo)sf쿌{17~V|r^[| y ar&6}4->?cϳG#:kۃ촥;wܰۿθz1#׺򳦹߃:%?҇ɴ?俶ٽ1?n21cɰ׺7׺ݵ{^׺uݵ{^׺uݵ{^׺uݵ{^׺uݵ{^׺uݵ{^׺uݵ{^׺uݵߺ׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^ѳ{ӭ6Ք>zVǂ4ކ:Nа5%%ğߺ׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^ߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^/?H4TIRuo~I{j,/c_{/z^2|ܛ5X&%GkxVxȾuzآ^X:J8r||~&k6٘#(S:UK:tH~WϚYS>t#'vv>G1Mw$sc9l|Y5\׬9%V6/QXj׺;ӯ>>؁pVοʊ*K0+W%u6_*1ںX?j{1I59~Cy|4 t/01c׿ĺ ;zS.gG:)n7v:]6A1ѥ93RQҏj2O7IM{Wx \~]:[d]YlN߃ch>*ڞ`EeZZjjz**X)#Y`&xh2:H>׺{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^K]ҿ{˼{SaN۩͊˚NUi0;v*ǸMWT'vU>r{w?kŽ*ϑ^?=>x;_ D$9*'YOuxvvˍQ}Ϫpu;#|nSKPSmUZ\JVH׺6Wѷ+4e]/gd\ ]s'^c<~>α<{_:aً۽{6GO^9UdU%%8Uΰ7Foߺ^׽t{?h%^o-^ XJРx-e@~׺%U_]MFCz#+S!vgj|Ed'dq7YM]C%EY[]mu~o;:TmƈxcpU>) 1T+{uiNuw=S[3NǦ8y_⪱lw:Ӷڪ@?F~Pt3{Kl,ؒ:}PI쎵iu&=V(axǿu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~Ns#(:'vugqޟVvWwn<{0jUhܻl6סr>#No~!wv*[6scF A:rEV;H hwDR(aеӿ ~;擱6Ǜu]NŸrtUV1sr{bvLm] YJZ8" {K{{^׺u{{^׺u{{^׺u{{^׺/=KșN.wwmfvn1{`y4tny$(^@1 }׺-QO?-evD4KQu \$Y[KwVe*]bpad^HꟙU[ʋw7x|x WOUQ@w37z,r 2ai)ۗEc D~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^Y}$]1[/n<6>JŬnMœsilͭns#Î벹ȊYSS|gcok>T>c-FK۟vV ^*f6ѷFo>Ǎǯ&73r߲~)ɰ³ڵFi/Ȼ*t>t| _]o~߭@Uo3_FRL{O t2{tc:CgT|fZnM[#zwa+pT@*cvG\nZ\vu~$‹)HRz9a{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺE3KVc7_D}t-(j[|uIs{.ʝ>l^u%Pc u/uŜ.gn546.'*r{71]' XeQERgWugu{{^׺u{{^c?ŏ1ܛ}ggk1I쿍w3/m'{XzxO?_/x^K%'!{1?'~O|w?9LAv(=^E$Xu}?NX޷`_' o"ݓU>{3T'.9}_);J -6r?nno t4񆤇 `?&Bn? 2W]N'.7_}|O!3NxVCK<e}׺P|`= ̣7/[|۫;j G;:f kV& mg7E,{Qt^jouv-?/){ctO>?};!z⇰=.<'S`mt[sm{`|/Z;Ư| ܿ/$i'X^̧ߛ|Jn.ǿ^y/[~.$;wn C.{}w5oI-Lbzl60^(wg}i;soN_];~T;}w}3n56Yirf :< mY5{׽u~{ߺ^׽u~.ǰ;#7֝Შ]k5=<ɰk⷟_d͒{-"IUA$C,^;f߷K3orP f?BdԴ8lzQ-z&ʖ%'H+ GOߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~mڛ=+pIVKCM,MꮉpZ'ni؊Yh$§F7:{3fRlcnSWejkø}{wϚM뽷-q59LZ)fydb{3ߺ^׽u~{ߺ^׽u~{ߺ^׽uL?2'Ư%w}+Mם?՟"zǎ񺓹h{{)x|[UKQYCƈ+g^/?v^9;h$6GKv&ݰm:l>33zuܙZ&e6 ef!AM {tP:jv h&|'v}zO!7ooga_]%kǹhe.)* _{~׽u~{ߺ^׽u~{ߺ^׽u~$]7_6cl}˴N*9ʍ&Z+[G%SL'L4/f/v42ȕ;JCTCe>6]mMv4x-:Xf:8)iPnI>׺S{^׺u{{^׺u{{^׺u{x(_swfnw;{L2=I6r=Auʮf]ݘ[tYڭ6rSKVSB{i&^4 d|5;='^w<ĞݻsqNϩzc&,.ƳVijumnwgOݽ,FM[}tv.G7գ[wg~ۏ)wǗsS&դf{_׽u~{ߺ^׽u~{ߺ^׽u~{ߺQ)kjhkhki椬:ZZjyឞx\>׺!<8\IpRb57í͕I+jRYYJJvdr6Gߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^2.}TCpmmϑ0=Ãɒ.M[Pi&;۹++)6Gq[w./reY0;b~n#Ŀ6UAӟ; l|`r/ȇٽS7wˏ]m{'xo=]N\9JluI׺:7Z_&/8!2?٧A7nWCkjӱ19Ou?/>1|7ʏ߹}gPϹ~OM߈wg*~G|Zӷv㩤-4u8 ׺_۟?4ougYq2C/0pޯ^׺ߺ^׽u~{ߺ^׽u~{ߺ^׽u~78+'1&k[TV[!#_I342,nURGu\eKhk<_;947v#wN&5[Gz櫤&V|]ej% W7bj~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺExUtĮS Mֵc}eTOػ?n`r[td)5uD0Ԥtz+basz{TQf{OԴۇwVG5R14xLV KOۘ~*=^׺u~{ߺ^׽u~{ߺ^׽u~{ߺ^֜X[7FGm\.wo?6Ss~ ueڽ}Gt>;Y;[*MH2lͳQYunouOmĩaf?M~?"GNo~nߘۃqu.һdvt44{NmSѿڿl,/:ٿ@|ݏ^L?nO~߷|F^[[ ؽcm`qMUv?A^1{[@u˃ob?Ogu]ɆosdzkjEWݛrզ)1#%OM+ GiFN|+{/vQ2|`ʎػ; ҽ5ڿ7&&*7 8Jl<2ؚrɿnC⳿o3^^!Vc1OE/pv.8ͻMnGT+CC.j#s륨tPI{Z/AocS>oqjWX w5+6Lv٦M6FǼv*{u~{ߺ^׽u~{ߺ^׽u~{ߺ^e]G;Ӯ7/WoZٶ䂍].'q%Gڛgi{ce_ F;)ELDI~_sye TR|Q: X&jqp3 4g!O)ݸ.6{e{{^׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺDwq?cI5(k:,vȊm|nVhj6dhXձuu{{^׺u{{^׺u{{^׺ue)}}_(:j>ꟙ1ҵձɗ{԰]سڔ(ɭn+#1c׺#p|=§7ꙸ.::72/ʳ#f͵Ք鰨׺)-qwʿX</,?fwM:/e~iG)^* 8׺Z$|V7V\ϝ_<6퉺?Sn ܻg#pb?jp>_ฬe'I?]usvgSs?=՛W][v'#2vqonT&榆j,UPVT{t oO3ozk@nSpPό{{6FNˊ;w1;3: ʭkv>)|m SCp|#gm~A!6?M>[Ydax(a>O$~~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~[Srٶ7Ne7dk8f9sɋiJ`Ѥ6jOf^=׶[fgq{g-{Os`!wXl ;S3bȪ)捊KH#ߺJ~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~y}Wce8}{Q0us6gFcCxkpUΟW`Hwn”o#ƭ 6comb1 RA0xz8q؜F.#ch)cUHEU=t{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^|O >mmƊfRн՛ɻ{NE X0S?8V}׺?׺u{{^׺u{{^׺u{{^׺u{{^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~W/]Sz!Mrn_k7{ @ Ք4/uu{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^|OK5YG}+t)Wp;^?%? (cC-[ԱTwGߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽t |\/n^41A[ױ*q`G7Fߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽t쳾_wV6±Ѱ7"><8J1jW]؜of_to]EؙR& %NS~8nH喞Fyb˞.O׺9׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽t@>|/WRc|v]'ySdq\~Typ¤#{tu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t@>;=ߧcdmQ養>ǍIAQh_/_Xjd5?Gߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺIن=vvn 6լ[/#T͵I5[nTεQ0lS‹WGUNd׺ ?w.A/>GGş]6<!zk/_1ʏ:ŊRe6n#3t؁[=׺4ϐ=YltɿZ7sKlgx{m>_}ov?ٱenPP-׿gzu~U+;p|r_̷Pwͫ}c5v߽%G'w{>SwWODsvzsY+p'V?G#^> ؽǛ[ww_6Kvmޤr#y*6mpRmX$˲珺F{vގ{Kw/>žVw/QQ4tMj=׺7׺u{{^vO}x+1.!9U:Y|!P8CGߺ^׽uL?w_5}*;;iIvK?+o~u.g6f#{n;3(3gr Vb^4~ה/+z'm>q'{>6weEWn߻ ژx: ^uEyFj [`> UۻsYf{lM?"{1X[3[jllɔsh3=-&.M^->9Ob>=|67?=[鯆}mO]m_mu`ݽe[&7& fǒ䳴5{j FI+eeALwZu_žؽ{ >ϾK}O-::{sVQcuD:/I|u6Ư= &|t[_nwCz7oVZ|.u-9)1׻;ڝ5/{l[/=ˎv:v=)gR[磫8s+rD̵q8wZ?2vX@/?ɏ7oz|61{es]D+}u/_,N3sY܍AOS6vÑ*~l{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^o3yuQw'/+'2n>ό[`Re}{Ss#ЬH׽u~{ߺZGϓ\?}b6*w{GN"FS}fܽ)ޙxY*h}׺;O=Rgڋ~VO~XN{wG n}[K?f-ێ}5 \8Z<^^?/{wF{O?˿ Rn=:O+;mwF3Nǣ{co_=U{rnx9}׺P|"So]DX fw_NW?n^qC;3); oq"j:zm|~!yjh^]A ?B_?U')1o fK]G?v?׺=z#br=Ec}߆d)7'z} cu|߽ pV=z7RYmzg:m|6OQvE/׆E$SGf|kUt|#~2@{'%սc_Q|i`{C л7;Wbok\chol4Lm@&V|xmNnǗ_m|>mOcd}ݓӉ:mImzH1 I~m{{^ߺIن=vvn 6լ[/#T͵I5[nTεQ0lS‹WGUNd׺ >0|%pvv_]6v&Gf`W ;ܲu_.ݛm6ɭnPRXt._!6r|n6oa쾿/;.<ku۽[ֻcTFak%{?~Mb![~ |vwJGF:!fwGxRˈÈ*R2͹w`u~nݝZ=4 pX*؝?;J UU&zZ:f))׺_xz_6ߝ[K:ջ'vvlI7gR6gjzbuүm*Z,5-Txx+*"Z^׽u~{ߺDnO>|n__*O7}wuu{{^>ot,G51y~彰U?!~E콫٘AW/w꜕5NO 05\}6٠S*,#{'oU߻M6wݗvO?ALontN7tNscv[h(p!tWeju]M1ϑq=O]fVd3Eɻmn>" .`gqi.t4yVX*uw^wa滃py?^Gy*t`?I}_k8wde\x Ur>G)J>||F#vژ~;!Ǧ9}՝՘ǎ=oKK0a%%&Ҋ3{uX=O8'>l o IcާյGMm~q{w >lN 6V7fae^ϲ<}?]ٽˣ_S6 G̞Π=[=yvY(CX$){|}NWr:N`}\^ٽ̾buotO?2 ˓#mh.pRI[^coilLi.~zӴvF OgǷ[M?YI/]TPSH o[9foN6OLO:Sp_)p]]ވޘ}WUGdݍ;wv,mv3zoda#qX,v嚞a^^׺u{{^ 7V.[r//vl3۝Vyܽp4y|OpnjYS,N{H?>d gOT|Yo_;뭣Ot3؝?؟:1zzz6ڽ/pÙ{uk2~Ow|CSϖm|PVlƭ۝4wܘ>TP1YKoE)t@2?;A_.ܻvOhtŸK{+6ڻ[F;:ç7~_zç~>ezMGm ~33I}/V?ƿ[vpl)/g~2~O\, K '|= _u^z i>gnD?~lMWNGuPEOKfxctᓲ󽟌sQj#uis\'O_>Anܘ/Qv^fڲ`|믅M9S(Y Ad=&{t|fWݕ?'sgo׿o?yM] z4||Nl7frnOu˼G{s f mGջGdlLi쭑M?g 6 R.n#WYLvbԴtW/g_ʇw_~AA3ptź Bع^ ޓя2{>U0|/ ?oǺwU.j.W?uu꽫{'>Vv&̠ޱﴩۇxSIY{w}׾enoi6R>':?~muGxOǫ{bwF3CUw rm819 ^u~{ߺ^M~^,l?'-? >*Oul׺?׺u{{^:6/x.}=}~@dXxJ|>CU[;ս}[TY9yd{b ^u>Fb|ٟ 1~@mߕ[ou|[|ڻhv;K7g\_`'`l&Zrc2Vb^@=׺Nwn뮶ܻ3oiu' ):xO_#b ˸; {~7C_%t3N٪u?{nǵ7f_$4~oatvDe:ޛ~l]3s;R5XnjVԦ|E=<ĞD~3_?٭G Y?m?SB_ _N؝uۗf|.Uu6CW KvAwtc7c|ok䮒\Fw9}~{5Q_׷t{O;>@So=˵u|ؿvtw/%vߏn ZKOI :dEA4 Gz\uaݵenmֽ[no űݸ۷j0:zS#-eN6B}׺+蝇Opn}}zkwVڽ~}ٝzs3oDVY3D)^u~g~OWɍ𻶶I;enzվ;Cc'm{1XNƧS6KSuX >r&h-/_x3=m_]cw->Lm }G6s bM&ٯػ ^=ߐbgYeg{o?WGq|}ԛ'>;|펟Ym큗0X>IQ{tP7W$Ozw7vMQ?3{?ʎEݝ]wY]cbwI.GT{ϔa_dbG|0>O=Y]Խe:G'E77335Ƈb\vzp+5xZWxÿ_fuk~enٛ1/6?k}4>gu1ubVme{RNʱI6;/Ddoϯm԰|[_!.h?_)M(]l6;/ඵAGITO?%{l?5Gxk}T|xX{>0*?{Omۛ;W`wnW.*Xu^׽tW;EwM2n:,&ݤؿ$H>2!_Kll䣫L~+a=׺(?e{d06vwn?w*W^+4]yZj7S{aM4 &!*****'ouߺ^׽u@?[jۻ-_j[-rs7ݛ.YnL6SqյMػ2X}og_, 7[)OI?O7Gu:?0ϗ[;i ꟟=jMk ^)}fiCpvNdco fhi㨯4WCTUcOnJoGvf_1wWh>G|TU);6ڹ} A[~nm].GoYZ#żow84mn?Jz~Cꮳ->-~;ɰ°<*}ܘw[pQjI4;3o/G?^Mۏjۿ6U^2{b-7FJlm5ft0(ɴ]=j0ZOƞݱհ‘-!;ݵʦڻ6'ථ$9V;9$[x<Teθ1kÀJ>VmT:3_̃oΧ='n]2vN=U___mv&yaF7dnͫ֓CAJ*?ueO'?>w"/ ]f+O?}x-XcV ooL]HwGYxOv/koԛ+q߇}}OIuY}׺0p^_*S?;:1_-@tW$>۲Pk¬7Un?_/ Ev,ꬍc=AKYW{׽u~{ߺ^ eo쿁* λ}?w/ktF{2IS){fqnޛ~~ˮ}|k䠉׺}vr+27J _d>w*kM|{vwN#7#rzm n^L)-I3t`7&%~#ػS?pv7"m_v]u.^yq{lT=Q tevo jw{tX3]zO_??׽kp|? ϑ_!:Lm^|.m.K`F4nZA _u>' ݙ!':`u7tN^޿_L,^\J ;syPƵ1f(1XJ-꿓Ou~ O=u`3GOn MtޯZ95?FNY/4쮒_:}uz`sf?ܮ[s#Widj1x߱qM]t"_;O1~"|`OzعLAuNS# j]WNiS:~dLMF_jcOU}7odTSEfb7 F^Acvghd* uۃ7a絰ޛm}1ڝ>Wm*S)s/1ڑF'{ug17.;$?i~M_̷`f2Oum_upn=?ܝW|^w;_m˟|}:d{^VO՟賲>s쮴ݿ!ݹ+g`mg- 'O /ủ)f we%+u'i]ػko콓{;gm<6;nm]v;{mm` G -,1SRDD=׺{ߺ^׽u~cNS{vkuNwpl ˸zvC=fܙ-{:rb mǷwTk4/E_ugܻW~myvpISڝԽ'߽ٝ')>J7~{oj:om$9L} >J$_u:| =]םٟ )7`uiw:xl_K:[;lwo-Fťe}2a"{o_wܯ-zG̞xBQڿûե5? ?tI˃!])ϑعϚ?7x\L [-2/ܽdPc\F&u<<>(7t؝Y])ػ3b>ݵ?:xonR=W/26#O-+go=\Sɷ0O^?'O_ڿ'ݩ:vv~1]#tNߛW+Qm*܄;nqN#/Gzjp)%ݾ ]?zuO[zm>ʳf)ߥ.%LU鲹گ8^`׽u~߿k1ܳ+3ѳδʗ{ݵ{^׺׷'"?6^'7s;ݻ;;;֯4]IvɰJ8ôʰ䴥󴶳ұmճZm>9}c+[EԘn9X[75VJz+{`ҟ5:ٻ34϶]#qF_r>.vwZumֵsR?2q;RGFV{tOvtVw?S_n S{wn7_ٝK"6VK~}+ ݱuISM{tg&}#o-3OVF_6O-qu/[=NgWl6/TRn8j??u-qpVGQĩػ yȶ=ڼ6voSg7;{o'GS|Tt@*)g^u~{ߺ^׽u~{ߺ^׽u~{ߺD_ve&3HgG/ IXj!׺?׺u{{^׺u {||~_ mݿJ_°X/=/?ӎuoucU=`,%>4_  "_uke-li6uyMCYvgbﭵS]43wCf4U}E%BIOCCO7,)Xx>_$h7*{U4L,K`*I׽u~W1{ c SGnvݹْ33.>|LߧHqxKlepy|l9%u 5| GMݟ"u_F;V ud7r] ʝSpaZ1I[Z|LqHuKҘzG׸2.\t~n^S7U *pKASQGjA׳?kwMm?7pg~>-S6/~%̧ѱճ>媫ܻO+<'nn 阒J:j^Lc3U9uK]s]K)-o=;%.WnڽW1kw W/2V56 ׺g˿wV[pfwf;O9{vnǑn˹wcKVe;ijjeyevvf>(7-7"I[OK?)b?_VG3*՟h芯Y_c65NٟzL&ջ+i\oeEՍ%e?I5$t׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u~$:ET:'*7 U8BB,d^^׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽tA--ND厧|ĮR}2O^v/Gvr:#>;ªJe}׺>4TմU%,Գչϰ3:189j(|$y>˸!ѹ/5$(׺uݵ{^׺uݵ{^׺uݵ{^׺uݵߺ׽u~ݵߺ^׽u~ݵߺ^׽u~=#ޑ{7h6i{:塞ݽ[q󷡢#6m䧣S2u˶>(:ɱ+7ʺϠWy_d&\^-~&h R5/S#t7^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^ٝ:{7j.rm>ڹձ4bǰձb9&Oݝ۽򟰨w岹|ò<NjaYI̺&:uB^o׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺDw)|Ⱦ?|gcj\f;gjV7P@mmHʫ1[J8Fa׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ʯ..菋yۿ!#N7?]KUόi5Gߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺH7v6Nٱ7m=ݶ#frl~SSvH9k:0 ;">}wώd!uwJW鿑(z;v{ jjv9w*s ?ug/? zk9O4>i|``}__$~c9'{pEYY ^ SmZ}qx[+ A^cwƽ6K7o sқ1߽>#_[VKٵkbJ6tۘPeuP8 ~wͥpQ5{OnLwwWƾ/uo|f?,{\Pכ*wn>O_vs{t1毸>gl>` oxOd[F|l+ܘ\ɳP7{f6R iS`1zl>ՓݵݘZ=ʾԟǰ찿~<?zswtGƿ>:j>Ԑ^k2_7;]K3_9Kt4;O96؝'bv/g.S|Xݝ>A;%;IUY[C;#Q壿^}};Kwȏ7nMb|6ۏM]ٿ{_tKQ PV<06;{}u~{ߺ^׽u~{ߺ^׽u~˺T?zf V_yϘuV?1M.Go1؝8jZzۧqYMKs=_SMSx׺z;A v\rźLY ;tk7&񔆞, ݔe'HC0q'B߿u{{^׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^]E V^!:cf ˳&!SX9功52A1u:+{6=ϱ;K zL^?zki3Avdl T46=]FˈԦb4~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t| Ǻ>L]#Vē}ͱ6u) w[m*vҥRɘXh"zj:ur7.声||;FPxw.>awfޓ].ɟoJǷ:.n-|=׺j7.|l;f_7Gxإ? j띫ҕ"{soto d>9kq{g^>G{GW?1:n;m|쭫׻&J-8 w¥;K%Y1u l!^|;׿67Wˍ]iSbCwr6FzâM{UmM>.~:l"Ҭd`^^׺u{{^׺u{{^׺u{cB9_ۺ3t+:l}Ӷ;#+G_[ػFjzEU]f C[M{wAgw?qwS~Gv*}ƪMvzݩ]Ti:bϗO5ۋ3UW{1{{^׺u{{^׺u{{^׺u{{^׺u{{^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t];ۣrU'7%\|;6c UɎtofh5{Ǩ7R'A=6J?utw~Svc ?V]E^N;Te)28/u/u{{^׺u{{^׺u{{^2򫤺3ۻrtOhuCjC=[cG|K͕+U0%O,!_;ho'ό9tcUG?rpnIY~: э)qG'SOuӿ ? >o~X`ǯIڛkg,:?wƾNػB~S{%-=Wc׵5>횣1OǼ[~uZ_.Ob|xߟ/'xmϒGػws>$ V?a,&pٻzVWReRc^׺~r']z|~[cѧifvVCKquVm-^jX0{׽u~{ߺ^׽u~{ߺ^׽u~];G7'mϺ鵺Ӭve%.W;W{RTWU4X|.6|NMSUAKy|SvUnS~jֻ} }[؟Y)>I ܹ;Ŭ݋>)gvh$ͳ!G4)"{th6nۻ;+'okNi7Z|aM:M/c־ᩂ]׺ ??ćg|I]{ꏀ_7lw'vt83Sf;ɭM7N(>n lzS{0?K|5z:M[im!֙δ\`o9]bg2{r4sxBؔ?н=o 01.cU{ONR᷶YE;jmֽ]MÖ2r&C7{'aTS;s/ս?cy@?]7j><_?j|xاd6Y&\۸i ]ȋߺFQtIݟꝓ.?̿:Og[#gwTm_=5S|@Fnނ>ܻ'%<熯{L]}}嘮v7]Ə캭'Ꟍ_vcl&[%F{׽u~{ߺ^׽u~{ߺE>KP E_Ù{~{|KGtSm$2y,RTS`q&u:!wKrQv و|&k{emN5t6NU쮶=l>ksWSCY4Ptfu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺAhu_^wNim,NٹOٮÒf Yism,5ؼ]|URO DQȾ'ȿ_[Z|h1;N#νQɍ)yڡ[{֝=˳0;l+w>OM3R5M l2'GSIS4qʌ{u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u6{/ofn8=663w6P`vA TWesYE.7FyHf`tG?ww|q?qJ|썭ncjLnE]3IM#-n;H{?kv^*;r}r۟/yU7eo{zj8a5uAIL{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tO;/=nwWmUjH&X(YvM,)OMȞ9]ac 3fzƴ:s$R{t17ED':Ƴ-r)]1T15coM&ǼMouN;l^YV \;Reٌet)QE(&PVSȯ;"0e$^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺX*xyc#ygX(Լ#Hb@\^d~n 𓭫>Yn :ʜVKh7//'I3VC~I3ybbzzW]bwsT, 1}׺p?3=pG~Eo,J;zjvoŞP̵XwuoTx7^2q5>ߺGߺ׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽uߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݳٰı𸿰)#ߺD9?γⴥ^2ۜτۛꫲ;6ŲԱfݭ2ϙ۳)^24K <حONIStZ8A#fomB#B׺:n잷͟WtMuz^Dn?gۅ)5~LH@?~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~a㤘NwӶv~{tG`o-tSU1)qڃn4̯'-Ww%ڑLMAQSyDKcV?i@dH~ 7iKKv/ȕtniF hȔ}; a"dh1{t{~#Cx:lv7Bt44t=%%|uHu?}G l֏{;{'}c{fVD÷&K-9Ou.r?XƁ?t[x1m.ji“4_uac-~f|Qӫ%DuǮ*!MU][N5MI*W-{t>c{5>ٹ\[2R ]]ROIK],2Č*׺Y{^+[#nV ~;W^Х@F.α) #F[NT}t :~Ӳ(U4J]qTkPwMTuI)$*шM׺ d8؝[q;1i#^˭Hx&'T=B׿;zG>ךOUp_0jhY] ^׿3 >.f-{{&M띍1 -B*Ԓ׿,;%⧮[-CtMЭ[ Ke;')A,{5A^ŏcz&g./vnFzcm׼- \3CQ|eժV?%{+jQ$IQj)*4L*+@`{^껾W,巷;eaAoߛi^Cbj- 6졡0Sn=K^1bL\MZD^pct3~`hg48o5*,j&i5 u{h|lT WdV1uC66ڪѽߴj|n8齥?=[}F/ؿó:we|م- vAYHivBƏa>Z# nڽrS.nu|gů2^G(CO>->?{AgղK<=8Vt[v>Zߓu~q|.ٸUUd*WGG0|d-~˄{ku7O^߹)ud7W}Ӿ{͍zmvH|ؔ}w!jqUSdկ^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^P|_?=Aso/Oo띅?7ycv1YvVg{g>ov4`u49X*jjb^ S|}+_OwQu[ë;G@ٿo簘 Ef)7}Ee.B/qG|ݛ?V|ӱ7Gic;?[[CIvRӻ/Y少QI7CP?))m_7?u~@| L?;yq?h[?='Lm&㷩OGO.ͫa{q~oo vպmܽ_ؔmNy*w٧Qd#^t^>7?kvo_ 7a1~\^# ;'pQ"lC1G] ҃b'e򓵾lmo;_7Ũ) oe{Ȯ udŲ49m>c=^??{?wߓٿzla|${Vsx2 MG܋CxT]t,W{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~%DM1mOo=};;zn<ڭgfF')2TUkm LMs oW!;ꯊ5o'kt6_%Ō.+:)֏ѿ]?Xor__]GX]{{..Mb|Ԫlk!흥GOVth>=o?=os;MKcdS(z'6]EX]|tޙnګǾ'6I7ȯP.o]ۃq\ʂ3;C`l..ikvsjͿYUUPgsW5XS&>{׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~|vgŞͨ:zj&u*g2z^Erri=]Pdqun"/xMػG%[hkc=6o1>O3}uYd۷7NΆ%l^'V^׺;/ނܽ@ø>W}os{.--׽kw.RgPu_뾠Ϳ[bS(s1&/Siu 0lWPnfoJ;9*:j ۽)YӼ"2q_Jo}9e@_\D'/7mOtu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ Dd  P  C ,Acrooked qRgҲob#wkCF;Ҳob#wkJFIF,,>ExifMM*bj(1r2i,,Adobe Photoshop CS Windows2008:09:16 17:30:13f&(. HHJFIFHH Adobe_CMAdobed            o" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?TI%)$IJI$RI$fkT8v'ufwY"qt*SCs^lk89mck\QkuUUΥ֎հs{Elmckܧn[_};HNܬ*{@= s oUw0RPZmEC==ޏSk}-ح`bQ|F.s8kXcI$RI$I%)$IOTI%)$IJI%a{Ƃ\`9$H7ec@=ڶ.{S7X5 rrj?xkƣSK{.q,t])rlg8V> n>;g-w^s6z_kU$CWq}ϫlv޿}^ϧEvϧa~ g n]nދepi!7x'v湖2~g_zlO*e!e l~JXu Coq.['w;,ZL@ $*G ސ&ܒI ѐ-&s>NkVo}2JRI$I$TI%)$IKV7!Gȳ,^/),XWi)I$JRޡ/~ mWXi{hNf6u Bym}w+mJRI$c;-f9i5ߞKhs,b?~v}&,FU3?B[~q!$I$I$^(l]፭f~c]F'[`^Fͯk˃k/G=gsgtq / Ľ}뵮}u[oRZUV w{A`s=}^[?Jmt~:v;Z @궵.+v~Z+tΣ/vM^~\ֿ}OSs^TkQ@%G#IMlo~^]`>dX*M4&|O{1ͭUJ=:k'}m0 -w諯\`%c=ŕ?aCrIlRv"kϥ5u;!T,]Z u{ E?\oCqnV56e\X{ѳOOJYֱ̩2)slN_=XI$I%8N#jm v"pk7sco{,[Ү}o!;(Ø[aoggnޓFn-h0mn{{loж[[ne-pmrsZ׺x{v>lgمK;YMZL,Ƿ#`Sk__P*s} ,pJG?urګXZeP֌c.=wբw E)>5#*cX e$RI$TI%)$IJUmvF;w=HtiW VRIL*,ۚt 4{ۈao>iDyIO-i/X{2lmuш(ٽ=5Gꪪ*e4USC+5kF1okSx%8ZHiph.qI%.Bi Fķ۵/C'#Ku'6cW^%)>:c ʿ6S UU[kmct;4155@pRIJI$RI$TI%)$IJI$RIV5ۃs0-eе^6gRKq^ZG# v0&֏kGX]?Tո<8$uBm61Wc_v[<|?BߑCP2<;Ʈq773oWLzJtuV5\I놏{K7r( [c~۽)[̢As],s=ij}z{uڔ;os[XF=O]շ웫}?Gߢ )ISUu*qK:Ϳ#԰8V;w\IJI$RI$I%?Photoshop 3.08BIM%8BIM,,8BIM&?8BIM x8BIM8BIM 8BIM 8BIM' 8BIMH/fflff/ff2Z5-8BIMp8BIM@@8BIM8BIMIf Untitled-1fnullboundsObjcRct1Top longLeftlongBtomlongfRghtlongslicesVlLsObjcslicesliceIDlonggroupIDlongoriginenum ESliceOrigin autoGeneratedTypeenum ESliceTypeImg boundsObjcRct1Top longLeftlongBtomlongfRghtlongurlTEXTnullTEXTMsgeTEXTaltTagTEXTcellTextIsHTMLboolcellTextTEXT horzAlignenumESliceHorzAligndefault vertAlignenumESliceVertAligndefault bgColorTypeenumESliceBGColorTypeNone topOutsetlong leftOutsetlong bottomOutsetlong rightOutsetlong8BIM( ?8BIM8BIM $o JFIFHH Adobe_CMAdobed            o" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?TI%)$IJI$RI$fkT8v'ufwY"qt*SCs^lk89mck\QkuUUΥ֎հs{Elmckܧn[_};HNܬ*{@= s oUw0RPZmEC==ޏSk}-ح`bQ|F.s8kXcI$RI$I%)$IOTI%)$IJI%a{Ƃ\`9$H7ec@=ڶ.{S7X5 rrj?xkƣSK{.q,t])rlg8V> n>;g-w^s6z_kU$CWq}ϫlv޿}^ϧEvϧa~ g n]nދepi!7x'v湖2~g_zlO*e!e l~JXu Coq.['w;,ZL@ $*G ސ&ܒI ѐ-&s>NkVo}2JRI$I$TI%)$IKV7!Gȳ,^/),XWi)I$JRޡ/~ mWXi{hNf6u Bym}w+mJRI$c;-f9i5ߞKhs,b?~v}&,FU3?B[~q!$I$I$^(l]፭f~c]F'[`^Fͯk˃k/G=gsgtq / Ľ}뵮}u[oRZUV w{A`s=}^[?Jmt~:v;Z @궵.+v~Z+tΣ/vM^~\ֿ}OSs^TkQ@%G#IMlo~^]`>dX*M4&|O{1ͭUJ=:k'}m0 -w諯\`%c=ŕ?aCrIlRv"kϥ5u;!T,]Z u{ E?\oCqnV56e\X{ѳOOJYֱ̩2)slN_=XI$I%8N#jm v"pk7sco{,[Ү}o!;(Ø[aoggnޓFn-h0mn{{loж[[ne-pmrsZ׺x{v>lgمK;YMZL,Ƿ#`Sk__P*s} ,pJG?urګXZeP֌c.=wբw E)>5#*cX e$RI$TI%)$IJUmvF;w=HtiW VRIL*,ۚt 4{ۈao>iDyIO-i/X{2lmuш(ٽ=5Gꪪ*e4USC+5kF1okSx%8ZHiph.qI%.Bi Fķ۵/C'#Ku'6cW^%)>:c ʿ6S UU[kmct;4155@pRIJI$RI$TI%)$IJI$RIV5ۃs0-eе^6gRKq^ZG# v0&֏kGX]?Tո<8$uBm61Wc_v[<|?BߑCP2<;Ʈq773oWLzJtuV5\I놏{K7r( [c~۽)[̢As],s=ij}z{uڔ;os[XF=O]շ웫}?Gߢ )ISUu*qK:Ϳ#԰8V;w\IJI$RI$I%?8BIM!SAdobe PhotoshopAdobe Photoshop CS8BIMhttp://ns.adobe.com/xap/1.0/ 4294967295 514 358 1 300/1 300/1 2 2008-09-16T17:30:13Z 2008-09-16T17:30:13Z 2008-09-16T17:30:13Z Adobe Photoshop CS Windows adobe:docid:photoshop:98f25b1e-840c-11dd-9623-cd24e18c8956 image/jpeg @ICC_PROFILE0ADBEmntrRGB XYZ acspAPPLnone-ADBE cprt2desc0kwtptbkptrTRCgTRCbTRCrXYZgXYZbXYZtextCopyright 1999 Adobe Systems IncorporateddescAdobe RGB (1998)XYZ QXYZ curv3curv3curv3XYZ OXYZ 4,XYZ &1/Adobed@fA     u!"1A2# QBa$3Rqb%C&4r 5'S6DTsEF7Gc(UVWdte)8fu*9:HIJXYZghijvwxyzm!1"AQ2aqB#Rb3 $Cr4%ScD&5T6Ed' sFtUeuV7)(GWf8vgwHXhx9IYiy*:JZjz ?ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺU a5z5ؿiؘC;uۛ(jvn oo#JWpeh:*#^P/X_mS_r|_Q_^mݹ?·? xn-6)?G_?7[}-Ԙɷ=uc/σۿLϏ/3[6b|!0];xͷ:s1]Oj^"%N{pٶi//oğ%K>Gvbv&{_yݻPݑڛK~Rv9-A ׺E?I~&|?wd]y7ZSP}_Ʒ!6\: J|?YMп ;#oL=z]Y_'~0a|*ɞC CV3s]nhqbC s{t u6ՠ?[ڿɇ}Nc}gjv]˳*ngplY&&Po*)c^q~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ@cc7݇[ݡ>뭣ܝu7:l?b*[G w)OTőJ=#ִ>v迍d{wetHY[6O_l?&./y}&+25%i7@\|zF7WgoA{Gvw6뎴۪=Mۇlawf]wB+7*i+3u,~ݸ~K|@ߏ?v~zq]]irn7grۏq^U[BcKI۽ zi_Ae[wy| lNGHG*dY#MO㑋u /zuZ(YoSqlݛ֛֝8Lo?Sax Rؿuwg5Nܡܿʃ'ovNΥAڻj9SzCSmӲ~Uں,LTخȋ)"=>I׺?)Jm\?'*SxeڸCf+Cp\wG(hjcV@F{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_>?۫1|%6AѾI-Y{>g}|`y~Gn(vN+ʧp;kz[nm7?t2;%=׺7yzk Yo6<>|~WuOWm9~%J]6jo~2cw'uKU }-DfOu~|1 {`||z۫wv0(7In<:$-=Yu3?!1]?ƾo7'1]Ugb{~|%Kq6l.s , >ʊ{K3m{/kim_l}w]dvdK?aN^#eMMGsP ׺塻6/&{Or~O1͍×gM|o?"GlZ7Y Z*w:XLLY*usc|3Oiu‡0|;3cum_B6OqtZm ~]ˏɻNF1s3'[-M=v_[>ԴЛ#՝'gV{;_ܴ<,u(4t3be{tu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~5]I~/Pe0x8+r Lm$٭͚Xa)7Z-]mLPD,{O~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^3؟#~=ulL|2؝6K`UYr1Uؓ"^dwWTc3ov+%HʕXߏ5񤨵]D2T>׺"_|] qWHgt7V몡oluMLob2?x植{GoWdjEKK#^í,y>ͫ]wUeoc\}} ^"ܙxR׺';}|ZO.fnNI6OKTrT_"'0j,c9jx_uOv'82oYpɔbe]|ۣ=Lyߺ^dۺGa_2ysIi * F{_|)߭tp_ٜejNV XAO[ x<~ wP$q7Ŀ^+$I} ՛%#Gk0",tbnⱴKS#RJ*X>׺!̳׮ 7῿uu:zv݆Gr|tHAQRD3^2Qܟ;znۃ!6;tϯ˽6Nl\Uo۽4=Bjm =׺alGTv̞E{Sgk{k;ƶ@ySƪJ"*u]ch>=/褣?;oڭ5wa"{u]ٸ8w|0dfe]KlgbOP`sƸ3^a?7č}]j|wNWmekTm\[iXCΌQ,2+tsu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tP;?S}mߟ$LHuPo۵fA% vvQlyjY7ۉX4k{ᄑ[?{Wڝ%JVп!>ڱwY$Wc{#z4LdY{[?V?;{S5ߝ2KRq=۹ Ỷ>xjqq,QC qtpu~{ߺ^׽u~ 7m~< {ߝYٸ|SM1]yKۣM((w/j,p Òa\l}ӻ2x-OPVE ȿϕ=CycBR>LGeRu=I\1?F:Sfv=63i}8*Y\YX1ؚjZyr ep$ŏBu{{^׺u{{^׺u{{^׺u{{^׺u{kv)WJwT4/`vQcN.O#smؤc"Љ,{0'~t/sgЧ!_àU}YyU[woay{\nv6Egl \U|"vF]qH˩H=t׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tߖbw;p\}n[3VcXV:J̆O'J }$/,JQf!A>׺"3>`nd:'t-_oPIw7}vl?bnF `YZ l^n0y\?X탎oevfX3n[ژ-]U44Bc8Ou~{ߺ^׽u~{ߺ^ִ= ?'_۟Gmms89Gu`;{ onӛEA{߮ΐ j ökw6Ú]CCWt{tX?>kȼF_˸/t_ߎٟ0z?oTaT}~j?ߟY_.?e|@No Ͼ7tmL?dlay/oيmyJ*mqd׺ߚ桱 w?:êk:dwFl`z[s'7Ip|xoMOSnv ~StrJ_u-ɿݿgcsw]oGmnٽٴjLo<Vq=^>-^A_΋q1_j[~ukn WwWw|TP v!e6'>sL}e {to0?} Oíܿڿ'k:k)2g;w7^-7&';pRue6sϝ{tgNb~@no>ͧ F}םu/K|﭅{uUR;agiʈS{?׽u~{ߺ^׽u~|7|E˸7&F\ǂ}sRw_LAOktwx;$!\st韒uTtm7S6k3s:jjZ >;:t9!?VTJ?~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^qݳSedwcfC=>*L~K97UGCf\&GroMﺲEbjy:٣euSWv;v˜{a:އ!GoqVPW\D51`7g &%~ upm'am&8* Gߺ^׽u~{ߺ^׽u~{ߺUR}g]3Wpm}6f?"{iU&'Xo?ڞyOlj*:, m -4>'m^=t`?6</^W?|{޿跼wJP?tb )<9ܝAtǺk{td3^Κq=={u5_썿ոck\]MQ$j{۟~ ɍ^}95:z?i,eel Ւ=ݽ|~+7FP~ڵ5{A=GhWϽ)znnOfo3|۝lq8ܻ{ iln4Tm$^?oJgm?(;~Rox}~Fٻ]hjUa(:Jh{Q&At`?Wϔ-r?u{;Ϋ+#O"ZXO:'Fu@ofc{d2{xnę}]wf`nJ֍*3;/Ț:ZZEi)){ߺ^׽u~{ߺ^׽u~}s[Vj&"b2ۗhn|[%]ji{wr዆hC+5ūI{?3w1rKIQѸ׽u~{ߺ^׽u~{ߺ^׽u~{ߺZ?4Y|G;iuջx/þ{@f|?=ֻi`n :\t/)^8u/1;od%Ɨ잖덫۹vGlu Nξ잨虶-u_du^<7]("S >@ooT|QA˻gi2 m S{{V쏐{ǃrL?om:9{uu{{^׺u{{^׺u{{^׺Mo-jn6xlۈn}1 y\etSRVU@^9ߺDo}sm]ɖ?sz{7VN-:tg+ N@Q09Lx흾5rSsLy|Gߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ {GWMlٽ\t)Yy檫pL>6 ۏ5[Oc(')j&6^tX]`? m9\gHtUU&J^gcz>k`GݙY&8۸碧׺8>׺u{{^׺u{{^׺u{{^׺=Gt}龿Y*Qo\Vð'=5'!9ɶq.ޙ>qMYWGwM mE#KsQ^oW؟;g:wy|vkw&{t L?nAֿ;c'7nu _#@bn~ݽaܿ9>9|hzM Tٽ_srQO&c25c{}u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tݛSloͯF}׳~+wV8\qm 3jB-Pc2˷BI266k$X*wc+3^~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ 98)'@[Ռ~Țȏ+[W~e374qC'Gߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ W{3;k? ~{Mv=U{:3һc08Sr Þ5>vlt_~3}ukk&ퟯ2Y!3}ۿ"?] 3xώݙ NX}r8 (i{ΝNٟ :묾>v`Imc {ri_/zxR?ۅ"Mǝ|V{{^׺u{{^׺u{{^׺u{{^/nٽֻw9ܐK ^}ϵ )Ev~ٙQ{Ed|vV?\cߺ@~YCw#"ޕa;`n뿑;#e. %FqwV/+W^{^׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tF~\,dv¾𻫾z5] gvZH0;絲JMfYan=׺9snvm=mͱؽ`pPcplN:8h1}4pAJ*{~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽tL_>Lt = q>8})#ߏ%L1t56`*cKOQ;fv^i76;GpP._on}>S]s$UPRKUՔ{t׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^;{cm}ɽwv^o=nϞKa6TYz|4Xm$J:Q >AhnOwˉp_EuJQя lsɑSc;pJ_uu{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{* %n oM& _};h~`ws=CoL=4Qcq{tu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^rto?%;%/Ğۙdܻ=:ꪘSMݹ* ttu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺD^UKްg^|L)T7>fp]w>֢+*dFb}ٛ#gv>Q]Woo}Ϗ]׈m W_ \~*u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^_O2a6؟ zobOQmI)a~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t@?6ow|S!|]iб~߿i%VҎxiv\^!4^^׺u{{^׺u{{^׺u{{^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺAsv~u:Ƕ:wgIO G;_)q?!-^#лKylZ^:&K03I$m홪#"H{tm}u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^-e:9?h|A +Fsu-jj,=ҥF MN{{{^׺u{{^׺u{{^׺u{ߺ@^ڿ >E~ltՒڽW[pc+Vn F h袪e-"ui7?['\sϛ7s|z}>0vcݏ1o>HwE6ydrv3տga|쎆ڿYOL|`AYv+[#ۯw씻t|:;roo[CxT~GMnr8Q׺"?v" _>%6,mյܿ³u&ݸ=9Ѽfư+Aؿ$ʵشd波ϴ#\791/'x1ς۳ݹ󴳘1̵t>nݼdx!?ݡ{tܵeV/OYacYO7+w`wOKsz7w@ݝmcpv.>>?/Up-KGtz%- ٝ>svN+}w.vG-`7-f͓buV&*lTu#EOڏuu{{^׺ |D]h?tnaWB99'Rtx2[/SZkP3}׺?׺u{>s~N/]? :Km:'?.zt{ |ٚY [1[}tP>3ϙ?;or7v**R{Կ?Qd<iпw/^66puWMd>EAGGx[cessw]Oh뾹y}%m V?"$8ښWUCؿ>;wä`t=s4_":iƎ轹g6ooiAޔsndT\ n*/ I'V_{v̞g_fi6=۽g~eP;`Ry>=%f΢aIlz É^GHv;4+Z~{>_bw?v_.}W7m'ݻ{{{flmݴO;Kܘvm*U`T #>Yugeqw\ݛsotѯ|m.]߳c˺G۴ {~韘+eͻ~LЗZvV|.ڿCC'B%?ߍnC#GK :}׺(0O/8?߬vM{0}u?Tk|=unܹ=͇uT+))ϺV{{^׺u{{^׺u{{^׺ ̃?7DE# 蓢zs2}QGgŐճۧ?E/<ǯg+>mzl?,ү+?ƾǿmK|LfC_(?G__.t/ø:_sm^T_.]ԃyv;'{WM7u9EMSMwkum_?] Ag}I=t=}}KY=ɚ1tZ[f7T}]>(>e3ϙ?>i޶^=u(?وeOt~oP.c]!7o>7"#Y ;O̞1__;cήwq`_^ݽ nmr5{Loe>uo]Ywf ƾftRox|n/3.ήw Uػ.: TfێI/Jw]i `wj| }k?9 }>.ԋӡɳ۰Xֳгi׺7$?_?ϻ;9:%]ܽ{k7:m4v};ɱOѧƸ鰿𴥰}=v7޿ޱ?ۇ՛bw?{;v5*YOMWK \3 ^׽u~_?~8JQ{?Q1=Gr,ntio"G{{{^׺uj_9O6ٍ=saS`ݛpꟋ{Y>hGlf9qmOSk.׻tn!MQ_׺7?7]|n@;#[G[WB؝ pu3%v}ݱ&lN<2 pt8\7=7BO >z_ˎ!>Y/ߓ` Gp}SGWg{?bϣUKѿqo=?̃:sm_qI`]i]ֻ;#ߘ}{vVnǐm*e|P™|Ju ~Cw/mWvSpuq-'\'MwwrW;ߪgt^~0|&YݡS&ۡ /1W׺$|#~D6'{'kb5t?=5l[v%}v!&o=þvjUcm׺u{ߺE(>Zu*۝ӝORuWn,n? ;km*k*pR;gPt@;7jǷqwW4-8o%zCn]|".ZлG{m› OG-b[u:3^ĚL%SguuܗɝG{3buL> el_o>ݛUy̆G;$r\v>{O/7ݤ_7=Q?T=g):zCW.6g/3WNg4u9 SA^ 'NO6g{*_߁]W77D|Nߔ[몝?i-IL6_;rh6!^Oڿ7vc~Ojo)>+ϗz>*3u|Tfj ^3CpwWkf[wnCSH>;U_^Wg| >X/>_`q=?蝻vu,WܞtJ1e_Q^zM񯠺?n NMUY-{/ vCraX,Ef`ZZ:i*Y(!BCu{{^׺ 9?ܮ]{~|:?D>QO*:U%M_OH׽u~VP|@.tG&9 ȟ =-ҝչ:_oy.]UbW {t# |k7`|w߰>.vн53lޱMBgj,Nϥ'5ܱ|Yuq˷Vs>P0~\:}?z1-8]4]O`l_Þf5^Wx|u^蟟OŽ>۝q/r.:>7^/]s'\|Sۂv[c7AWK tpuc;iu?>X'{j/|n=~YoO#k;j]{s{l5U?ZTCոܶ?#`"?2/?Os'/Ox?5uwN_iOU|v=Hu >fq{+\x߄1{ N{hw. !d!'ogDx?}90v:S#TSgy}/77oWw,#ػmf%Ou¯|)ڴw}읹c9S^?x+]+3 K7bSaq1U:cQ_VtŒO][w~|TPm=kjzw(ڭ՘`6.L{tu~{ߺ^׽u~{ߺ^׽u~{ߺU1;  c&cC'Bf;bgzznunN>޵yU<+0eij( >/$8/<6M27pt/d|lL47~gaY(}cGk7,i_nlq{)ڿf]oT˸:OglO n.dv^vn팾k/\fzŐɽN!a^%?o-[qo zc1?!|7ܙLmfzxe)Uۇ {o/_.7Om0a6W{oݝ_Twl1Nbim=\V z3;3bl_'d}5ܦw/γ[goUq^(}׺Pt"НYﯺ~v=+?|gSߕs'~/:K}*ssvvgub2hfi(hW{#_%;{_/Yn] ؒtw7BWx㏢ N5cz1qm߃~. n |zeO];wxܽe趽6ǶKᶥ=J!_[S҃>>#Ꞙm.OwVk#wfK-4zomǑCMAxqtT1Cџ׽u~G~nf|`Ȝ~g诔-ܔhSOH4{{{^׺uߖ[G>w 'Jnj/l2;!{gkdx7mO|˺F] 2Ge\޸vMvMu-Ö6Ɍ e`^$-S}s0ϟٿ&Wiw/m_qc;>.pm uG)((o/|rJ޿8'zϗfz;7p|@rR^=ػs6fC)bnL.V,kuC(~0'|!urv={Ojݛk`\7Y=z]6+=2 Z:ouߺ^׽uߺZ>%WvO2YSg힛QPu7qu6/pmr=GYX䨦`&^_l-$_^R򻽶>:i_t[7v7Աl&fmɒ+D^wȿ_x?=O?Tan$;?ZYUc~Pnߝanb(1E㳑Ǐ5T櫲잗 ;~E]?%[n|cA0ݻG`aڝ2;mEI Qi{sm&#{+:f_s~|؟"Lw~}|۫N&}ϱr7u&ӫϝڹXao֥c׺O1]o~iP4lO!_~?չN=&n nM4U}tw-V]ov/ɿ-~tEom?.~3n~%@|6Vի۔[{n& G5u{y쿑ݥڝd2ӗ؛ﷻ/pn-?w^rgm/9q[pUbvkouk׺u{gwo]H{gIC'X>'5 \颬Xi4ɦbg.^꡾Q|x#?N_Ɩ 3;_ F||Uqne(6~%EKYhj%LU{t}?(NUgpMq9|;U_pk!q<}W}wTY\*v^^׺Y&;7 mrǽ>9y ?}Cs7R2v6y'U˛wm6>)adcwKduNo{ ~Y|m{keo FWVz:m״׺i{?n/;_ /WbŠO'=^N=WuF;CK'V&Mju}׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uH?γLw6o-{-O^o{/V|sx0׺`oceg*m{!ݿO7[pl}kS[n d6 48,0tۯi{uc˿_*v_̯OgUK{[!޽{z& .vO)M>l{{^׺u{{^׺u{s]ڴuר{K{r!BmZ]Y +r{c|}#Sc,{iejؚ{e=[ONC[w~=YMKMF',|UG%Tdxܼc2t{q2X/W]IGW]~jc&K EDkQnyK>6H)fi"@^^׺ׇ/ bm_}zx|e_|l_$3|v>콥=!kܱ1̲2Թ=ڹⰨ׺7,.'ݳڷQ]>So_НM>>_{9wEܳմܛ5c"J_Ž.#a폇}'?<vOoۻӧ56cvph1N{uk8vwYq;Alt'=<?۟wgKdѺt@:UlN~_ޢPCt};b|f1?M:o7osLĎ_ivj=.:Ou)/pwK?U?|r]?'O_{z{ar{t_O[_h_.G CF;,_ :gi._>B|/w_vZvHf>Gq_C}nvoݴU,76M]A)Y_uYg.o ;wsYw/͝uq7ϟܯq8z{׽uߺDozs`;7oMӛ뭾UlYc;ާdt7vu#on vs-MN\* jډ`{OB|x_gzv=c^mn_w׼; o~yQy]XOq{{gG7GV>:=Y~_~͵v_auZawV7Pv[g7 hn sݙW_Ci+;?:7Iovc/[︷8KwnG4E ?G?IanoO`p_!'?jćg>PpQT**-_pXuch"^??'׿)[[v}}Aܽ!h:vml=Q[/vh (sSn)ɥ]E-<{u{6=:pu%%ݟvwU7yn;[n]׷#fn\UR6u~gAo`Tvm}{'w|O#ˬN_af;hMU4~uu{{^׺ 4ww,-ޚ]58cEu9sp˻f)TX~~{ߺ^`4?#uV?7n}7ߵ[+}}ݝekB]vܻ]fcQs] um??>=Tmq{E>CGK1wM[?NmlVޘGM?@iCzOofT|`[ۥ~4dw\G^ǹ-{;'N/?0y~?ѵN뾱w%S&uF|_su|g>zSo9Ճuuho9s |^ݙ}6ZUQSW% juߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺUA~f jlݏwuC~@rR;_d6p[!Sɏ%>w0+Z|`_;ɟwʏd~\a:kecU.7ؙmتy1ܭ次t_6?!WΣޯ;[w̞ꭳG/);Jemwq>ge7O\ 77l=U܇s`}׺c}_[vvwf]M|ө`8lx?#UՙݓYU.M.WX{{{^׺u{{^׺u{?~s.>'~kAJ:LA{tu~{ߺE72_7W ~OWgit+g}}Go}g٩~?7]x~०^Ȟϓie콓:R]{[p5pd_Oǜ|u̅_@>K/K`nr=/~./~ɟܟ&~Pmکf1]*h759pT{to꿗_\Mw_Dpo/ogug7ʿw^Tb%/zwfwOɝ{l&y4{u> pm4_ڸΚLvS{;d6Y2+҇O&ߦdOOES׳?{.g:oΉpor[ 7]؝0heY +OsA{5Ⱥ'g]*n)o/'rtvmwpvW˗#TEL&!׺:~_-:k#O}w 0":8ͭ? IM6'8ʉ$^^׺ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺDn__1%c '~؝\}aUK{+!}׺?׺u{7H|Vc׸/[rnίu/ɏ;[unͫ]s[:ݷu9m'3V׵UM+3xi}׺ /uժjwwd=+5etu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^7p|Q1t/Ƚٽ:3tʉ&塌0xltaU!"$Ftu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^C~k7rR] Կ [q Υ6[;ZDhNmOGߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^?2Yt}bl~us5>N8=UU8;E[VYxr=׺zT61Sv6n7ut M:aU^7mUnb)+u[~^׺u{{^׺u{{^׺u{{^׺ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^1#"zG:Wpd+p͊ oexLy=9 5}.Ou{9}7&`;jzÿv aM;Ӯ+kf"9Tw+wSʈr{!AZ⩌uǿu{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{?"tm]wT}*~;1vGouԒUsWtǝϛY\}B ڹYg}׺?׺u{{^׺u{{^׺u{{^׺uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t@;WqkKG?&2[+MF=۪i6ߐ5AtIKMIYe+v6?Y)^^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^yvߣ^NTp}^|~ nkG2IQLԯ=!Jy7k%]2Rd{/ZtvVVbCPЫ8ZRRB{{^׺u{{^׺u{{^׺u{{^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t Scn-A.ۙMdj PύjL2CQUQ:"x午tep=׺+;/w~I:3 ߵspU[䨶`CNZ Њp׽u~{ߺ^׽u~{ߺ^׽u~{ߺE_pC3򃵿?7o7d8~ؙ~ݏ뎞sNlbBot_C9/WwOEwpݙa_ZF{/ccћbчB&wnUvpY8ji=׺0,w|gAِ`S?Rr'w|O#A]Y_a;k?U5u>ܽۺvpڴ:2O޳+ڞήb.~JԱմLJϰ|)Ĥϝ,v.-g8ߋ_-{W}-هw.람GH_>j8%RC,׶^;bl}!Q~Zk.ĩ蟉׷~C=m$d(e0M&.K{;}[ɬ(*vݓW1۴i K݁>ijɝŲ,¸Ѳ5<{tou~{ߺ^׽u~{ߺ^׽u~{ߺ^Z,efK%YKcj+"*+*8)iI@׺"C[q1eU?U|~_ h妒Mhf9mBFԻpvюdj6g==FSt}}u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~Qܻgod6awOUnj~zdz ^6ASCQ:f8GG[M΅~g7^w[!Թd꒛걹UM{Kl` .E/-l5^׺u{{^׺u{{^׺u{j S|WM^;k.-}>gpF{W={;h;koޭ-k+Dx׺o)+_[7I|f["]{Aӻm,>wۖё78`\{|*Ogw~+?e|E|e{uoir>g]SmV-EU-n]ӂYi3uRgj H}׺ ~hQfl]q/=}7ggꃯjr[{&\?vÅ]뚩eb.Ouog~ݿـ7WnuW.yͥӿݥ&zkxsg)rP{tgWV_=˳kSSpn_]fA{/r|8>"}Q~MnE*jڌgG='z/ݍ._~tmBm[?`|dߙ][7U&碧 ُV{{^׺u{{^׺u{{^׺ub;Y|Sq%wLN?~k&Olx}r {"*"(TDPUU@ {^׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺE_s8.Fxqxi3l/X:=kj vU:Z|Wb> ʭpU%%Dux\*z|&UMW/CGu{{^׺u{{^׺u{{^׺ӋJ~UfǬA7gdl~ܽ][Gz߁{pu_ 7mֵu;+@6CbAc[YV>q}|topUu16~5=_zn۳>Mm8э;Wf|s? ^@yvpk0?Я 2_ԻMwV}{n@geja)3u,])d G[~^׺u{{^׺u{{^׺u{{^vF#7f;-O>3BLh.%O,׺6#峾-{3(;쳾)8:ŕėg,I^Sݵ{^׺uݵ{^׺uݵ{^׺uݵ{^׺uߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^Ѳ΃_۰#j2´ʳȷnڢ{ܳܶٲ2Գ%"^Oᴥ;!5n㯴ܼV?(;K`ln9`|]E"F n۟$=VJ{*8ݸ,ſt.՗{~׽u~{ߺ^׽u~{ߺ^׽u~pHIe"$i%FT8K<;I׺!u}~gUT12MAؿ(U^/5I w]|P~\V;R5% Dmy*Tf6׺G+bl=;n^F[On$t8V>!1#奞gi$fُJ~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽t݁8nc[dW:6M6ku.檧ZYi\f5'n  >Y$^bIoOy,vS૫0{zʈ8.59]U4%R6fxAGId]2:0 V/~{ߺ^׽u~{ߺ^׽u~Vl| ",e o/Gduݥ;"%^.EOO쟐۸)nvuN=&bme.=Cer !=յqzTgv6cra fW_uu{{^׺u{{^׺u{{^׺u{{^׺u{{^r}cvoÃ{Wocr˹r-Qf39J\v3KiHE؁{9?epT9MYu0;mL7e N'5tualjqXou:rUnɋ ;jϋ*+6ơc{?zZs6; H*%\~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^_۽)ԝ&}{Ov81KL^jŀ~iϖ)A-6Bp%9X{tT?ώtП/7|(u˼N{ZxC,WTnu:}׺r0eqG#YO%myjc|٭wWfj-)7DU!>*iD{ TEKOM кH)IAߺY=u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~=%m{ǵ6/V`+ޛpfhmlmL[i:ln6dHݕOE{MOsozL=.=3^[?|U\r\u6 >Yo)x ~P` 3 ^.z޽ ER1{Qr>tuu{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~60}Ŋ+1l6b'chjr8اH ~iTeS~9ojVc!Z/xHTIٸѬjG ;2n3/> t~R۞:-'m5?ޜ7V:T>=1;ڱ<ٰ>f+GGތ&쏋R9ᖺ]jp4.{>#nMQfzymLE]jyPN4YYtD2)v^}ovw?}#s:fmLEk72Ki|t=%tu$*12ˣ{|PnI%8^3wӧ厮r4;&#J]ϑ{tvqx^Gh1| KA4ыGOGEI4F?J"~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~$z6/yv ۖM>*ɐʷ\U糾71IWcJT!0ױ׺u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^ߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ_ߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺ^׽u~ݵߺD=ӳ۵ʰ<YwG*Sǰ6 NL_UtAt5ۏmc   7S^?ۿ/N؝;ky.~*=N? KvOKjoa+#\Fw9W~{ O_ЁԿwgʞͦ#qqui75ۙӼ}}{;rCoKC#cֽane>mW MSQI1=m??{;>?b˸譻;ט.]SEM|~5L&:1{7M1{>ޟ!s{;:gul̍wgm^OOrj76 ^`^=؝r3Koϊ3}׽ߵk LN=k:roͷ<li٫ޓUO[/Ih5?!.[\^c{OYuO`v֙6nxVc)0&utOyvn݉_wMǛ!0];&?96u>ղKc:+є]Q[TXTRm6+{um 'OڽX,Z݅;:OvOc:_ O'{twu~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽uߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺZQ7'>vg˟w&"> ٘mw*J'caGuPolڲqyrt |i#wt7 Gpw(e|܏2~|v5͙[c 1GynWc.< \\XO;hgϞ/;)<3`;qŽӸ~Cm<&:97~)U3s= .ʗ~t?#2&|q#JlpvjdjyV>??Qt^o_ޛ iwUv.m|Onڽ#{;g{0xV.|o{읁P6{[vWag.;;}c͵[zCgc;+)}X(3ӑyF{{;ؽ'VoߓT:S_Mo?]Ag[}=UYKuA]cmJø6me1Y:uǨ>Gm??6E|o?1n]Ue7Nj^ŤVٓ/iw lܛjm lW|K׺;՝WIOwN|;f|Ͻ>tO7Ǯu!nl}EYG[GOPptL~R,w&>SlNg_k:cef7@t`mn \7oMYJkGcr's8|/Ekq|%Q7 ƭsW]w\Qm{7q-ŷE>Ǵڱ°2{u*x;Upշ3nβڃ}1߹w:;C]5+Q=!=+]o,l-ܝ%-]ҧM{z5tFkSni*QV>ކ3Iտ+`/ONa~˃Y"=`oO;lMܽwbv>~ċ6䛬 { 9=ϛŷ>'=_慨.vD?`Ug7$ON. &TSfsUuU?=׺~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ_^" 2 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~_HmH nH sH tH F`F Normal$a$CJ_HaJmH sH tH H@H  Heading 1$dh@&5\mH sH V@V  Heading 2$<@&5OJQJ\^JmH sH V@V BI Heading 3$<@&5CJOJQJ\^JaJJ@J BI Heading 4$<@&5CJ\aJH@H  Heading 5$@&>*CJaJmH sH D@D BI Heading 6 <@& 5\aJ>@> BI Heading 7 <@&CJD@D BI Heading 8 <@& 6CJ]J @J BI Heading 9 <@&OJQJ^JaJDA`D Default Paragraph FontViV  Table Normal :V 44 la (k (No List @&@ Footnote ReferenceH*R>@R Title$<@&a$5CJKH\aJmH sH JC@J Body Text Indent5\mH sH @"@@ Caption xx5\mH sH F@2F  Footnote TextCJaJmH sH B@B Body TextF$d%d&d'dNOPQCJaJmH sH VR@RV Body Text Indent 2dh`mH sH >*a> Endnote ReferenceH*D+@rD  Endnote TextCJaJmH sH 4@4 Header  !.)@. Page Number4 4 Footer  !*W* Strong5\HSH Body Text Indent 3 h`h@Q@@ Body Text 3dhmH sH 8J@8 Subtitle$a$6].X. Emphasis6]<O< abstract CJaJmH sH DOD Citation!77]7^7CJaJPK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭V$ !)O^rC$y@/yH*񄴽)޵߻UDb`}"qۋJחX^)I`nEp)liV[]1M<OP6r=zgbIguSebORD۫qu gZo~ٺlAplxpT0+[}`jzAV2Fi@qv֬5\|ʜ̭NleXdsjcs7f W+Ն7`g ȘJj|h(KD- dXiJ؇(x$( :;˹! I_TS 1?E??ZBΪmU/?~xY'y5g&΋/ɋ>GMGeD3Vq%'#q$8K)fw9:ĵ x}rxwr:\TZaG*y8IjbRc|XŻǿI u3KGnD1NIBs RuK>V.EL+M2#'fi ~V vl{u8zH *:(W☕ ~JTe\O*tHGHY}KNP*ݾ˦TѼ9/#A7qZ$*c?qUnwN%Oi4 =3N)cbJ uV4(Tn 7_?m-ٛ{UBwznʜ"Z xJZp; {/<P;,)''KQk5qpN8KGbe Sd̛\17 pa>SR! 3K4'+rzQ TTIIvt]Kc⫲K#v5+|D~O@%\w_nN[L9KqgVhn R!y+Un;*&/HrT >>\ t=.Tġ S; Z~!P9giCڧ!# B,;X=ۻ,I2UWV9$lk=Aj;{AP79|s*Y;̠[MCۿhf]o{oY=1kyVV5E8Vk+֜\80X4D)!!?*|fv u"xA@T_q64)kڬuV7 t '%;i9s9x,ڎ-45xd8?ǘd/Y|t &LILJ`& -Gt/PK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!0C)theme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK] kf .bbb{{~?bRf/nss:=@BCE6~PbNfqss;<>?ADF .57~!!@ @H 0(  0(  B S  ?F$G$H$I$J$K$L$M$N$O$P$Q$R$S$T$U$V$W$X$Y$ (fNfNffggIgQgQggggggqhqhlilizijk     /fTfTff g gOgWgWggggggwhwhviiijk =*urn:schemas-microsoft-com:office:smarttags PlaceType=*urn:schemas-microsoft-com:office:smarttags PlaceName>i*urn:schemas-microsoft-com:office:smarttags PersonName9*urn:schemas-microsoft-com:office:smarttagsplace8*urn:schemas-microsoft-com:office:smarttagsCityB *urn:schemas-microsoft-com:office:smarttagscountry-region z  '.1;EP#+0;CKNW\abh}  !%&*+9=@ALPTUYZ\]`afgkn{#-V`fh{04AKLNORSUVZ[_`efhkwx #%0=Hckw 4<=?@HIMfmy|}    , 0 2 6 7 B M R U Y [ b c e j s  ! ' - / 7 9 H I M N P Q Z [ _ ` d e k l t w | }      $ ) / 0 9 : A B H R W [ `   & , - 5 E M V [ l s w 8 A i m u  04LR`ijpt"#+,78<=EHSTXY`gr{#$&(./459:=>GHLQVgjkq!,4?CPWabow{%:AX[\ckoy}~ "#%:AEIWZ[aglpv"$'148=BFPTU_bfjw}$-1@FNSbijmnr +0138>?COZ[goqrx{ %/?FHPU]^ios| #(,-013478@IKOThwy} (,578AEJKRSWX]ahiox} *ktuy} !&'-6;EKLPQVW]jt'*BIJNOUZ^flpuz&()0134;<EKNOZ[glpq{ "#'+0EINXaj{ '3?EJOX_cfgtx}        ) . 2 6 > B I N P W X ^ ~ ! ! !!!!'!(!-!/!3!5!7!8!;!"F"H"I"S"T"Y"Z"`"a"d"e"j"k"u"y""""""""""""""""""""""""""""#######!#"#$#*#/#0#:#?#G#L#V#W#Y#f#j#x#########################$$$ $ $$$$.$3$7$>$B$F$G$M$N$P$Q$V$Z$^$_$f$j$w$x$$$$$$$$$$$$$$$$$$$$$$$%%%/%=%\%_%z%%%%%%%%%%%%%%%%%%%% &&&&&!&'&/&@&H&I&P&^&b&n&x&|&&&&&&&&&&&&&&&&&&&'''' ''''&'2'7'8'@'A'I'Q'^'b'l'm'r't'z'{'~''''''''''''''''''''''((((()(5(:(=(Z(b(c(g((((((((((((((((((((((() ) )))))%)&)0)8)>)?)H)I)K)M)S)e)j)w){)|)))))))))))))))))))))))))))****** *5*;*<*@*R*X*Y*]*m*s*t*x***********************************+ + ++&+.+/+6+7+<+A+L+M+Z+o+w+|++++++++++++++++++++++++++,,,,4,7,C,G,H,R,d,j,z,,,,,,,,,,,,,,,,,,,,,,,,,-- - - ---- -!-%-&-+-,-/-?-C-M-Q-f-k-s-z---------------. ..... .#.$.,.-.4.?.A.G.R.S.W.f.r.v.................// / ////////(///4/8/?/D/E/L/M/W/_/f/k/v/}/////////i1k1l1o1p1z1{1111111111111111111111111111111122 222 2!2'2(20242=2>2E2F2J2Y2_2}2222222222222222233333137383F3G3J3K3O3T3X3]3d3e3l3m3v3w33333333333333333333333333344 44474;4<4J4N4S4T4X4]4d4e4i4j4n4s444444444444444445 55555"5#5+50595?5G5H5O5S5Z5[5_5`5e5i5o5x5{5555555555555555555555555666 6 666 6$6+6,656F6I6J6P6W6b6c6g6q6t6u6666666666666666666666666666667 7 77777"7&7,787B7C7H7I7N7O7V7^7f7l7p7q7v7w7~77777777777777777778 888#8)8-86878;8@8I8M8R8W8^8d8n8r8~88888888888888888899#9/98999?9a9g9h9l9y9}999999999999999999999999::::: :*:K:[:\:`:j:s:{:::::::::::::::::::::::::; ; ;;;;;&;-;=;A;B;D;F;M;n;x;};;;;;;;;;;;;;;<<<<#<+<,<8<=<E<b<h<i<m<r<x<|<<<<<<<<<<<<<<<<<< =====%=7=9=:=B=F=H=M=R=W=`=f=j=p=t=u=|==============================>>#>$>+>0>3>4>=>A>J>K>Q>T>]>^>b>c>g>j>q>u>y>z>>>>>>>>>>>>>>>>>>>>>>>>>>????.?1?2?7?8?>?A?E?F?M?N?S?T?X?Y?]?`?g?i?m???????????????????@@ @@@@@@@@*@.@/@8@j@n@s@w@x@@@@@@@@@@@@@@@@@@@@A A AAAA"A+A=AAABAFANAVA^AbAcAiAuAxAyA~AAAAAAAAAAAAAAAAAAA BBB B#B)B*B/B0B3B4B=B>BBBKBOBWB]B`BfBnBsBzB|B}BBBBBBBBBBBBBBBBBBBBBBBBC C"C)C+C/C:C>CECMC`CdCeCjCqCzC{CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC DDDDDDD&D)D,D-D1D2D;DKDODPDUDjDoDpDwDDDDDDDDDDDDDDDDDDDDDDDEEEE#E'E-E6E:E@EBEKEjEmEnEuEvEzE{EEEEEEEEEEEEEEEEEF FFF(F)F/F;F?FKFNFVF_F`FjF}FFFFFFFFFFFFFFFFFFGGGGG!G"G+G,G9G=GEGFGJGKGPGQGYGfGoGpGzG{G}G~GGGGGGGGGGGGGGGGGGGGGH HHH%H)H.H/H5H>HEHFHKHLHQHVH_HdHmHrH|H~HHHHHHHHHHHHHHHHHI IIIII&I'I2I=ICIMIQIRIWIXIbIcIkIqIxI~IIIIIIIIIIIIIIIIIIIIIJJJJ!J.J6J8Jg?gGgIgOgQgWg^geggghgggggggggggggggggggggghhhhhh"h#hRhUhYh[h^h_hohqhwhyh|h~hhhhhhhhhhhhhhhiiiii i'i(ikkkk k k k kkkkkkk1k4k>k?kEkQk\k]kekhkokpkqkskwkkkkkckkkk4k>kk&&-!4!!!&&J)J) * */i1==}>>>>????,-SS%&5567YYYYYYZ\dz//2Ѱʰϰڰ<`=`bb%d&dddfff'f3f5f9f:fTfUfYfZfefgfkflfffffffffgg gg'g)g-g.gOgPgigkgogpggggggggggggggghh"h#hShUhYhZhohqhwhxhhhhhhhhhhhiiii i i ikkkk k k k kkkkkk2k?kfkgkgkhkpkqkvkwkxkkkkkkk k k k kkkkkkk|v|0O}H~JbZhp(>)4n.,> <=>q7M=z0 />U BVVx]&M&EYf>e.j . Lgx ^`.^`.^`.^`. ^`OJQJo( ^`OJQJo( ^`OJQJo( ^`OJQJo(hh^h`. hh^h`OJQJo(hh^h`CJOJPJQJ^JaJo(h^`OJPJQJ^Jo(h^`OJQJ^Jo(ohpp^p`OJQJ^Jo(h@ @ ^@ `OJPJQJ^Jo(h^`OJQJ^Jo(oh^`OJQJ^Jo(h^`OJPJQJ^Jo(h^`OJQJ^Jo(ohPP^P`OJQJ^Jo(^`B*OJPJQJ^Jo(ph^`OJQJ^Jo(opp^p`OJQJ^Jo(@ @ ^@ `OJPJQJ^Jo(^`OJQJ^Jo(o^`OJQJ^Jo(^`OJPJQJ^Jo(^`OJQJ^Jo(oPP^P`OJQJ^Jo(hh^h`CJOJPJQJ^JaJo(hh^h`)^`OJPJQJ^Jo(-^`OJQJ^Jo(opp^p`OJQJ^Jo(@ @ ^@ `OJPJQJ^Jo(^`OJQJ^Jo(o^`OJQJ^Jo(^`OJPJQJ^Jo(^`OJQJ^Jo(oPP^P`OJQJ^Jo(8  ^ `OJPJQJ^Jo(-8  ^ `OJQJ^Jo(o8  ^ `OJQJ^Jo(8xx^x`OJPJQJ^Jo(8HH^H`OJQJ^Jo(o8^`OJQJ^Jo(8^`OJPJQJ^Jo(8^`OJQJ^Jo(o8^`OJQJ^Jo(hh^h`o(-^`B*OJPJQJ^Jo(ph^`OJQJ^Jo(opp^p`OJQJ^Jo(@ @ ^@ `OJPJQJ^Jo(^`OJQJ^Jo(o^`OJQJ^Jo(^`OJPJQJ^Jo(^`OJQJ^Jo(oPP^P`OJQJ^Jo(h^`OJPJQJ^Jo(h^`OJQJ^Jo(ohpp^p`OJQJ^Jo(h@ @ ^@ `OJPJQJ^Jo(h^`OJQJ^Jo(oh^`OJQJ^Jo(h^`OJPJQJ^Jo(h^`OJQJ^Jo(ohPP^P`OJQJ^Jo(^`o(-p^p`B*OJPJQJ^Jo(phpp^p`OJQJ^Jo(o@ @ ^@ `OJQJ^Jo(^`OJPJQJ^Jo(^`OJQJ^Jo(o^`OJQJ^Jo(^`OJPJQJ^Jo(PP^P`OJQJ^Jo(o  ^ `OJQJ^Jo(hh^h`CJOJPJQJ^JaJo(hh^h`CJOJPJQJ^JaJo(^`B*OJPJQJ^Jo(ph^`OJQJ^Jo(opp^p`OJQJ^Jo(@ @ ^@ `OJPJQJ^Jo(^`OJQJ^Jo(o^`OJQJ^Jo(^`OJPJQJ^Jo(^`OJQJ^Jo(oPP^P`OJQJ^Jo(hh^h`o()U|dYf=/Lgx$m\q7BVx]&=ze.j!?? @@E<Vc~}|         fgvkRp eIQ)`wAa F kk@k0@UnknownG* Times New Roman5Symbol3. * Arial?= *Cx Courier New;WingdingsA$BCambria Math#A;3G;3GJf [6 [6!4jj2QHP?Q2!xx aC:\Documents and Settings\Valrie\Application Data\Microsoft\Modles\Template article Beascna.dot<Village Community, Nation State and the Eritrean Land Reform David O'KaneUniversity College Corkt                     Oh+'0  ,8 X d p |@Village Community, Nation State and the Eritrean Land ReformDavid O'KaneTemplate article Beascnaҹ޸þ College Cork2Microsoft Office Word@@Z;@ZAV@ZAV [՜.+,0$ hp|  UCC6j =Village Community, Nation State and the Eritrean Land Reform Title  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&')*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~Root Entry FdData H޾1Table(WordDocumentDSummaryInformation(DocumentSummaryInformation8CompObjr  F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q