ࡱ> lnk{ mbjbjzz 8nG%848<0.t(" ///////$013/!!!//A)A)A)!/A)!/A)A):-,-.@tuy'.- m//00-R4(4-.4-.@A)wj//(0!!!!4 : Graduate Conference in Italian Studies Department of Italian, ҹ޸þ College Cork   INCLUDEPICTURE "http://www.ucc.ie/en/italian/images/support/sq-central.gif" \* MERGEFORMATINET  Saturday, 27 February 2010 PROVISIONAL CONFERENCE PROGRAMME 9.00-9.15 Registration and Welcome ORahilly Building, Social Area, 1st Floor, outside Department of Italian 9.15-10.45 Session 1: La rappresentazione della criminalit ORahilly Building, 1.01, Chair: Alessia Risi (UCC) 1. Marco Amici (UCC, IRCHSS Postgraduate Scholar) Il tema della cospirazione in Romanzo criminale di Giancarlo De Cataldo 2. Marco Paoli (ҹ޸þ of Salford) - The Representation of the Criminal Context in Italy during the Period 1943-1946: The Case of Lizzanis Il gobbo/The Hunchback of Rome 3. Brenda Donohue (TCD - Dublin) - Representation of the Mafia on the Italian Stage, 1863 to the Present Session 2: Teatro: Dalla pagina alla scena ORahilly Building, 3.03, Chair: Daragh OConnell (UCC) 1. Carmelo A. Galati (Rutgers ҹ޸þ) - Galeotto fu l libro e chi lo scrisse: Adapting Dantes Commedia for the Stage for a 21st Century Audience 2. Armando Rotondi (ҹ޸þ of Strathclyde) - Peppino prima di Eduardo: Un napoletano sui palcoscenici londinesi 3. Samantha Mary Costanzo (Rutgers ҹ޸þ) - Commedia allitaliana and the Legacy of Neorealist Narrative 10.45-11.15 coffee break 11.15-12.45 Session 3: Letteratura contemporanea: tra gender e genre ORahilly Building, 1.24, Chair: Emma Keane (UCC) 1. Myrto Petsota (ҹ޸þ of Edinburgh) - Cosmicomic Utopian Suggestions: Individual Response and Responsibility 2. Alessia Risi (UCC, IRCHSS Postgraduate Scholar) - Corpo e memoria nella narrativa ibrida di Nicoletta Vallorani 3. Claire Buckley (UCC) - Beauty and the Beast: Subverting the Angel/Monster Dichotomy in Margaret Mazzantinis Non ti muovere Session 4: Incursioni tra cinema e letteratura ORahilly Building, 3.03, Chair: Stefano Odorico (UCC) Giacomo Boitani (NUIGalway) - Commedia allitaliana and the legacy of Neorealist narrative Alessandro Valenzisi (ҹ޸þ of Strathclyde) - Pane e merda: Il ritual del cibo nel cinema di Pasolini da Accattone a Sal Mattia Marino (ҹ޸þ of Salford) - Il relativismo leopardiano e pirandelliano in Oceano mare di Baricco e La sconosciuta di Tornatore Session 5: Writing and Translating the Renaissance ORahilly Building, 1.01, Chair: Daragh OConnell (UCC) Mike Hodder (Oxford ҹ޸þ) - Papistes be Made by Your Mery Bookes of Italie: The reform of the Petrarchan Sonnet Sequence in Edmund Spensers Amoretti and Epithalamium Judith Allan (ҹ޸þ of Birmingham) - Simonetta Cattaneo Vespucci: Culture and Context Veronica Carta (Universit degli Studi di Cagliari) - The Most Mischievous and Spiteful Libel: La Storia Ecclesiastica di Girolamo Pollini 12.45-1.45 Lunch 1.45-3.15 Session 6: Il soggetto storico tra identit e ideologia ORahilly Building, 1.24, Chair: Silvia Ross (UCC) 1. Serena Todesco (UCC) - Silvana La Spina e la storia siciliana al femminile, tra corpo e potere 2. Jessica DEath (NUIGalway) - I bimbi dItalia si chiaman Balilla: Vamba, Fanciulli and the Creation of Italians through Childrens Literature Session 7: Writing the Monument ORahilly Building, 1.01, Chair: Stefano Odorico (UCC) 1. Darragh Mulcahy (ҹ޸þ of Bristol) - Representation of Rome in Pier Paolo Pasolinis Roman Prose 2. Laura Parker (ҹ޸þ of Manchester) - Venices Martyred Hero: The Monument to Daniele Manin and the Memory of 1848-1849 3. Michal Czorycki (UCC, IRCHSS Postgraduate Scholar) - Venice and the Adriatic: From Claudio Magriss Marginal Zones to Predrag Matvejevics Venice Session 8: Comparative Contexts ORahilly Building, 3.03, Chair: Mark Chu (UCC) 1. Emma Keane (UCC) - Autobiography or Parody? Narrating Postwar Male Authorship in Alberto Moravias Il disprezzo and Vitaliano Brancatis La governante 2. Mila Milani (ҹ޸þ of Manchester) - Pavese & Joyce: Interior Monologues and immagini-racconto 3. Matteo Brera (ҹ޸þ of Edinburgh) - Fulminea voli elettrica scintilla / per gli oceni. Scienza e tecnica nella poesia italiana pre-futurista 3.15-3.30 coffee break 3.30-4.30 Session 9: Rappresentazioni di soggettivit al femminile ORahilly Building, 1.01, Chair: Annette Feeney (UCC) 1. Daire Maria Ni Uanachain (UCD Dublin) - Girlfriends and Whores: The Sexual Identity of Women in Romanzo criminale 2. Susanne Thuermer (ҹ޸þ of Birmingham) - Nomadic Feminism in Theory and Practice: Insights from the French and Italian Experience Session 10: Culture, Politics and the Media ORahilly Building, 3.03, Chair: Mark Chu (UCC) 1. Gianluca Fantoni (ҹ޸þ of Strathclyde) - The Pacifist Movement and the Italian Communist Party in the Early 1960s: The Cinegiornale della pace (1963) 2. Guendalina Carbonelli (ҹ޸þ of Monash Melbourne), The Voice of Fabrizio De Andr Session 11: La lingua italiana: Nuovi approcci tra linguistica e didattica ORahilly Building, 1.24, Chair: Gabriella Caponi Doherty (UCC) 1. Jennifer Lertola (NUIGalway) - A Methodological Approach to Audiovisual Translation and Teaching Italian as a Foreign Language 2. Valeria Bandecchi (UCD Dublin) - Lexicalization of Manner in Italian Motion Verbs: Italian in a Crosslinguistic Perspective *Please note that the ORahilly Building must be vacated by 5.00 p.m. For further information please contact: Dr Silvia Ross, Department of Italian, ҹ޸þ College Cork, Cork, Ireland  HYPERLINK "mailto:s.ross@ucc.ie" s.ross@ucc.ie tel: +353 21 490 3169/2335     PAGE  PAGE 1 'WXYZ[\Խ}hNhN4N2jh)nth~4?B*CJOJQJU^JaJph2jh)nth~4?B*CJOJQJU^JaJph)h)nth~4?B*CJOJQJ^JaJph2jXh)nth~4?B*CJOJQJU^JaJph h)nth~4?CJOJQJ^JaJ)h)nth~4?B*CJOJQJ^JaJph-h)nth~4?0JB*CJOJQJ^JaJph#h)nth~4?5CJOJQJ^JaJ2jh)nth~4?B*CJOJQJU^JaJph )XY[! k l x y ] ^  $a$gdw 9D^gd 09D^`0gd 9Dgd~4?9Dgd~4?$-D9DM a$gd~4? $9Da$gd~4?   ! 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