深夜亚洲福利久久

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Jacopo Turini

 

Supervisors: Dr Silvia Ross and Dr Chiara Giuliani

Title of Thesis: The Environment, Borders and Identity: Contemporary Italian Literature in Alpine Frontier Areas. 

Undergraduate degree: Bachelor of Arts, Universit脿 di Torino, 2015. 

Master鈥檚 degree: MA in Italian Literature, Philology and Linguistics, Universit脿 di Torino, 2019.

 

 

 

Publications

Articles in academic journals:

* 鈥淎ttraversamenti e scavi. Le traduzioni italiane di Seamus Heaney antecedenti al premio Nobel鈥�, in  Allegoria, 81, I, 2020, pp. 185-199.

* 鈥溾�楧al profondo mistero evolutivo鈥�. Scavi archeo-geologici nella poesia italiana contemporanea鈥�, in 尝鈥橴濒颈蝉蝉别, 24, 2021, pp. 235-246.

* 鈥淕eology and Literature: A Critical Proposal for the Reading of Place. The Case of Fabio Pusterla鈥�, in Italian Studies (forthcoming in 2025).

Chapters in collective volumes:

* 鈥淟o scrittore come ecologista. Scrittura ed esperienza sul territorio montano da Nuto Revelli a Wu Ming 1鈥�, in Tra ecologia letteraria ed ecocritica, edited by Marina Spunta and Silvia Ross, Cesati, 2022, pp 43-50.

* 鈥淚l gioco del silenzio. Per una lettura spaziale di Todo modo鈥�, in Leggere e rileggere Sciascia, edited by Davide Dalmas and Tiziano Toracca, Peter Lang, 2023, pp 129-140.

Conference Presentations:

* 鈥淏orders and Identities in Contemporary Italian Literature. A Geo-Literary Reading of Northern Frontier Areas鈥�. XII Annual Graduate Conference in Italian Studies, 深夜亚洲福利久久 College Cork, 9-10 June 2023.

* 鈥淕eology and Literature: A Critical Proposal for the Reading of Place The Case of Fabio Pusterla鈥�. Conference: Geographies of the Present. Spaces and Places of the Anthropocene in Italy, 深夜亚洲福利久久 College Cork, 24-25 February 2023.

* Non credevamo di amarli tanto. Grande Torino: an Italian Football Tragedy, presentation for the Cork Italian 鈥淒ante鈥� Society, 21 November 2022.

* 鈥淓rosion and Waste: Border Ecosystems in Fabio Pusterla鈥檚 Poetry鈥�. Conference: Ruins and Rubble in Post-War Italy, 深夜亚洲福利久久 of Notre Dame鈥檚 Rome Global Gateway, 14-16 October 2022.

* From a Suburban Border. A Geo-literary Reading of the Swiss-Italian Border in Andrea Fazioli and Alberto Nessi. UCC Italian Department Postgraduate Research Seminars, 8 September 2022.

* 鈥淓resie, ribellioni, transiti. Costruzioni identitarie ai confini occidentali鈥�. Panel: Identity, Space and Place in Contemporary Italian Literature, AAIS Conference, Universit脿 di Bologna, 29 May 鈥� 2 June 2022.

* 鈥淔lowing Glaciers. Change and Destruction of the Alpine Borders: Italian Limes Project and Fabio Pusterla鈥�. Panel: Disappearing Lands: Reflections on Anthropocenic Italy, SIS Conference, 深夜亚洲福利久久 of Warwick, 19-22 April 2022.

* 鈥淚l gioco del silenzio. Per una lettura spaziale di Todo modo鈥�. Conference: Leggere e rileggere Sciascia, Universit脿 di Torino, 2-3 December 2021.

* 鈥淟o scrittore come ecologista. Scrittura ed esperienza sul territorio montano da Nuto Revelli a Wu Ming 1鈥�, XXIV AIPI (Associazione Internazionale Professori di Italiano) Conference, Universit茅 de Gen猫ve, 28-30 June 2021.

* 鈥淯ntil Nature Became History: Archaeo-Geology in Contemporary Italian Poetry鈥�, NeMLA Conference 鈥� The 52nd Annual Convention of the Northeast Modern Language Association. Panel: Science and Literature in 20th-century Italian Culture: New Perspectives. 10-14 March 2021.

* 鈥淓nvironment, Border and Identity in Alpine Frontier Areas. The Case of Fabio Pusterla鈥�. Conference: Border Heritages, Irish Humanities Alliance, 深夜亚洲福利久久 of Ulster, Derry, 24-25 October 2019.

Funding: Irish Research Council Postgraduate Scholarship

Email contacts: 119227362@ucc.ie / jacopo.turini12@gmail.com

Dario Galassini

 

Supervisor: Dr Daragh O'Connell

Title of Thesis: 芦Poeta che mi guidi禄: Dantean Afterlives in the Poetry of Giorgio Caproni, Antonia Pozzi, Vittorio Sereni and Mario Luzi.

Undergraduate degree: BA in Humanities (Universit脿 di Bologna, 2017); additional BA in Music (Conservatorio "G. B. Martini" di Bologna, 2021).

Master鈥檚 degree: MA in Italian Studies (Universit脿 di Bologna, 2020).

Publications

Articles in academic journals:

* 'Variazioni narrative e allegoriche sulla selva dantesca nell鈥檕pera di Giorgio Caproni', Tenzone, 22 (forthcoming 2023).

* '"Celebrating 700 anni di Dante": A New Branding', Perspectives M茅di茅vales, 44 (2023).

* 'La selva, le fiere, la guida: memorie dantesche di 鈥業nferno鈥� I nella poesia di Giorgio Caproni', L鈥橝lighieri. Rassegna Dantesca, 56 (2021).

Other Publications - Book Reviews:

* The Afterlife of Dante鈥檚 Vita Nova in the Anglophone World. Interdisciplinary Perspectives on Translation and Reception History, edited by F. Coluzzi and J. Blakesley (New York, London: Routledge, 2022), L鈥橝lighieri. Rassegna Dantesca, forthcoming issue.

* Narrative Strategies for Participation in Dante鈥檚 Divine Comedy, by Katherine Powlesland (Cambridge: Legenda, 2022), Bibliotheca Dantesca, forthcoming issue.

* Dante Beyond Influence. Rethinking Reception in Victorian Literary Culture, by Federica Coluzzi (Manchester: Manchester UP, 2021), L鈥橝lighieri. Rassegna Dantesca, 59 (2022).

Conference Presentations:

* Society for Italian Studies Themed Conference 'Affect, Sensation, Emotion' (深夜亚洲福利久久 of Cambridge, Sep 2023): paper 'Affects, Subjectivities, and Factory Work:
Vittorio Sereni鈥檚 "Una visita in fabbrica"'
 
* XII Annual Graduate Conference in Italian Studies (深夜亚洲福利久久 College Cork, Jun 2023): paper 'Coordinate teoriche per un approccio condiviso agli studi della ricezione di Dante'

* Per un nuovo canone del Novecento letterario italiano: le poetesse (Sapienza Universit脿 di Roma, Dec 2022): paper '"Poetessa isolata"? Per riposizionare "Parole" di Antonia Pozzi nel canone del Novecento'

* Dante Futures: New Voices in Ireland and the UK (深夜亚洲福利久久 College Cork, Nov 2022): paper 'Dante in Marginalia: A Preliminary Visit to Antonia Pozzi鈥檚 Private Library'

* Leeds International Medieval Congress 2022 (深夜亚洲福利久久 of Leeds, Jul 2022): paper '"Od ombra od omo certo": Redefining Identities between the Corporeal and the Immaterial'

* "Visibili rifatti": Early Modern Voices in the Contemporary World (深夜亚洲福利久久 of Sussex, Jun 2022): paper 'Schooling Dante: the Influence of Commentators and Cultural Positions on early twentieth-century Dantismo'

* Seminario dantesco Alma Dante 2022 (Alma Mater Studiorum Universit脿 di Bologna, Jun 2022): paper 'Luzi e Caproni lettori di Dante: appropriazioni poetiche di "Inferno" I, 65-67'

* American Association for Italian Studies Conference 2022 (Alma Mater Studiorum Universit脿 di Bologna, May 2022): paper 'Dantean Textures: Contemporary Irish Remediations in Art and Music'

* Society for Italian Studies Biennial Conference 2022 (深夜亚洲福利久久 of Warwick, Apr 2022): paper '"Una speranza di Bene": a Balance on Studies reading Female/Feminist Appropriations of Dante'

* A Centenary Celebration of New Voices in UK and Irish Dante Studies (深夜亚洲福利久久 of Cambridge/深夜亚洲福利久久 of Oxford, Nov 2021): paper 'A Genderless Legacy: Female Voices Re-reading and Re-thinking Dante'

* International Dante Conference Alma Dante 2021 (Alma Mater Studiorum Universit脿 di Bologna, Sep 2021): paper 'Eredit脿 testuali dantesche nella poesia di Antonia Pozzi: un primo approccio'

* International Dante Conference 鈥淟鈥檕mbra sua torna鈥�: Dante, il Novecento e oltre (Universidad Complutense de Madrid, Apr 2021): paper 'La selva, le fiere, la guida: memorie dantesche nella poesia di Giorgio Caproni'

* 52nd Northeast Mordern Languages Association Virtual Annual Convention (深夜亚洲福利久久 at Buffalo, Mar 2021): paper entitled '"Selva", "fiere", "guida": Dante鈥檚 "Inferno" I in the Poetics of Giorgio Caproni'

Funding: The Irish Research Council (Government of Ireland Postgraduate Scholarship, 2021-2024).

Email contacts: 120228026@umail.ucc.ie / dgalassini13@gmail.com

Mariangela Sanese

 Mariangela Sanese

MARIANGELA SANESE (Supervisor: Dr Silvia Ross; PhD year 3)

Title of Thesis: Alexandria in Between. Tropes of Emotional Involvement and Displacement in the Egyptian City-Space of Giuseppe Ungaretti, F.T Marinetti, and Fausta Cialente. Undergraduate Degree: Bachelor of Arts, Universit脿 Gabriele D鈥橝nnunzio di Chieti, 2010. Master鈥檚 Degree: Master in Nuove tecnologie di insegnamento nelle discipline umanistiche, Universit脿 degli studi di Teramo, 2011. Master in Nuove tecnologie di insegnamento della Storia nella scuole secondaria e superiore, Universit脿 degli studi Gabriele D鈥橝nnunzio di Chieti, 2012.

Conference Presentations:

  1. 鈥楩igure femminili tra displacement e location nel romanzo Il vento sulla sabbia di Fausta Cialente鈥�, American Association for Italian Studies Conference, 深夜亚洲福利久久 of Zurich, 23-25 May 2014
  2. 鈥�Alexandria in Between. La rappresentazione del porto in Allegria di Naufragi di Giuseppe Ungaretti鈥�, 7th Graduate Conference in Italian Studies, UCC, 1 March 2014
  3. 鈥楾he Harbour of Alexandria in Between Landing Place and Embarcation in Ungaretti鈥檚 Allegria di Naufragi鈥�, College of Arts, Celtic Studies & Social Sciences Postgraduate Conference, UCC, 9 November 2013;
  4. 鈥楾he Discovery of the self. Ungaretti鈥檚 Emotional Experience of the Egyptian Desert鈥�, II European Geographies of Sexualities Conference, Lisbon, 5 September 2013
  5. 鈥楲o spazio come voce dei sentimenti in Cortile a Cleopatra di Fausta Cialente鈥�, 6thGraduate Conference in Italian Studies, UCC, 9 February 2013

Funding: Dept of Italian PhD Studentship; CACSSS Postgraduate Travel Bursary 2013.

M Gabriella Caponi

M GABRIELLA CAPONI (Supervisor: Dr Daragh O鈥機onnell; PhD year 2, Part-time)

Title of Thesis: Convergenze e divergenze nelle opere teatrali di Gabriele D鈥橝nnunzio e Luigi Pirandello. Undergraduate Degree: Bachelor of Arts, Universit脿 degli Studi di Macerata, 1991. Bachelor of Arts, Universit脿 degli Studi di Macerata, 1987 Postgraduate Study: Post-Graduate Diploma in Teaching and Learning in Higher Education, 深夜亚洲福利久久 College Cork, 2008. Post-Graduate Certificate in Teaching and Learning in Higher Education, 深夜亚洲福利久久 College Cork, 2007. Post-Graduate Certificate in Teaching Italian as a second Language, Universita鈥� per Stranieri di Siena, 1998. Post-Graduate Certificate in Education, Queen鈥檚 深夜亚洲福利久久, Belfast, 1993.

Conference Presentations:

  1. 鈥楢ll鈥檃rmi, all鈥檃rmi: Representation of Conflict in the Theatre of Pirandello and D鈥橝nnunzio鈥�, Pirandello And Conflict: One Hundred Years From Sarajevo, Society for Pirandello Studies Annual Conference, October 2014
  2. 鈥楰eeping it in the Family: Primitive Bonds in Pirandello and D鈥橝nnunzio`, I vecchi e i giovani One Hundred Years On: Pirandello and the Family, Society for Pirandello Studies Annual Conference, 9 November 2013
  3. 鈥楽ono una donna non sono una statua: an experimental play by Pirandello鈥�,&苍产蝉辫;6th Graduate Conference in Italian Studies, UCC, 9 February 2013
  4. 鈥楾uda servant of two masters鈥�, Self and Others: Identity in Pirandello, Society for Pirandello Studies Annual Conference, 10 November 2012
  5. 鈥楶irandello in Portugal: Between Pessoa and Tabucchi鈥�, Rua da Saudade: Antonio Tabucchi between Italy and Portugal, UCC, 22 March 2012
  6. 鈥�A Curious Rendezvous: Pirandello鈥檚 Staging of D鈥橝nnunzio La figlia di Jorio鈥�, 5th Graduate Conference in Italian Studies, UCC, 4 February 2012
  7. 鈥楶颈谤补苍诲别濒濒辞鈥檚&苍产蝉辫;La figlia di Iorio: Transcription or Transposition?, Generations, Genders And Genres In Pirandello, Society for Pirandello Studies Annual Conference, 15 October 2011

Book Reviews:

  1. Pirandello e le metamorfosi del testo, edited by Bart Van den Bossche, Franco Musarra and Isabelle Melis, Florence, Cesati, 2009 (M. Gabriella Caponi - Doherty), Pirandello Studies, volume 31 (2011): 95鈥�98.
  2. Le passioni di Pirandello, edited by Bart Van den Bossche and Monica Jansen, Florence, Cesati, 2010 (M. Gabriella Caponi - Doherty), Pirandello Studies, volume 31 (2011): 98鈥�101.
  3. Dramatic Interactions: Teaching Languages, Literatures, and Cultures through Theater鈥擳heoretical Approaches and Classroom Practices, edited by Colleen Ryan and Nicoletta Marini-Maio, Newcastle- upon -Tyne, Cambridge Scholar Publishing, 2011
  4. (M Gabriella Caponi - Doherty), Scenario, volume VI, issue 2 (2012).
  5. La lingua del teatro fra d鈥橝nnunzio e Pirandello: atti del Convegno di studi, Macerata, 19鈥�20 ottobre 2004, edited by Laura Melosi and Diego Poli, Macerata, EUM, 2007 (M. Gabriella Caponi - Doherty), Pirandello Studies, volume 32 (2012):  91鈥�92.
  6. Franco Zangrilli, Scrittori allo specchio: d鈥橝nnunzio e Pirandello, Rome, Edicampus, 2011 (M. Gabriella Caponi), Pirandello Studies, volume 33 (2013):131鈥�34.
  7. Michael Syrimis, The Great Black Spider on Its Knock-kneed Tripod: Reflections of Cinema in Early Twentieth-century Italy, Toronto, 深夜亚洲福利久久 of Toronto Press, 2012 (M. Gabriella Caponi), Pirandello Studies, volume 33 (2013):137鈥�39.

 

  1. Caponi-Doherty, M. Gabriella, 鈥楶irandello鈥檚 La figlia di Iorio: Transcription or Transposition?, Pirandello Studies, volume 32 (2012): 71鈥�86.
  2. Caponi-Doherty, M. Gabriella, 鈥楽ono una donna non sono una statua鈥�: Character Identity and Actor Resistance in Diana e la Tuda鈥�, Pirandello Studies, volume 33 (2013): 68鈥�78.

 

Claire Buckley

Claire Buckley

CLAIRE BUCKLEY (Supervisor: Dr Silvia Ross; PhD: year 6)

Title of Thesis: Wild Woman: Representations of female 'deviance' in Modern and Contemporary Italian writing. Undergraduate Degree: Bachelor of Arts, 深夜亚洲福利久久 College Cork, 1994. Master鈥檚 Degree: Masters in Italian, 深夜亚洲福利久久 College Cork, 2003.

Conference Presentations:

  1. 鈥楾he Abject City: Perceiving Place in Marco De Franchi's La carne e il sangue鈥�,Tuscan Territories Conference, Monash 深夜亚洲福利久久, Prato, Italy, 2014
  2. 鈥楾he Enigma of Survival: Repetition and Trauma in Antonella Tavassi La Greca's La guerra di Nora鈥�,7thGraduate Conference in Italian Studies, UCC, 2014
  3. 'In Her Shoes: 鈥楥apturing鈥� the Female Terrorist in Marco De Franchi's La carne e il sangue', 6th Annual Sib茅al Conference-'Intersecting Gender', Queen's 深夜亚洲福利久久 Belfast, 2013
  4. 'The Fractured Self: Identity Construction in Anna Laura Braghetti and Paola Tavella's Il prigioniero', 6th Graduate Conference in Italian Studies, UCC, 2013
  5. 'Foreign Bodies: Representations of Estrangement in Younis Tawfik's La straniera', College of Arts, Celtic Studies & Social Sciences Postgraduate Conference, UCC, 2012
  6. 'Bread and Roses: Voicing Discontent in Armanda Guiducci's Due donne da buttare', 5th Graduate Conference in Italian Studies, UCC, 2012
  7. 'Out-of-Place: Spatial Representations of the Prostitute in Alberto Moravia's La romana', College of Arts, Celtic Studies & Social Sciences Postgraduate Conference, UCC, 2011
  8. 'Bewitching Time: Elements of the Fairy Tale in Gianna Manzini's Tempo Innamorato', 4th Graduate Conference in Italian Studies, UCC, 2011
  9. 'Ladies of Light and Darkness: the Female Double in Tarchetti's Fosca', College of Arts, Celtic Studies & Social Sciences Postgraduate Conference, UCC, 2010
  10. 'Beauty and the Beast: Subverting the Angel/Monster Dichotomy in Margaret Mazzantini's Non ti muovere', Graduate Conference in Italian Studies, UCC, 2010

Funding: 2010 Recipient of Erasmus Mobility Scholarship to conduct research in Italy.

 

Nicoletta Mandolini, IRC Postgraduate Scholar

鈥�Nicoletta Mandolini

NICOLETTA MANDOLINI (Supervisor: Dr Silvia Ross; PhD year 1)

Title of Thesis: Contemporary Italian Narrative and the Theme of Femicide. Undergraduate degree: Bachelor of Arts, Universit脿 degli Studi di Macerata, 2009. Master鈥檚 degree: Master鈥檚 Degree in Italian Philology, Universit脿 degli Studi di Macerata, 2013. 1st Level Master鈥檚 in Teaching Italian as a Foreign/Second Language, Universit脿 per Stranieri di Perugia, 2014.

Conference Presentations:

  1. 鈥楲a marginalit脿 del femminile nella narrativa italiana contemporanea. Il caso Sappiano le mie parole di sangue di Babsi Jones鈥�, Chernarus. Ai margini 鈥� Fra i margini 鈥� Oltre i margini, Banja Luka (Bosnia Herxegovina), 14-15 June 2013

Publications:

  1. Raccontare oltre la fine della storia. Interconnessioni tra New Italian Epic e Gender Studies sul tema del postmodernismo. Senigallia: Ventura Edizioni (forthcoming).
  2. 鈥楲a marginalit脿 del femminile nella narrativa italiana contemporanea. Il caso Sappiano le mie parole di sangue di Babsi Jones鈥�,&苍产蝉辫;I quaderni di Astolfo  鈥�  Atti del convegno Chernarus 2013 (forthcoming).
  3. 鈥业濒 paesaggio nella poesia di W. B. Yeats鈥�,&苍产蝉辫;Smerilliana, n. 13 (2011), pp. 141-163.

Funding: Irish Research Council Postgraduate Scholarship.

 

Martina O'Leary

Martina O'Leary

MARTINA O鈥橪EARY (Supervisor: Dr Silvia Ross; PhD year 3)

Title of Thesis: Distorted Bodies: Gender Performativity and Corporeal Representations in Twentieth-Century Italian Fantasy Literature. Undergraduate degree: Bachelor of Arts Special (English and Philosophy), NUI Maynooth, 2004. Master鈥檚 degree: MRes (Italian), 深夜亚洲福利久久 College Cork, 2012. HDip (Italian), 深夜亚洲福利久久 College Cork, 2011.

Conference Presentations:

  1. 'Subverting Masculinity or Suppressing the Unmanly? A Comparative Study of Gender Alterity in Capuana鈥檚 鈥楲鈥檌nvisibile鈥� and  Palazzeschi鈥檚 Il codice di Perel脿', 鈥淕ender and Metamorphosis鈥�, Sib茅al Feminist and Gender Studies Network for Postgraduate and Early Career Researchers, Trinity College Dublin, 21 November 2014.
  2. 鈥楶补濒补锄锄别蝉肠丑颈鈥檚&苍产蝉辫;Buffi and the Performance of Gender: Unreal Corporeal Representations in Stefanino and Il codice di Perel脿鈥�, Performing Identity: Embodying Knowledge, Mary Immaculate College, Limerick, 19-20 June 2014.
  3. 鈥楶补濒补锄锄别蝉肠丑颈鈥檚&苍产蝉辫;Buffi and the Performance of Gender鈥�, 7th Annual Graduate Conference in Italian Studies, UCC, 1 March 2014.
  4. 鈥楾he Dantean Simile and Collective Memory: A Phenomenological Exploration of the Vehicle of the Sun in the Commedia鈥�, 6th Annual Graduate Conference in Italian Studies, UCC, 9 February 2013. 

Funding: CACSSS Postgraduate Travel Bursary 2013; SUSI Grant to cover fees.

 

Michele Ronchi Stefanati, Eduardo Saccone PhD Scholar

Michele Ronchi Stefanati

MICHELE RONCHI STEFANATI (Supervisor: Dr Mark Chu; PhD year 2)

Title of Thesis: Origins of  Postmodern 鈥業mpegno鈥�: Socio-political Commitment in the Works of  Gianni Celati. Undergraduate degree: Bachelor of Arts, Univesity of Bologna, 2010. Master鈥檚 degree: Laurea Magistrale in Italian Studies, European Literary Cultures, Linguistics, 深夜亚洲福利久久 of Bologna, 2012.

Conference Presentations:

  1. 鈥楧al cinema alla letteratura e ritorno: il documentario nell鈥檕pera di Gianni Celati鈥�, Lingue, linguaggi e cinema in Italia, 深夜亚洲福利久久 of Bergen, Norway, 29-31 October 2014
  2. 鈥楩orme di impegno etico-politico nell鈥檕pera di Gianni Celati degli anni Duemila: da Sonetti del Badalucco nell鈥橧talia odierna a Selve d鈥檃more鈥�, American Association for Italian Studies Conference, 深夜亚洲福利久久 of Zurich, 23-25 May 2014
  3. 鈥楥elati, Calvino e 鈥楢l矛 Bab脿鈥�: trasformazioni del concetto di impegno tra archeologia e carnevalismo鈥�, 7th Graduate Conference in Italian Studies, UCC, 1 March 2014

Publications:

  1. 鈥楶er una linea leopardiana dell'impegno. Sulla matrice etico-politica dell'opera di Gianni Celati degli anni Duemila鈥�,&苍产蝉辫;Quaderni d'italianistica, Special Issue: 'Letteratura ed etica', Ed. by Eugenio Bolongaro (forthcoming 2015). 
  2. 鈥楧al cinema alla letteratura e ritorno. Il documentario nell'opera di Gianni Celati鈥�, in Lingue, linguaggi e cinema in Italia - Atti del convegno di Bergen 2014, Roma: Aracne Editrice (forthcoming 2015).

Funding: Eduardo Saccone PhD Scholarship in Italian Literature.

 

Andrea Raimondi

ANDREA RAIMONDI (Supervisor: Dr Silvia Ross; PhD year 4)

Title of Thesis: The many voices of Piedmont: a Bakhtinian and sociolinguistc reading of the works of Cesare Pavese, Mario Soldati, Beppe Fenoglio and Gina Lagorio. Undergraduate Degree: Bachelor of Arts, Univesity of Eastern Pidemont, 2007.Master鈥檚 Degree: Master of Science in European and American Languages and Literatures, Univesity of Eastern Pidemont, 2010

Conference Presentations:

  1. 鈥楲anguage and Alterity in Pavese鈥檚 Ciau Masino鈥�, 7th Graduate Conference in Italian Studies, UCC, 1 March 2014
  2. 鈥�La voce nella tempesta: Fenoglio tra romanzo e grande schermo鈥�,&苍产蝉辫;6thGraduate Conference in Italian Studies, UCC, 9 February 2013
  3. 鈥楲anguage and Identity in Beppe Fenoglio鈥檚 Rural Short Stories鈥�, College of Arts, Celtic Studies & Social Sciences Postgraduate Conference, UCC, 10 November, 2012

Publications:

  1. 鈥楧ialetto e identit脿 nei racconti di Beppe Fenoglio鈥�,&苍产蝉辫;L鈥橝nalisi Linguistica e Letteraria, 21 (2013), 71-80.
  2. 鈥楲e Cime Tempestose del Giovane Fenoglio鈥�,&苍产蝉辫;Studi Novecenteschi. 83 (2012), 111-35.
  3. 鈥極thello e le sue fonti鈥�,&苍产蝉辫;Aeolo 5 (2011/2012), 76-82.
  4. 鈥�The Birthday Boys di Beryl Bainbridge鈥�,&苍产蝉辫;Atelier 68 (2012), 80-86.
  5. 鈥楶ap Khouma: Noi italiani neri. Storie di ordinario razzismo鈥�,&苍产蝉辫;Riscontri, Rivista trimestrale di cultura e di attualit脿, 1 (2011), 147-51.
  6. 鈥楲e Langhe tempestose del giovane Fenoglio鈥�,&苍产蝉辫;Rivista di Letterature Moderne e Comparate, 64.3 (2011). 305-25.
  7. Vigny traduttore di Shakespeare: 鈥楲e More de Venise鈥�, Roma: Il Rovescio, 2011.

Funding: CACSSS PhD Scholarship.

 

 

Marco Amici, CACSSS and IRCHSS PG Scholar - PhD Completed 2013

鈥�MARCO AMICI (Supervisor: Dr Mark Chu; PhD completed 2013)

Title of Thesis: New Intersections: History and Crime in Italian Narrative at the Turn of the Millennium External Examiner: Prof Luca Somigli (深夜亚洲福利久久 of Toronto)

Conference Presentations:

  1. 鈥楥rime Fiction as a Narrative of the Crisis: Some Notes on Italian Noir鈥�, American Association for Italian Studies Annual Convention (深夜亚洲福利久久 of Zurich, 23-25 May 2014)
  2. 鈥�Crime Fiction as a Narrative of the Crisis: Ken Bruen鈥檚 Jack Taylor novels鈥�, Captivating Criminality: Crime Fiction, Darkness and Desire (深夜亚洲福利久久 of Bath, 24-26 April 2014)
  3. 鈥楳assimo Carlotto and the Success of Italian Noir Fiction鈥�, international conference: 鈥楻etold, Resold Transformed: Crime fiction in the Modern Era鈥� (深夜亚洲福利久久 of Leeds, 17-18 September 2013)
  4. 鈥楪iallo/noir: la narrativa di genere e la lettura della societ脿. Prospettive per lo sviluppo di un gruppo di ricerca鈥�, presented together with Dr Mark Chu and Dr Alessia Risi at the 鈥業talian Studies in Ireland One-Day Research Colloquium, Trinity College Dublin, 2 February 2013
  5. 鈥楾ransmedia and Genre Narrative: Some Observations on United We Stand by Simone Sarasso and Daniele Rudoni鈥�, Biennial Conference of the Society for Italian Studies (Durham, 8-11 July 2013)
  6. 鈥楳assimo Carlotto and the structural presence of crime in Italian democracy鈥�, international conference: 鈥楾he States of Crime: The State in Crime Fiction鈥� (Queen鈥檚 深夜亚洲福利久久 Belfast, 17-18 June 2011)
  7. 鈥楽ome considerations on the success and influence of noir literature in Italy鈥�, Graduate Conference in Italian Studies (深夜亚洲福利久久 College Cork, 5 February 2011)
  8. 鈥业濒 tema della cospirazione in Romanzo criminale鈥�, Graduate Conference in Italian Studies (深夜亚洲福利久久 College Cork, 27 February 2010)
  9. 鈥业濒 New Italian Epic e la costante tematica della morte del Vecchio鈥�, international conference: 鈥楩iction, faction, reality: incontri, scambi, intrecci nella letteratura italiana dal 1990 ad oggi鈥� (深夜亚洲福利久久 of Warsaw, 9-10 November 2009)
  10. 鈥楽tate Boundary: Italian History as a Crime Novel鈥�, international conference: 鈥楥on(tra)vention: Crime and the Boundaries of Genre鈥� (深夜亚洲福利久久 College Cork, 26-27 June 2009)
  11. 鈥楥onsiderazioni sull鈥檕ggetto narrativo non identificato Sappiano le mie parole di sangue di Babsi Jones鈥�, 2009 SIS Postgraduate Colloquium (深夜亚洲福利久久 of Oxford, 23 May 2009)
  12. 鈥楿rgenza e visioni del New Italian Epic鈥�, Biennial Conference of the Society for Italian Studies (Royal Holloway 深夜亚洲福利久久 of London, 16鈥�19 April 2009)
  13. 鈥楧al romanzo all鈥檕ggetto narrativo: il caso Babsi Jones鈥�, Graduate Conference in Italian Studies (深夜亚洲福利久久 College Cork, 21 February 2009)
  14. 鈥楧all鈥檈popea criminale all鈥檃mbiguit脿 dei giorni nostri. Alcune considerazioni su Romanzo criminale e Nelle mani giuste di Giancarlo De Cataldo鈥�, conference: 鈥楺uale memoria per il noir italiano? Un鈥檌ndagine pluridisciplinare鈥� (Universit茅 Catholique de Louvain-la-Neuve, 15-16 May 2008)
  15. Le narrazioni di Giancarlo De Cataldo fra crimini e storia鈥�, international conference: 鈥业濒 romanzo poliziesco, la storia, la memoria. Italia, America Latina鈥� (Universit茅 de Provence, 6-8 March 2008)

Invited talks, seminars:

  1. 鈥楾he Black Album Reloaded. Conversazione con Massimo Carlotto鈥�, The Criminal Hero, 深夜亚洲福利久久 of Milan, 25 November 2014
  2. 鈥楴el genere e oltre: il noir di Massimo Carlotto鈥�, Roma Noir 2013, (Sapienza 深夜亚洲福利久久 of Rome, 18 February 2013)
  3. 鈥楾erritoires h茅t茅rog猫nes du noir鈥� (with Nicoletta Vallorani), Centre Aixois d鈥櫭﹖udes Romanes (Universit茅 d鈥橝ix Marseille, 22 October 2012)
  4. 鈥楽ome Considerations on the Historical Novel of the New Millennium鈥�, PhD Forum (深夜亚洲福利久久 College Cork, 27 October 2011)
  5. 鈥楾he Front Before Our Eyes. Some Reflections on the New Italian Epic鈥�, The Italian Perspective on Metahistorical Fiction: The New Italian Epic (深夜亚洲福利久久 of London, 2 October 2008)

Books

  1. Marco Amici, Massimo Carlotto, The Black Album, Roma: Carocci, 2012.

Articles in Books and Journals:

  1. 鈥业濒 transmediale, la storia 鈥榮porca鈥� e la narrativa di genere鈥�, in Transmedia. Storia, memoria e narrazioni italiane attraverso I media. Ed. by Emanuela Patti e Clodagh Brook,Sesto San Giovanni, Milano: Mimesis (Forthcoming 2015).
  2. 鈥业濒 noir e la narrativa a tema criminale鈥�, in Scritture di resistenza. Ed. by Claudia Boscolo e Stefano Jossa, Roma: Carocci, 2014, 129-189.
  3. 鈥楬istory, Geography and Mutations of Italian Crime Fiction鈥� (review article), Journal of Romance Studies, 14 (2014), 106-111.
  4. 鈥楴el genere e oltre: il noir di Massimo Carlotto鈥�, in Roma Noir 2013. Ed. by Elisabetta Mondello, Roma: Robin Edizioni, 2014, 109-124.
  5. 鈥业濒 New Italian Epic e la costante tematica della morte del vecchio鈥�, in Finzione cronaca realt脿. Ed. by Hanna Serkowska, Massa: Transeuropa, 2011, 245-254.
  6. 鈥楿rgency and Visions of The New Italian Epic鈥�, Journal of Romance Studies, 10 (2010), 7-18.
  7. 鈥楲etteratura di genere, Noir e New Italian Epic鈥�, in Roma Noir 2010. Ed. by Elisabetta Mondello, Roma: Robin Edizioni, 2010, 111-134.
  8. 鈥楩ra narrazioni di trasformazione storica ed etica del mito: intervista a Wu Ming 1鈥�, La libellula, 2 (2010), 3-14.
  9. 鈥楿nearthing Collusions: the Socio-Political Dimension of Crime in the Conspiracy Novel鈥� (with Mark Chu), in Nicoletta Di Ciolla, Uncertain Justice, Newcastle upon Tyne: Cambridge Scholars Publisher, 2010, 35-71.
  10. 鈥楧all鈥檈popea criminale all鈥檃mbiguit脿 dei giorni nostri鈥� in Memoria in Noir. Ed. by Monica Jansen and Yasmina Khamal, Bruxelles: Peter Lang, 2010, 77-86.
  11. 鈥楴oir su Noir: Romanzo criminale e storia criminale鈥�, in Il romanzo poliziesco, la storia, la memoria. Ed. by Claudio Milanesi, Bologna: Astr忙a Editrice, 2009, 435-445.
  12. 'La narrazione come mitopoiesi secondo Wu Ming', Bollettino di Italianistica. Rivista di critica, storia letteraria, filologia e linguistica, ed. by Alberto Asor Rosa, 1 (2006), 184-207.

Funding: IRCHSS (Irish Research Council for Humanities and Social Sciences) Postgraduate Scholarship;CACSSS PhD Scholarship; CACSSS Postgraduate Travel Bursary 2013.

Michal Czorycki, IRCHSS Postgraduate Scholar - PhD completed 2012

michal

MICHAL CZORYCKI (Supervisor: Dr Silvia Ross; PhD completed 2012)

Title of Thesis: Journeys to the Margins: Travel, Identity and Borders in Claudio Magris and Paolo Rumiz External Examiner: Prof. Loredana Polezzi (Warwick)

Conference Presentations:

  1. 鈥楲a grande libert脿 di viaggio. Il viaggio nel Corto viaggio sentimentale di Italo Svevo e Danubio di Claudio Magris鈥�, AAIS Annual Conference, Universit盲t Z眉rich, 23-25 May 2014
  2. 鈥楩谤辞尘 Danubio to Alla cieca: Claudio Magris鈥檚 Journey towards Fiction鈥�, Postgraduate Conference in Italian Studies, 深夜亚洲福利久久 College Cork, 5 February 2011
  3. 鈥楧arkness Within. The Black Sea in Claudio Magris鈥檚 Danubio鈥�, CACSSS Postgraduate Conference, UCC, 20 November 2010
  4. Venice and the Mediterranean: From Claudio Magris鈥檚 Marginal Zones to Predrag Matvejevic鈥檚 Venice鈥�, Il Mediterraneo nella cultura italiana. The Mediterranean in Italian Culture, Universit脿 Ca鈥橣oscari , Venice, 鈥�3- 4 May 2010
  5. 鈥楻eports from a Besieged City: Paolo Rumiz鈥檚 La secessione leggera鈥�, Postgraduate Seminar in Italian Studies, UCC, 26 September 2009
  6. 鈥楾he Representation of the Black Sea in Claudio Magris鈥檚 Danubio鈥�, Postgraduate Colloquium in Italian Studies, Oxford 深夜亚洲福利久久, 23 May 2009
  7. 鈥楾he Myth of Medea in Claudio Magris鈥檚 Microcosmi鈥�, Postgraduate Conference in Italian Studies, UCC, 21 February 2009
  8. 鈥楤orderlands in Claudio Magris鈥檚 Microcosmi鈥�, Interdisciplinary Research Forum 鈥楧e-Marginalising the Marginal鈥�, 深夜亚洲福利久久 College Dublin, 3 December 2008
  9. 鈥楾he Representation of Eastern Europe in Paolo Rumiz鈥檚 脠 Oriente鈥�, SIS Postgraduate Conference, 深夜亚洲福利久久 of Reading, 6 June 2008

Publications:

  1. 鈥楾he Final Passage. Death, Transcendence and Aquatic Imagery in Claudio Magris鈥� Microcosmi鈥�, Italica, forthcoming, Summer 2015.
  2.  鈥楾he Politics of Travel: Eastern Europe in Paolo Rumiz鈥檚 脠 Oriente鈥�, Italian Studies, Vol. 69 No. 1, March 2014, 139鈥�57.
  3. 鈥楩igures of Ambiguity. Bucharest and the Black Sea in Claudio Magris鈥� Danubio鈥�, The Italianist, 33. 1, 74鈥�88, 2013.
  4. 鈥樷�楲ewanty艅ski bazar duszy鈥�. Ba艂kany i Morze Czarne w Dunaju Claudio Magrisa鈥�, Przegl膮d Humanistyczny, 06, 19-29, 2013.

Funding: IRCHSS (Irish Research Council for Humanities and Social Sciences) Postgraduate Scholarship.

Emma Keane, President's PhD Scholar - PhD completed 2011

EMMA KEANE (Supervisor: Dr Mark Chu; PhD completed 2011)

Title of Thesis: Representing Masculinities in twentieth-century Italian literature: Giuseppe Antonio Borgese, Vitaliano Brancati and Alberto MoraviaExternal Examiner: Prof. Ellen Nerenberg (Wesleyan 深夜亚洲福利久久)

Conference Presentations:

  1. 鈥楾he Politics of Possession: A comparative analysis of Borgese鈥檚 搁耻产猫 and Moravia鈥檚 La noia鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Oxford, 23 May 2009
  2. 鈥楢scent and descent: The imagery of gender struggle in Giuseppe Antonio Borgese鈥檚 搁耻产猫鈥�, Graduate Conference in Italian Studies, UCC, 21 February 2009
  3. 鈥極pposing Masculinities in Vitaliano Brancati鈥檚 Paolo il Caldo鈥�, Graduate Conference in Italian Studies, UCC, 1 March 2008
  4. 鈥楽exual Repression and Subordinated Masculinity in Moravia鈥檚 Il conformista鈥�, Italian Department Research Seminar, UCC, 23 January 2008

Funding: President鈥檚 PhD Scholarship; Universit脿 degli studi di Milano: Scholarship and bursary to attend four-week school at Palazzo Feltrinelli, Gargnano di Garda, July 2006

Aidan Power, Film Studies/Italian - PhD completed 2011

AIDAN POWER

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD completed 2012)

Title of Thesis: Continental Drifts: Movement, Margins and Transition in Twenty-First Century European Cinema External Examiner: Prof Yosefa Loshitzky (深夜亚洲福利久久 of East London)

Conference Presentations

  1. 鈥榁acations in Dystopia: Tourism, Culture and Authenticity in Science Fiction Cinema鈥�,&苍产蝉辫;NECS 2014: Creative Energies, Creative Industries, Universit脿 Cattolica del Sacro Cuore Milan, June 21st, 2014
  2. 鈥楻eworking the Foundational Myths: Some Thoughts on Richard Fleischer鈥檚 Soylent Green鈥�, Research Colloquium: Film Media Art and Popular Culture, Universit盲t Bremen, May 26th, 2014
  3. 鈥楾ourism and Science Fiction: Exploring a Novel Perspective鈥�,&苍产蝉辫;Research Colloquium: Film Media Art and Popular Culture, Universit盲t Bremen, April 29th, 2014
  4. 鈥楥harting the End Times: 鈥楢uthenticity鈥� in 21st Century European Science Fiction Cinema鈥�, Society for Cinema & Media Studies, Seattle, March 21st, 2014
  5. 鈥楾empering Dystopia: Science Fiction Film and the European Union鈥�,&苍产蝉辫;Zemki Invited Speakers Series, Universit盲t Bremen, January 9th, 2014
  6. 鈥楥rises and Beyond: Science Fiction and the European Union鈥�,&苍产蝉辫;European Film Cultures: ECREA Film Studies Section Interim Conference, Lunds Universitet, November 9th, 2013
  7. 鈥楥harting Filmic Responses to the Economic Crisis鈥�,&苍产蝉辫;Research Colloquium: 鈥楩ilm, Media Art and Popular Culture鈥�, Universit盲t Bremen, October 29th, 2013
  8. 鈥楽cience Fiction Cinema and the European Union鈥�,&苍产蝉辫;Excellence Series, Universit盲t Bremen, June 25th, 2013
  9. 鈥楥ommunity and Contemporary European Science Fiction Cinema鈥�,&苍产蝉辫;Excellence Series, Universit盲t Bremen, April 23rd, 2013
  10. 鈥楻agnar枚k Now: Moving Through the Interstices of Le temps du loup鈥�,&苍产蝉辫;Cinema in the Interstices: Alphaville Inaugural Conference, 深夜亚洲福利久久 College Cork, September 7th, 2012
  11. 鈥楥lementine Wore a White Ribbon: Collective Memory in Michael Haneke鈥檚 Das Wei脽e Band(and John Ford鈥檚 West)鈥�,&苍产蝉辫;NECS 2012: Time Networks: Screen Media and Memory, Universidade Nova de Lisboa, June 22nd, 2012
  12. 鈥楢nother Man's Vine: A Microcosmic Look at Travel and Diaspora in French cinema鈥�,&苍产蝉辫;Italian Research Seminar Series 2010-2011, 深夜亚洲福利久久 College Cork, October 29th, 2010
  13. 鈥楾he Last Tourist Office in Dystopia: Surveillance, Sci-fi and the Streamlined Metropolis鈥�,Transnational, Transcultural, Transmedial: European Cinema Today, 深夜亚洲福利久久 College Cork, May 14th, 2010
  14. 鈥楩allujah: East London. Terror, Order and the Digital Panopticon鈥�,&苍产蝉辫;Irish Postgraduate Film Research Seminar 2010, Trinity College Dublin, April 22nd, 2010
  15. 鈥楧arkness on the Edge of Town: Borders and Peripheries in Two Contemporary Westerns鈥�,The Graduate School: Annual Conference, 深夜亚洲福利久久 College Cork, November 19th, 2009
  16. 鈥楢 Weekend Break in the Country 鈥� with Zombies: Contrasting Space in 28 Days Later鈥�,NECS 2009: Locating Media, Lunds Universitet, June 27th, 2009
  17. 鈥楨choes from Elsewhere: Diasporic Journeys through Contemporary French Cinema鈥�,Anthropological Association of Ireland Conference, Queens 深夜亚洲福利久久 Belfast, May 1st, 2009
  18. 鈥極verheating the Melting Pot: Cultural Compositions in the Cinema of Michael Haneke鈥�,Graduate Centre for Europe: Interdisciplinary Conference, 深夜亚洲福利久久 of Birmingham, April 17th, 2009
  19. 鈥楽trangers in Dystopia: Identity and Nation in Contemporary English Science Fiction Cinema鈥�,College of Arts, Celtic Studies and Social Sciences Interdisciplinary Conference, 深夜亚洲福利久久 College Cork, November 8th, 2008
  20. 鈥楽patial Relationships: Female Sexuality in the Cinema of David Lean鈥�,&苍产蝉辫;David Lean: 100th Anniversary Conference, Queen Mary, 深夜亚洲福利久久 of London, July 24th, 2008

Articles:

  1. 鈥橮anic on the Streets of London: Tourism and British Dystopian Cinema鈥�,&苍产蝉辫;Science Fiction Film and Television. 7.1 (2014), pp. 77-98.
  2. 鈥楳obilising the East: Some Notes on Robert Gu茅diguian鈥檚 Le voyage en Arm茅nie鈥�,&苍产蝉辫;Annali Online Lettere. 8:1 (2013), pp. 176-189.
  3. 鈥楧ance me to the end of love: Community and Impending Doom in Michael Haneke鈥檚 Das Wei脽e Band and John Ford鈥檚 west鈥�,&苍产蝉辫;Studies in European Cinema. 9: 2-3 (2012), pp. 109-121.
  4. 鈥業ssue 4 Editorial鈥�,&苍产蝉辫;Alphaville: Journal of Film and Screen Media. 鈥極pen Issue鈥�, 4 (Winter 2012).
  5. 鈥業ssue Editors鈥� Note鈥�, Alphaville: Journal of Film and Screen Media. 鈥楨uropean Cinema: Transnational, Transcultural, Transmedial鈥�, 1 (Summer 2011), pp. 1-3.
  6. 鈥極verheating the Melting Pot: Cultural Compositions in the Cinema of Michael Haneke鈥�, Birmingham Journal for Europe. 1 (2010).

Book Chapters:

  1. 鈥業nvasion of the Brit-snatchers: National Identity in Contemporary Science Fiction Cinema鈥�, in British Science Fiction Film and Television: Critical Essays, Ed. By Leggott, James and Tobias Hochsherf. London: McFarland, 2011, pp. 143-155.

Peer-reviewed Journals (edited):

  1. Alphaville: Journal of Film and Screen Media. 鈥極pen Issue鈥�, 4 (Winter 2012).

  1. Alphaville: Journal of Film and Screen Media. 鈥楨uropean Cinema: Transnational, Transcultural, Transmedial鈥�, 1 (Summer 2011).

Funding: CACSSS PhD Fee Waiver Scholarship.

 

Stefano Odorico, IRCHSS Postgraduate Scholar - PhD Completed 2011

STEFANO ODORICO

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD completed 2011)

Title of Thesis: A Semio-Pragmatic Analysis of Documentary CinemaExternal Examiner: Dr Warren Buckland (Oxford Brookes)

Conference Presentations:

  1. 'Multimedia Production: A Pragmatic Approach', Documentary Now! Conference, BirkbeckCollege, 深夜亚洲福利久久 of London, 15-16 January 2010.
  2. '(web)documentary.com', CACSSS Conference, 深夜亚洲福利久久 College Cork, Ireland, 14 November 2009
  3. 'What Happens When Documentary Meets Internet?', IMAGEing Reality:Representing the Real in Film, Television and New Media , Universidad de Navarra , Spain , 22-24 October 2009
  4. 'Encounters at the End of the World is not another documentary about penguins!', Screen Studies Conference , 深夜亚洲福利久久 of Glasgow , UK , 3-5 July 2009
  5. 'Violence of the Documentary Image: Morris's Standard Operating Procedure ', Images of Pain/Painful Images, The Second Nomadikon Meeting , 深夜亚洲福利久久 of Bergen, Norway, 19-21 June 2009
  6. 'London , E very S tory is a T ravel S tory 鈥� A S patial P ractice ', NECS 鈥� The LundConference, Locating Media, Lund , Sweden , 25 -28 June 2009.
  7. 鈥楳anzoni e Foscolo: un鈥檃nalisi linguistica鈥�, Graduate Conference in Italian Studies, UCC, 21 February 2009
  8. 鈥楢 Few Notes on Ethnopragmatics and Documentaries鈥�, CACSSS Conference, UCC, 8 November 2008
  9. 鈥榁ittorio De Seta : Semio-pragmatics and Anthropology鈥�, WHEN CLIO CLAIMS THE DOCUMENTARY, International Conference, 深夜亚洲福利久久 of Bordeaux 3, Pessac/Anguilleme, France, 13-15 November 2008
  10. 鈥楨rrol Morris鈥� First Person: Semio-Pragmatics and Documentary鈥�, NECS 鈥� The Budapest conference, New and Old Frames, Budapest, Hungary, 19-22 June 2008
  11. 鈥楲osing the Landmarks,鈥� ARCHITEXTURE 鈥� Exploring textual and Architectural spaces, 深夜亚洲福利久久 of Strathclyde, Glasgow, UK, 15-17 April 2008
  12. 鈥楶asolini vs Moravia,鈥� Graduate Conference in Italian Studies, UCC, 1 March 2008

Publications:

  1. 鈥业濒 documentario interattivo Italiano all鈥檌nterno del contesto internazionale鈥�, in Per un cinema del reale. Forme e pratiche del documentario italiano contemporaneo. Ed. by Daniele Dottorini. Udine: Forum Edizioni, 2013.
  2. 鈥榠-Docs: Interactivity, Documentary and Memories鈥�, in Avanca I Cinema. Ed. by Antonio Costa Valente and Rita Capucho. Avanca: Portugal, 2012. 1140-1146.
  3. 鈥榁iolence of the documentary Image: Errol Morris's Standard Operating Procedure鈥�, in Ethics and Images of Pain. Ed. by Henrik Gustafsson and Asbj酶rn Gr酶nstad. New York & London: Routledge, 2012. 59-73.
  4. 鈥楧ocumentary on the Web between Realism and Interaction. A case study: From Zero 鈥� People Rebuilding Life after the Emergency (2009)鈥�, Studies in Documentary Film, 5: 2+3 (2011), 235-246.
  5. 鈥榃erner Herzog between Documentary and Fiction鈥�, Off Screen Journal, Volume 14, Issue 3 (2010).
  6. 'Cinema documentario ed architettura: il caso italiano e il paragone scozzese', Scritti dell'Italian Society Journal, 深夜亚洲福利久久 of St Andrews (December 2009), 22-28.
  7. 鈥楩ilm Festivals: from European Geopolitics to Global Cinephilia鈥�, Film Philosophy (September 2008), 124-130.
  8. Documen(I)taly鈥�, Cinergie, Le Mani, Bologna (September 2008), 8-9.

Funding: President鈥檚 Phd Scholarship; IRCHSS (Irish Research Council for Humanities and Social Sciences) Postgraduate Scholarship.

 

Chen Yuanyuan, Ireland-China Scholar

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CHEN YUANYUAN

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD year 4). Title of Thesis: Influences of Western Modernist and Postmodernist Art on Chinese Animation. Undergraduate Degree: BA, Southeast 深夜亚洲福利久久 (2002-2006). Master鈥檚 Degree: MA, Southeast 深夜亚洲福利久久 (2008-2011).

Conference Presentations:  

  1. 鈥楢nimating the City of Desire: Bodily Metaphor and Visual Imagina-tion in Bu Hua鈥檚 Flash-Animated Shorts鈥�, Animation at the Cutting Edge, Alphaville symposium, UCC, 15 February 2014
  2. 鈥楽elf-awareness and Self-transcendence in Chinese Animated Film鈥�, Change and Continuity: Interdisciplinary Aspects of Animation, Comics and Literature, Stuttgart, Germany, 25-26 April 2013
  3. 鈥楻ethinking the Chinese School of Animation: From Historical Context to National Identity鈥�, The Creation and Circulation of Chinese Identities in and through Cinema, A Chinese Film Forum, UK symposium, Chinese Arts Centre, Manchester, 29-30 January 2013
  4. 鈥楾he Rebel of the Chinese School: Modernist Expression in A Da鈥檚 Late Animations鈥� , Cinema in the Interstices, Alphaville Inaugural Conference, UCC, 7-9 September 2012
  5. 鈥楥hinese School: Definition, Development, and Features鈥�, The 4th Annual NYIT-NUPT Student Film Festival and International Symposium, Nanjing, China, 21-22 April 2012

Publications:

  1. 鈥楾he Rebel of the Chinese School: Modernist Expression in A Da鈥檚 Late Animations, Modernism/modernity (Forthcoming, 2015).
  2. 鈥楢nimating the City of Desire: Bodily Metaphor and Visual Imagination in Bu Hua鈥檚 Flash-Animated Shorts鈥�, Alphaville: Journal of Film and Screen Media, 2014.
  3. 鈥極n the Aesthetic Features of Experimental Anima-tion and Realization of Value鈥�, Movie Literature, 3 (2010) (in Chinese language).
  4. 鈥楲ove and Sadness with the Warm Tone: Taste the Beauty of Colour from La Maison en Petits Cubes (2008)鈥�, Movie Review, 11 (2009) (in Chinese language).
  5. 鈥楢nimation Characters and Its Derivative Products Based on Traditional Art Elements鈥�, Beauty & Times, 4 (2009) (in Chinese language).

Funding: Ireland-China Scholarship.

 

Marian Hurley - PhD completed 2009

MARIAN HURLEY

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD completed 2009)

Title of Thesis: Reworking the Neorealist Myths: Resistance Identities in Italian Cinema, 1945-1993External Examiner: Prof. Mary P. Wood (Birkbeck, 深夜亚洲福利久久 of London)

Conference Presentations:

  1. 鈥楬ow It Should Have Ended: the Italian Resistance Film after 1948鈥�, Graduate Conference in Italian Studies, UCC, 1 March 2008
  2. 鈥楶aolo and Vittorio Taviani: Reworking the Neorealist Myths鈥�, Invited Research Seminar, Board of Film Studies, UCC, 29 January 2007
  3. 鈥榃orking Class Communities and the New Nation: Italian Resistance Film and the Re-making of Italy鈥�, 鈥業mage and Identity in Contemporary Europe鈥�, Welsh Institute for Social and Cultural Affairs, 深夜亚洲福利久久 of Wales, Bangor, 7-9 September 2006
  4. 鈥榃omen, Family and Agency in Italian Resistance Film: The Catholic and Marxist Traditions鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Bristol, 3 June 2006
  5. 鈥楻esistance, Christianity and Masculinity in Rossellini鈥檚 Roma citt脿 aperta.鈥� SIS Postgraduate Colloquium, Pembroke College, Cambridge, 16-17 April 2005

Publications:

  1. 鈥榃orking Class Communities and the New Nation: Italian Resistance Film and the Re-making of Italy鈥�, in The Essence and the Margin: National Identities and Collective Memories in Contemporary European Culture. Ed. By Saunders, Anna and Laura Rorato. Amsterdam: Rodopi, 2013.
  2. 鈥楻esistance, Christianity and Masculinity in Rossellini鈥檚 Roma citt脿 aperta鈥� in Risso, Linda and Monica Boria, eds. Politics and Culture in Post-War Italy. Newcastle-upon-Tyne: Cambridge Scholars Press, 2006.

Abigail Keating, Film Studies/Italian - PhD Completed 2014

ABIGAIL KEATING

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD Completed 2014)

Title of Thesis: Locating the Transnational: Representations and Aesthetics of the City in Contemporary European Cinema External Examiner: Prof Tim Bergfelder (深夜亚洲福利久久 of Southampton)

Conference Presentations:  

  1. 鈥楶rivate Places, Global Spaces: Subverting the Amateur Aesthetic of Recent YouTube Phenomena鈥�. Saving Private Reels: An International Conference on the Presentation, Appropriation and Re-contextualisation of the Amateur Moving Image, 深夜亚洲福利久久 College Cork, 17-19 September 2010
  2. 鈥極n the Transnationality of Filmic Space: A Reconsideration of Almod贸var鈥檚 鈥楪lobal鈥� Cities鈥�. Transnational, Transcultural, Transmedial: European Cinema Today, An International Graduate Film Studies Conference, 深夜亚洲福利久久 College Cork, 14-15 May 2010
  3. 鈥榃here the Hell is ... Youtube? Exploring the Concept of a Transnational Platform鈥�. Irish Postgraduate Film Research Seminar, Trinity College Dublin, 22-23 April 2010
  4. 鈥楾ransnational European Cinema: An Irish Context鈥�. The Europeanness of European Cinema, King鈥檚 College London, 4 June 2010
  5. 鈥楾ransnational European Cinema: Aesthetics and the Urban Space鈥�. College of Arts, Celtic Studies and Social Sciences Postgraduate Conference, 深夜亚洲福利久久 College Cork, 14 November 2009
  6. 鈥楾o the Centre and Back: Dublin and the Consumerist Journey in Recent Irish Cinema鈥�. Metropolitan Desires: Cultural Reconfigurations of the European City Space, Manchester Metropolitan 深夜亚洲福利久久, 8-9 September 2009
  7. 鈥楥ontrasting Spaces? Representations of Motherhood and the (Urban) Village in Pedro Almod贸var鈥檚 Volver鈥�. Locating Media, NECS 2009, 深夜亚洲福利久久 of Lund, Sweden, 25-28 June 2009
  8. 鈥楶eripheral Cubs: Cinematic Representations and Aesthetics of the 鈥極ther鈥� in Celtic Tiger Ireland鈥�. From Local Ireland to Global Ireland: The Reality Beyond, VIII International Conference of the Spanish Association for Irish Studies, Universidad de Alcal谩, Spain, 28-30 May 2009
  9. 鈥榃omen on the Verge: Mothers and Margins in the Cinema of Pedro Almod贸var鈥�. De-Marginalising the Marginal, Humanities Institute of Ireland, 深夜亚洲福利久久 College Dublin, 1 April 2009

Publications:

  1. 鈥楲ocating the City: Dublin and the Consumerist Journey in Recent Irish Cinema鈥�, in Glocal Ireland: Current Perspectives on Literature and the Visual Arts. Ed. By Juan F. Elices and Marisol Morales. Newcastle: Cambridge Scholars Publishing (in press).
  2.  鈥楢ll Roads lead to Piazza Vittorio: (Trans)National Spaces in Agostino Ferrente鈥檚 Documusical鈥�,&苍产蝉辫;Studies in Documentary Film. 2011.
  3.  鈥楲ove Story鈥�, in Directory of World Cinema: American Hollywood. Ed. By Lincoln Geraghty. Bristol: Intellect, 2010.
  4. 鈥楶hiladelphia鈥�, in Directory of World Cinema: American Hollywood. Ed. By Lincoln Geraghty. Bristol: Intellect, 2010.
  5. 鈥楾he Simpsons Movie鈥�, in Directory of World Cinema: American Hollywood. Ed. By Lincoln Geraghty. Bristol: Intellect, 2010.
  6. Review of Katherine Thomson-Jones, Aesthetics and Film, in Film-Philosophy, 14:1 (2010), pp. 468-474.

Funding: Dept of Italian PhD Studentship.

Stefano Baschiera, President's and Arts Faculty PhD Scholar - PhD completed 2008

STEFANO BASCHIERA

(Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD completed 2008)

Title of Thesis: Pasolini, Bertolucci, Bellocchio: Refraiming Space in Italian New Wave Cinema External Examiner: Dr John David Rhodes (深夜亚洲福利久久 of Sussex)

Conference Presentations:

  • 鈥業 film sul Maccartismo鈥� (Films on McCarthyism), Cinema, McCarthyism e la Guerra fredda, 深夜亚洲福利久久 of Genoa, 17 November 2003
  • 鈥楶rima della rivoluzione? New Wave e propaganda鈥� (Before The Revolution? New Waves and Propaganda), Maschere e Pugnali, Cinema e Propaganda da Cuba all鈥橧raq. 深夜亚洲福利久久 of Genoa, 23-24 May 2005
  • 鈥楤ertolucci鈥檚 The Grim Reaper: Rome as a New Wave city?鈥� Cinematic Rome, 深夜亚洲福利久久 of Nottingham, 17-18 September 2005
  • 鈥楶rovincial towns and European Metropolis: the Province in Italian New Wave cinema鈥�, The Cause of Cosmopolitanism in Europe and Beyond, Royal Irish Academy, UCC, 11-12 November 2005
  • 鈥楽egni di una rivolta: casa, corpi, oggetti e Pugni in tasca (Signs Of an Unrest: Home, Bodies, Objects and Fists in the Pockets)鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Bristol, 3 June 2006
  • 鈥楤ertolucci鈥檚 debut: The Grim Reaper鈥�, Italian Department Research Seminar, UCC, 18 September 2006
  • 鈥楤eyond the Home: Domestic Space and Identity in the Cinema Of the Coen Brothers鈥�, Cinema Identities and Beyond - Postgraduate Conference, Universities of Glasgow and St. Andrews,  St. Andrews, 10 November 2006
  • 鈥楩ilm TV and Video: Three Forms of Entertainment, One Single Medium?鈥� Necs - The Vienna Conference, Perspectives and Challenges for Cinema and Media Studies, Vienna, 21-23 June 2007
  • 鈥楾V Series of the Digital Era and the Videogame鈥檚 Narrative鈥�, NarrativEncounters 2008, UCC, 21-23 June 2007
  • 鈥楾he Thickness of the Panel: Narrative Layers and Complexification in Azzarello鈥檚 100 Bullets鈥�, Cinema and comics. Affinities, differences and new forms of interference, Udine - XV International Film Studies Conference, 3-6 March 2008
  • 鈥楩ilmmaking with Game Technology: Machinima and Its Narrative鈥�, Necs - The Budapest Conference, New and Old Frames, Budapest, 19-22 June 2008

Publications:

Book

  • Stefano Baschiera, Marco Cipolloni, Guido Levi (eds.), Le strade perdute di Genova - Immagini del G8 (Genoa's Lost Streets - Images from the G8) (Alessandria: Falsopiano, 2002)

Articles 

  • 鈥楲e immagini e i media. Una moltitudine di immagini鈥� (Images and the media. A plurality of images), in Stefano Baschiera, Marco Cipolloni, Guido Levi (eds.), Le strade perdute di Genova - Immagini del G8 (Alessandria: Falsopiano, 2002), pp. 17-18
  • 鈥業 TG8. Dalla zona rossa alle strade鈥� (TV 深夜亚洲福利久久 from the G8. From the Red Zone to the streets), in Stefano Baschiera, Marco Cipolloni, Guido Levi (eds.), Le strade perdute di Genova - Immagini del G8 (Alessandria: Falsopiano, 2002), pp. 19-24
  • 鈥業 film sul maccartismo鈥� (The films on McCarthyism), in Guido Levi, Marco Cipolloni (eds.), C'era una volta in America: Cinema, Maccartismo e guerra fredda (Cinema, McCarthyism and the Cold War) (Alessandria: Falsopiano, 2004), pp. 33-46
  • 鈥楲o spazio onirico nel cinema di Hitchcock: Vertigo鈥� (Oneiric space in Hitchcock's cinema: Vertigo), in AA.VV. La congiura degli Hitchockiani (Alessandria: Falsopiano, 2004), pp. 100-113
  • 鈥楪lasgow, Manchester, Liverpool鈥�, with Laura Rascaroli, in Thierry Jousse and Thierry Paquot (eds.), Encyclop茅die: la ville au cin茅ma (Paris: Editions Cahiers du cin茅ma, 2005), pp. 389-94 [included under submission for Laura Rascaroli]
  • 鈥楤ertolucci鈥檚 The Grim Reaper: Rome as a New Wave City?鈥�, in Richard Wrigley (ed.), Cinematic Rome (Leicester: Troubador, 2008), pp. 85-96. ISBN: 9781906510282
  • 鈥楤eyond the Home: Domestic Space and Identity in the Cinema of the Coen Brothers鈥�, in Ruby Cheung and David Martin-Jones (eds.), Cinema Identities and Beyond (Newcastle-upon-Tyne: Cambridge Scholars Press, accepted, forthcoming)
  • 鈥楾he Thickness of the Panel: Narrative Layers and Complexification in Azzarello鈥檚 100 Bullets鈥�, in Laura Sangalli e Federico Zecca (eds.), Cinema and comics. Affinities, differences and new forms of interference (Udine: Forum edizioni, expected March 2009)
  • 鈥楶rovincial towns and European metropolises. The province in Italian New Wave cinema鈥�, in Patrick O鈥� Donovan and Laura Rascaroli (eds.), The Causes of Cosmpolitanism: Foundations, Models, Displacement (forthcoming)
  • 鈥楢 Postcard from the Grindhouse: Exotic Landscapes and Italian Holidays in Lucio Fulci鈥檚 Zombie and Sergio Martino鈥檚 Torso鈥�, with Francesco Di Chiara, in John Cline and Rob Weiner From the Arthouse to the Grindhouse (forthcoming)
  • 鈥楢 Spatial unrest: movement, dislocation and familial spaces in Bertolucci鈥檚 cinema of the 鈥�60s鈥�, in Mark Nicholls and Luana Ciavola (eds.), Bernardo Bertolucci: a cinema of politics and desire (forthcoming)

Encyclopedia entries

  • 鈥楾he World at War鈥�, in Ian Aitken (ed.), Encyclopedia of Documentary Film (New York: Routledge, 2005), 1472-73
  • 鈥楢ct of God鈥�, in Ian Aitken (ed.), Encyclopedia of Documentary Film (New York: Routledge, 2005), 2-4
  • 鈥楨pstein Jean鈥�, in Ian Aitken (ed.), Encyclopedia of Documentary Film (New York: Routledge,  2005), 348-50
  • 鈥楴azis: A Warning from History鈥�, in Ian Aitken (ed.), Encyclopedia of Documentary Film (New York: Routledge, 2005), 953-4.

 

David Best,IRCHSS Postgraduate Scholar - PhD completed 2008

'Representations of Rurality in Twentieth-Century Central Italian Literature (Tombari, Cassola, Volponi, Petri)'

Supervisor: Silvia Ross

External Examiner: Dr Derek Duncan (Bristol)

Publications

  • "Destinate a patire": The Contemplation of Female Bodies From Perfection to Pain in Carlo Cassola鈥檚 Paura e tristezza鈥�, in In corpore: Bodies in Post-Unification Italy, ed. by Loredana Polezzi and Charlotte Ross (Madison: Fairleigh Dickinson UP, 2007), pp. 189-207. ISBN: 0838641644
  • 鈥�Frusaglia and Gli animali: Nature and Strapaese in Fabio Tombari,鈥� Laboratorio di nuova ricerca. Investigating Gender, Translation & Culture in Italian Studies, ed. by Monica Boria and Linda Risso (Leicester: Troubador, 2007), pp. 101-115. ISBN: 1905886225
  • 鈥楢 Matriarchal Reading of Alle Case Venie: Petri鈥檚 Challenge to Conventional Representations of the Female Peasant鈥�, in Politics and Culture in Post-War Italy, ed. by Linda Risso and Monica Boria (Newcastle-upon-Tyne: Cambridge Scholars Press, 2006), pp. 16-33, ISBN: 1904303919
  • 鈥楥onflicting Rural Utopias: Post-War Marche in Paolo Volponi鈥檚 La macchina mondiale鈥�,Arachnofiles: a Journal of European Languages and Cultures, 3 (Spring: 2004), [14 pp.] (see: www.selc.ed.ac.uk/arachnofiles/)
  • 鈥楻ievocazioni e feste popolari鈥�,&苍产蝉辫;Corriere Proposte. Mensile di cultura del tempo libero delle Marche (March 2000). Translation (see www.corriereproposte.it/corrierepropostes/2000/marzo/rievocaz.htm)
  • Book Reviews (three in print/two forthcoming), Forum for Modern Language Studies(Oxford 深夜亚洲福利久久 Press).

Conference Presentations:

  • 鈥楶aolo Volponi鈥檚 Psychological Landscapes: From Rural Topography to Mental Space in La macchina mondiale鈥�, Hemispheres: Cross-Currents Interdisciplinary Conference, School of Languages and Literature, UCC, 3 May 2002
  • 鈥楥onflicting Rural Utopias: Post-War Marche in Paolo Volponi鈥檚 La macchina mondiale鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Edinburgh, 24 May 2003
  • 鈥樷�淒estinate a patire鈥�: The Contemplation of Female Bodies From Perfection to Pain in Carlo Cassola鈥檚 Paura e tristezza鈥�, In corpore: (im)material bodies in Italy from the Middle Ages to the present day, SIS Interim Conference, Institute of Romance Studies, London, 16-17 April 2004
  • 鈥楩rusaglia and Gli animali: Nature and Strapaese in Fabio Tombari鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Leicester, 5 June 2004
  • 鈥楴arrating the Female Body Space in Carlo Cassola鈥檚 Paura e tristezza鈥�, Department of Italian Research Seminar Series, 2004-05, UCC, 7 December 2004
  • 鈥楢 Matriarchal Reading of Alle Case Venie: Petri鈥檚 Challenge to Conventional Representations of the Female Peasant鈥�, SIS Postgraduate Colloquium, Pembroke College, Cambridge 深夜亚洲福利久久, 16-17 April 2005
  • 鈥楥entral Italy in Twentieth-Century Literature: Gender, Ideology and the 鈥淐ountry鈥� in Volponi鈥檚 Marche鈥�, Italica Research Seminar Series, 2006-07, 深夜亚洲福利久久 of St Andrews, 13 November 2006
  • 鈥楻omana Petri on Gender: A Casual Undressing of Identities鈥�, SIS Biennial Conference, Royal Holloway 深夜亚洲福利久久 of London, 16-19 April 2009
  • 鈥榁olponi鈥檚 Saluggia and Crocioni: Characters at odds with their identity鈥�, Mosaics of Identity: The Problem of Identity in Recent Italian Literature (Study Day), Trinity College Dublin, 3 April 2009

Jill Murphy - PhD Completed 2012

jill

JILL MURPHY (Film Studies/Italian; Supervisor: Dr Laura Rascaroli; PhD completed 2012)

Title of Thesis: Hoc est enim corpus meum: Passion Iconography and Christian Art in the Work of Pier Paolo Pasolini and Jean-Luc GodardExternal Examiner: Prof Angela Dalle Vacche (深夜亚洲福利久久 of Georgia)

Conference Presentations:

  1. 鈥楾ext to Text, Body to Body: Adaptation and Collaboration in 12 Years a Slave鈥�. Process and Practice: Adaptation Considered as a Collaborative Art Conference. UCC, 3-4 October 2014
  2. 鈥楶laces of Trauma/Places of Healing: Aqueous Environment as Landscape and Symbol鈥�. Screen Studies Conference. 深夜亚洲福利久久 of Glasgow. 27-29 June 2014
  3. 鈥楾he Image as the Post-Christian Sacred: A Nancean reading of Jean-Luc Godard鈥檚 Je vous salue Marie鈥�. Beyond Film: Film-Philosophy Conference. 深夜亚洲福利久久 of Amsterdam.10-12 July 2013
  4. 鈥楴otes on Two Interstitial Images: Depictions of Christ by Manet and C茅zanne in Histoire(s) du cin茅ma. 鈥機inema in the Interstices鈥�. Alphaville Inaugural Conference, 深夜亚洲福利久久 College Cork, September 7 鈥� 9, 2012
  5. 鈥業mages of death by deprivation in Steve McQueen鈥檚 Hunger in relation to Holbein鈥檚 The Body of the Dead Christ in the Tomb鈥�. European Society for Aesthetics Conference 2012. Universidade do Minho, Braga/Guimaraes, Portugal. 25 鈥� 27 June 2012
  6. 鈥楢 Force of the Past鈥�: Benjaminian Now-Time in Pasolini鈥檚 Il Vangelo secondo Matteo and La ricotta. NECS 2012.New 深夜亚洲福利久久 of Lisbon, Portugal. June 21 鈥� 23, 2012
  7. 鈥楾he Body as Sacred Site: Jean-Luc Godard鈥檚 Je Vous Salue Marie in relation to Nancean Thinking on the Body and Touch.鈥� Commun(icat)ing Bodies: The Body and Religion Conference, 深夜亚洲福利久久 of Graz, Austria. 15-17 February 2012.
  8. 鈥業solation, Endurance, Sacrifice:  Comparing Hunger to Holbein鈥檚 The Body of the Dead Christ in the Tomb.鈥� 鈥楥omparing鈥�: A Summer School in the Humanities, 深夜亚洲福利久久 College Cork, September 5-9, 2011.
  9. 鈥樷�業 come from ruins鈥�: The Temporal Concepts of Walter Benjamin in Pasolini's La Ricotta and The Gospel according to St Matthew. Irish Postgraduate Film Research Seminar: Space and Time in Film. 29 鈥� 30 March 2011
  10. 鈥楾oward the past of a future, towards the future of a memory: Godard鈥檚 media project in Eloge de L鈥橝mour (In Praise of Love)鈥�  Transnational, transcultural, transmedial: European Cinema Today. International Graduate Film Studies Conference, 深夜亚洲福利久久 College Cork, May 15-16 2010.
  11. 鈥楪odard鈥檚 Imaginary Museum: Visuality, Intermediality and Interiorization in Histoire(s) du Cin茅ma鈥� Irish Postgraduate Film Research Seminar, Trinity College, Dublin, 22鈥� 23 April 2010.
  12. 鈥楽ubjective Interpretations of the Deposition in Pasolini鈥檚 La Ricotta and Jarman鈥檚 Caravaggio.鈥� CACSSS Postgraduate Conference, UCC, 14 November 2009.
  13. 鈥楢 Force of the Past: The Pictorial in Pasolini鈥檚 La Ricotta.鈥� Framing Film 鈥� Cinema and the Visual Arts. International Conference. 深夜亚洲福利久久 of Winchester, U.K., 4-6 September 2009.
  14. 鈥楢n Italy of the Mind: Place, space and identity in Derek Jarman鈥檚 Caravaggio鈥� Locating Media, NECS 2009 Conference, Lund, Sweden, 25-28 June 2009.
  15. 鈥楢n interface between art history and film: the use of the tableau vivant in Passion (1982) by Jean-Luc Godard鈥�, New and Old Frames in Cinema, NECS 2008 Conference, Budapest, 19-21 June 2008.
  16. 鈥楩ilmic vs. Pictorial Narrative in Passion (1982) by Jean-Luc Godard鈥�, NarrativEncounters: New Perspectives on Narration, UCC, 15-17 February 2008.

Invited Presentations

  1. 鈥楨arthly Flesh: Pasolini, Francis Bacon and the Mannerists鈥�. UCC Film Studies Research Seminar Series, 深夜亚洲福利久久 College Cork. November 2013
  2. 鈥楶asolini鈥檚 Hidden Rome: Borders and Peripheries鈥�. Invited Lecture to M. Arch Students. Cork Centre for Architectural Education. UCC/CIT. December 2012
  3. Advanced Film Analysis, MA in Film Studies programme: 鈥楧ziga Vertov: Man with a Movie Camera鈥�. October 2010
  4. 鈥楳imesis and Identity in Derek Jarman鈥檚 Caravaggio鈥�. National Gallery of Ireland, Research Day. March 2010
  5. 鈥楲ust of the Eye; Hitchcock, Narrative and Intermediality鈥� Invited Research Seminar.NAIRTL Module of Narratives, UCC, 2009

Publications:

  1. 鈥楲鈥櫭塿angile au risque de la psychoanalyse. Fran莽oise Dolto鈥�, in Reading Godard. Ed. by C茅line Scemama and Kevin J. Hayes. Caboose. (Forthcoming).
  2. 鈥楲a Pesanteur et la gr芒ce (Gravity and Grace) Simone Weil鈥�, in Reading Godard. Ed. by C茅line Scemama and Kevin J. Hayes. Caboose. (Forthcoming).
  3. 鈥楧ark Fragments: Contrasting Corporealities in Pasolini鈥檚 La ricotta鈥�. Alphaville: Journal of Film and Screen Media, Issue 7    (Summer 2014).
  4. 鈥楳otion Capture: Drawing and the Moving Image. Curated by Ed Krcma and Matt Packer Lewis Glucksman Gallery, Cork, 26 July鈥�4 November 2012鈥�. Review. Alphaville, Journal of Film and Screen Media, Issue 4.   (Winter 2012)
  5. 鈥楢esthetics of the Passion: Art-historical readings of the Sacred in the early films of Pier Paolo Pasolini鈥�, in Faith and Spirituality in Masters of World Cinema, Volume II. Ed. By K. Morefield. Cambridge Scholars Press (2011).
  6. 鈥欌�楾o See a Script鈥�: Godard鈥檚 Re-envisioning of the Screenplay in Sc茅nario du film Passion鈥�,&苍产蝉辫;Journal of Screenwriting, 3.1. Intellect (2011)
  7. 鈥楳imesis and Identity in Derek Jarman鈥檚 Caravaggio鈥�.&苍产蝉辫;Artefact, Journal of the Irish Association of Art Historians. Issue 4, 2010.

 

Barry Ryan, William J. Leen and President's PhD Scholar - PhD completed 2008

BARRY RYAN (Supervisor: Dr Silvia Ross; PhD completed 2008

Title of Thesis: Spatializing the Italian Resistance in Calvino, Fenoglio and Vigan貌

External Examiner: Prof. Tullio Pagano (Dickinson College)

Conference Presentations:

  1. 鈥楩ailed Odysseys? Calvino, Fenoglio and the Return of the Partisan鈥�, 1st Graduate Conference in Italian Studies, UCC, 1 March 2008
  2. 鈥楺uestions of space in Renata Vigan貌鈥檚 L鈥橝gnese va a morire鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Glasgow, 28 April 2007
  3. Chair, Session 鈥楻epresenting the Resistance鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Bristol, 3 June 2006
  4. 鈥楲abyrinth, Hell and Locus Amoenus: The Intertextual Use of Woodland in Calvino鈥檚 Resistance Writing鈥�, SIS Postgraduate Colloquium, Pembroke College, Cambridge, 16 April 2005

Publications:

  1. 鈥楢ltered Spaces: Calvino, Fenoglio and the Odyssey of the Italian Partisan,鈥� Working Papers (online graduate journal of the Romance Languages Department at the 深夜亚洲福利久久 of Pennsylvania), Spring 2009 Issue.
  2. 鈥楲abyrinth, Hell and Locus Amoenus: The Intertextual Use of Woodland in Calvino鈥檚 The Path to the Spiders鈥� Nests鈥�, in Risso, Linda and Boria, Monica, eds. Politics and Culture in Post-War Italy. Cambridge: Cambridge Scholars Press, 2006. ISBN: 1904303919

Gianluca Cinelli, President's and Arts Faculty PhD Scholar - PhD completed 2008

'Memoria, storia e soggettivit脿. Un鈥檃nalisi ermeneutica delle opere autobiografiche di Primo Levi, Nuto Revelli, Rosetta Loy e Mario Rigoni Stern'

Supervisor:             Dr Silvia Ross

External Examiner:  Dr Robert Gordon (Cambridge)

Academic activity between 01/01/2008 and 31/12/2014

19/06/2008

PhD in Italian at the National 深夜亚洲福利久久 of Ireland Cork (supervisor: Dr Silvia Ross; ext. examiner: Prof. Robert Gordon). Title of thesis: Memoria, soggettivit脿 e verit脿: una lettura ermeneutica delle opere autobiografiche di Primo Levi, Nuto Revelli, Rosetta Loy e Mario Rigoni Stern.

2008-2010

Research assistant at the Istituto Storico della Resistenza e della Societ脿 Contemporanea in Provincia di Cuneo 鈥淒ante Livio Bianco鈥� with the project Nuto Revelli. La scrittura e l鈥檌mpegno civile, dalla testimonianza della Seconda Guerra Mondiale alla critica dell鈥橧talia repubblicana. The project was co-sponsored by 鈥淣uto Revelli鈥� Foundation.

2010-2011

Research assistant at the Istituto Storico della Resistenza e della Societ脿 Contemporanea in Provincia di Cuneo 鈥淒ante Livio Bianco鈥�, for the research project 鈥淟a memorialistica tedesca della campagna di Russia 1941-1945. Una tradizione tra storia e mito鈥�.

01/01/2012 鈥� 31/12/2013

Scientific collaborator of the Istituto Storico della Resistenza e della Societ脿 Contemporanea in Provincia di Cuneo 鈥淒ante Livio Bianco鈥� with the project 鈥�La memorialistica italiana della prigionia sovietica e dell鈥檌nternamento militare in Germania. Esperienze a confronto dall鈥檜niverso concentrazionario del totalitarismo鈥�. The project was sponsored by the Compagnia di San Paolo Foundation.

01/05/2012 鈥� 30/04/2014

Postdoctoral Research Fellow of the Alexander von Humboldt Foundation, at Goethe-深夜亚洲福利久久 Frankfurt, Institute of Modern Languages with the research project The Problem of Evil in Storia della colonna infame by Alessandro Manzoni. Foundations of a Theory for the Ethical Literature.

02/11-2014 鈥�

Scientific collaborator in the Cattedra of Letteratura Moderna e Contemporanea (Prof. Franco D鈥橧ntino), 深夜亚洲福利久久 of Rome 鈥淟a Sapienza鈥�.

PUBLICATIONS

Books:

Monographs:

La questione del male in Storia della colonna infame di Alessandro Manzoni. Fondamenti di una teoria della letteratura etica, Leicester, Troubador (forthcoming 2015).

Prigionieri di Stalin e di Hitler. L鈥檈sperienza del totalitarismo nella memorialistica italiana e tedesca, Cuneo, Primalpe, 2014.

Nuto Revelli. La scrittura e l鈥檌mpegno civile, dalla testimonianza della Seconda Guerra Mondiale alla critica dell鈥橧talia repubblicana, Torino, Aragno, 2011.

Ermeneutica e scrittura autobiografica. Primo Levi, Nuto Revelli, Rosetta Loy, Mario Rigoni Stern, Milano, Unicopli, 2008.

Edited and co-authored books:

La letteratura e il male. Rappresentazione e critica di un concetto indeterminate dall鈥橧lluminismo a oggi, edited with Patrizia Piredda (submitted to Sapienza Editore, Roma).

Etica e letteratura della Grande Guerra. Rappresentazioni della crisi, edited with Patrizia Piredda (submitted to Marchese Editore, Napoli).

La memorialistica di prigionia dei militari italiani nella Seconda Guerra Mondiale. Origini, forme e significati di una tradizione fra storia e letteratura. Atti del seminario di ricerca, Cuneo, 12 aprile 2012, Cuneo, ISRCN, 2013.

Articles in books and journals:

鈥淭he Battle of Stalingrad and the Literary Archetypes鈥� (submitted to Modern Language Notes 鈥� German Issue).

鈥溾�楩issar di nuovo lo sguardo sopra orrori gi脿 conosciuti鈥︹�� la funzione etica e catartica della rappresentazione della sofferenza in Storia della colonna infame di Manzoni鈥�, Studi d鈥檌talianistica nell鈥橝frica australe/Italian Studies in Southern Africa, (forthcoming 2015).

鈥淟鈥檃rgomentazione morale in Storia della colonna infame di Alessandro Manzoni鈥�, Annali manzoniani (forthcoming 2015).

鈥淟a questione della colpa nella memorialistica tedesca della campagna di Russia鈥�, in Lettere dal Don. Atti del XII seminario dell鈥橝rchivio della scrittura popolare, a cura di Quinto Antonelli, Trento, Fondazione Museo storico del Trentino (forthcoming 2015).

鈥淟a sofferenza tra etica e religione in Storia della colonna infame di Manzoni鈥�, P.r.i.s.m.i. R茅vue d鈥櫭﹖udes italiennes, (forthcoming 2014).

鈥淟a memorialistica tedesca dell鈥檕perazione Barbarossa. Un mito letterario鈥�, Il confronto letterario (forthcoming 2014).

鈥淓tica e filosofia della storia in Manzoni鈥�, Allegoria (forthcoming 2014).

鈥淚l rapporto di Alessandro Manzoni con Verri e con l鈥橧lluminismo in Storia della colonna infame. Opinione, pubblico, posterit脿鈥�, Quaderni d鈥橧talianistica (forthcoming 2014).

 鈥淐ostruzione e decostruzione dell鈥檌mmagine eroica del combattente della Grande Guerra attraverso le lettere e le testimonianze: Omodeo, Revelli, Procacci鈥�, Il presente e la storia, 85 (luglio 2014).

鈥淟鈥檃rgomentazione del 鈥榲ero positivo鈥� in Storia della colonna infame di Alessandro Manzoni鈥�, Romanistische Zeitschrift f眉r Literaturgeschichte, 38, 3-4 (2014), 405-429.

鈥淐ronaca, storia e verosimile in 16 ottobre 1943 e Storia della colonna infame鈥�, Italica Belgradensia, 1 (2014), 81-98.

鈥淟鈥檃rgomentazione verosimile in Storia della colonna infame di Alessandro Manzoni鈥�, Italienisch, 71, 1 (2014), 40-60.

鈥淟a memoria della prigionia sovietica. Restaurazione dell鈥檌dentit脿 nazionale in continuit脿 con il fascismo鈥�, in La memorialistica di prigionia dei militari italiani nella Seconda Guerra Mondiale. Origini, forme e significati di una tradizione fra storia e letteratura. Atti del seminario di ricerca, Cuneo, 12 aprile 2012, a cura di Gianluca Cinelli, Cuneo, ISRCN, 2013, pp. 121-150.

鈥淎lessandro Manzoni e Primo Levi sulla funzione etica della letteratura鈥�, Spunti e ricerche. Rivista d鈥檌talianistica, 27, 1 (2012), 8-29.

鈥淟a memorialistica tedesca della campagna di Russia. Una tradizione fra storia e mito鈥�, Il presente e la storia, 81 (settembre 2012), 5-72.

鈥淚l doppio, il falso e la maschera ne La chiave a stella: il problema della verit脿 autobiografica鈥�, 尝鈥檃产补肠辞, 4-7 (2010), 259-270.

鈥淟鈥檃utobiografia come dislocamento. Motivi allegorici ne La chiave a stella di Primo Levi鈥�, Quaderni d鈥橧talianistica, 31, 1 (2010), 173-196.

鈥淟鈥檈redit脿 di Nuto Revelli鈥�, La libellula, 1, 1 (Dicembre 2009), 106-118 ().

鈥淟a memoria, la traccia e la funzione del narratore in Ritorno sul Don di Mario Rigoni Stern鈥�, Quaderni d鈥橧talianistica, 29, 1 (2008), 165-182.

鈥淪ilenzio e verit脿 ne La parola ebreo di Rosetta Loy鈥�, Modern Languages Notes, Italian Issue, 123 (January 2008), 8-21.

鈥淢ario Rigoni Stern. Lo scrittore in guerra e in pace鈥�, (February 2007).

鈥淟鈥檕ccupazione tedesca nel Cuneese nelle testimonianze dei civili: Il disperso di Marburg di Nuto Revelli鈥�, Il presente e la storia, 70 (December 2006), 339-352.

鈥淢icro-History and Memory in Il disperso di Marburg by Nuto Revelli鈥�, in Politics and Culture in Post-War Italy, Linda Risso e Monica Boria eds., Newcastle, Cambridge Scholars Press, 2006, 119-131.

鈥淟a parodia e il cinismo: Il fantasma di Canterville di Oscar Wilde鈥�, in Muzzioli, Francesco, ed., Il fantastico e l鈥檃llegoria, Roma, Editori Riuniti, 2006, 114-120.

鈥溾�楳icrostoria鈥�, memoria e impegno鈥�, Il presente e la storia, 68 (dicembre 2005), 331-339.

鈥淚an McEwan: ritratti noir di famiglia鈥�, Prospektiva, 16 (November 鈥� December 2002), 44-53.

鈥淕眉nter Grass e Ian McEwan: il romanzo storico contro la storia鈥�, Prospektiva, 15 (September 鈥� October 2001), 16-35.

REVIEWS

鈥淩accontare la guerra鈥�, Italienisch, 2 (November 2012), 154-155.

鈥淔-Recce. Uno squadrone nella Guerra di Liberazione鈥�, Il presente e la storia, 81 (luglio 2012), 256-258.

鈥淗anno sparato a un aquilone鈥�, Il presente e la storia, 80 (dicembre 2011), 250-251.

鈥淎utobiografie politiche all鈥檕mbra del PCI鈥�, in Almanacco Odradek 2007, Francesco Muzzioli, Mario Lunetta and Marco Palladini eds., Roma, Odradek, 2007, 292-294.

鈥�Generazione ribelle. Diari e lettere dal 1943 al 1945 di Mario Avagliano鈥�, (2006).

鈥�La lingua batte di Giovanni Commare鈥�, (2006).

鈥�础迟迟耻补濒颈迟脿 della Grande Guerra di Mimmo Sacco, Alberto Monticone e Mario Rigoni Stern鈥�, (2006).

鈥�Antimilitarismo di Gian Pietro Lucini鈥�, (2006).

鈥�L鈥檕ca al passo di Antonio Tabucchi鈥�, (2006).

鈥淟etteratura e diversit脿鈥�, in Muzzioli, Francesco and Mario Lunetta, eds., Almanacco Odradek 2006, Roma, Odradek, 2006, 275-282.

鈥淣eppure quando 猫 notte鈥�, Atelier, 32, VIII (December 2003), 132-134.

鈥淚l paradosso dei classici鈥�, (2003).

Four critical outlines for 鈥淟a vetrina che non c鈥櫭ㄢ��, in Muzzioli, Francesco and others, eds., Almanacco Odradek 2003, Rome, Odradek, 2003, 239-264.

鈥淚l sogno come opera d鈥檃rte?鈥�, (2002).

PAPERS AND LECTURES

鈥淢ostrare l鈥檈tica鈥� attraverso il diario. I diari di guerra di Giuseppe Garrone (1915-1918) e di Nuto Revelli (1942-1943), Annual Conference of the AAIS, Z眉rich, 23-25 May 2014.

La rappresentazione dei tedeschi nella letteratura italiana dopo il 1945, Public lecture, Vereinigung f眉r deutsch-italienische Studien, Frankfurt am Main, 8 May 2014.

Il 鈥渞ifiuto d鈥檕bbedienza鈥�. Pacifismo e rivolta in Jean Giono e Malaparte, Studientag 鈥淓tica e letteratura della Grande Guerra. Rappresentazioni della crisi鈥�, Goethe-深夜亚洲福利久久 Frankfurt, 28 April 2014.

Memoria e riconciliazione. I tedeschi nella letteratura italiana dopo il 1945, Public lecture, 深夜亚洲福利久久 of Bonn, 16 January 2014.

Le nozioni di passione ed errore in Storia della colonna infame. Proposte per una comparazione con la filosofia antica, Public lecture, Universit脿 Cattolica del Sacro Cuore, Milan, 13 December 2013.

La ricezione di Storia della colonna infame in chiave comparativa europea. Premesse storiche, limiti ideologici e prospettive interdisciplinari, International conference 鈥淟鈥橢uropa di Manzoni e il Manzoni dell鈥橢uropa. Per la ricostruzione di un mito estetico-politico鈥�, Centro Svizzero and Biblioteca Braidense, Milan, 11-12 November 2013.

The Problem of Evil in Literary Accounts of Trials. Narrative Paradigma for Ethical Literature, XX猫me Congr猫s de l鈥橝ssociation Internationale de Litt茅rature Compar茅e (AILC/ICLA), Universit茅 鈥渓a Sorbonne鈥�, Paris, 18-24 Juli 2013.

鈥淔issar di nuovo lo sguardo sopra orrori gi脿 conosciuti鈥︹�� la funzione etica e catartica della rappresentazione della sofferenza in Storia della colonna infame di Manzoni, AATI Annual Conference, Strasbourg, 30 May 鈥� 4 June 2013.

La memoria della prigionia sovietica come mito di rifondazione dell鈥檌dentit脿 nazionale, seminario di ricerca 鈥淟a memorialistica di prigionia dei militari italiani nella Seconda Guerra Mondiale. Origini, forme e significati di una tradizione fra storia e letteratura鈥�, ISRCN 鈥淒ante Livio Bianco鈥�, Cuneo, 12 April 2013.

La memorialistica tedesca della campagna di Russia. La questione della colpa nelle testimonianze dei reduci, XII Seminario 鈥淎rchivio della scrittura popolare鈥�, Trento, 21-22 November 2011.

Nuto Revelli. Una voce critica sulla transizione dal fascismo all鈥橧talia repubblicana, Public lecture, Salone del Libro, Turin, 15 May 2011.

Il partigianato giellista come scuola di democrazia. La guerra dei poveri di Nuto Revelli, conference 鈥淕iellismo e Azionismo. Cantieri aperti 鈥� settima edizione鈥�, Istituto Piemontese per la Storia della Resistenza e della Societ脿 Contemporanea 鈥淕iorgio Agosti鈥�, Turin, 28-30 April 2011.

Tampering with the experience of war. The effect of censorship and self-censorship on the language of Italian and German letters from the USSR, 1941-1945, international conference 鈥淟anguages at war: policies and practices of language contacts in conflict鈥�, Imperial War Museum, London, 7-9 April 2011.

La scrittura di Nuto Revelli. Stile, retorica e dialogo, research seminar 鈥淣uto Revelli testimone del Novecento鈥�, Istituto Romano per la Storia d鈥橧talia dal Fascismo alla Resistenza, Rome, 6 April 2011.

Nuto Revelli e la sua eredit脿 culturale, celebration day 鈥淩icordando Nuto鈥�, Public lecture, Cuneo, Salone d鈥檕nore del Comune di Cuneo, 5 February 2011.

La memoria, la traccia e la funzione del narratore nella memorialistica di Mario Rigoni Stern, Biennial Conference of the Society for Italian Studies, 深夜亚洲福利久久 of Bangor, Bangor, UK, 4-6 July 2007.

La chiave a stella: l鈥檃utobiografia di un doppio, Postgraduate Colloquium of the Society for Italian Studies, 深夜亚洲福利久久 of Glasgow, Glasgow, UK, 28 April 2007.

The German Occupation through Civilians鈥� Testimonies: the Importance and Limits of Oral History in Il disperso di Marburg by Nuto Revelli, International Conference 鈥淚taly at War: 1935-2005鈥� dell鈥橝ssociation for the Study of Modern Italy (ASMI), Istituto Italiano di Cultura, Edimburgo, UK, 25-26 November 2005.

Witnessing Guilt and Innocence in Rosetta Loy鈥檚 La parola ebreo, International Conference of Holocaust and Trauma Studies 鈥淭he Future of Memory鈥�, Manchester Metropolitan 深夜亚洲福利久久, Manchester, UK, 10-12 November 2005.

Microstoria e memoria in Il disperso di Marburg di Nuto Revelli, Postgraduate Colloquium of the Society for Italian Studies, 深夜亚洲福利久久 of Cambridge, Cambridge, UK, 16-17 April 2005.

CONFERENCE ORGANISATION 

28 April 2014

Conference 鈥淓tica e letteratura della Grande Guerra. Rappresentazioni della crisi / Ethik und Literatur des Gro脽en Krieges. Darstellungen der Krise鈥� (with Dr Patrizia Piredda), Goethe-深夜亚洲福利久久 Frankfurt. The conference will be sponsored by the Vereinigung der Freunde und F枚rderer der Goethe-Universit盲t Frankfurt and by the Alexander von Humboldt Foundation.

7-8 February 2014

International conference 鈥淟a letteratura e il male: indeterminatezza e critica dall鈥橧lluminismo a oggi / Die Literatur und das B枚se: Unbestimmtheit und Kritik von der Aufkl盲rung bis heute鈥� (with Prof. Peter Ihring), Universit盲t Frankfurt 鈥淕oethe鈥�. The conference was sponsored by the Institute for Modern Languages, Goethe-深夜亚洲福利久久 Frankfurt; by the Frankfurter Stiftung f眉r deutsch-italienische Studien; and by the Alexander von Humboldt Foundation.

12 April 2013

International conference 鈥淟a memorialistica di prigionia dei militari italiani nella Seconda Guerra Mondiale. Origini, forme e significati di una tradizione fra storia e letteratura鈥�, ISRCN 鈥淒ante Livio Bianco鈥�. The conference was sponsored by the Comagnia di San Paolo Foundation and by the ISRCN.

TEACHING EXPERIENCE

October 2013 鈥� February 2014 (Wintersemester)

Haupteseminar for undergraduate students (Qualification in Italian, first and second subject, Teaching Qualification) 鈥淓tica, storia e letteratura in Alessandro Manzoni鈥�. Institute for Modern Languages, Goethe-深夜亚洲福利久久 Frankfurt.

April 鈥� July 2013 (Sommersemster)

Haupteseminar for undergraduate students (Qualification in Italian, first and second subject, Teaching Qualification) 鈥淢ito, memoria e storia nella narrativa di Mario Rigoni Stern鈥�. Institute for Modern Languages, Goethe-深夜亚洲福利久久 Frankfurt.

October 2012-February 2013 (Wintersemester)

Haupteseminar for undergraduate students (Qualification in Italian, first and second subject, Teaching Qualification) 鈥淟etteratura e scienza fra il 1600 e il 1800鈥�. Institute for Modern Languages, Goethe-深夜亚洲福利久久 Frankfurt.

 

Alessia Risi, IRCHSS Postgraduate Scholar - PhD Completed 2013

 Alessia Risi鈥�

ALESSIA RISI (Supervisor: Dr Mark Chu; PhD completed 2013)

Title of Thesis: Destabilising Function and Political Commitment: Female Figures in Italian Crime Fiction, 1980 to the Present External Examiner: Prof Carol Lazzaro-Weis (深夜亚洲福利久久 of Missouri)

Conference Presentations:

  1. 鈥楩谤辞尘 Italy to Denmark. Do Female Features Really Change Under Bleak Skies?鈥�, Invited talk at 深夜亚洲福利久久 of Glasgow, 23 February 2015
  2. 鈥楾ransmedial Representations of Maternal Identity鈥�, Invited talk at 深夜亚洲福利久久 College Cork, 25 March 2014
  3. 鈥楩谤辞尘 Italy to Denmark. Do Female Features Really Change Under Bleak Skies?鈥�, AAIS 2014, 深夜亚洲福利久久 of Zurich, 23-25 May 2014
  4. 鈥楾ransmedialit脿 del materno鈥�, SIS Biennial Conference, Durham 深夜亚洲福利久久, 8-11 July 2013
  5. 鈥楪iallo/noir: la narrativa di genere e la lettura della societ脿. Prospettive per lo sviluppo di un gruppo di ricerca鈥�, presented together with Dr Mark Chu and Dr Marco Amici at the 鈥業talian Studies in Ireland One-Day Research Colloquium, Trinity College Dublin, 2 February 2013
  6. 鈥楤ack to the 鈥榊ears of Lead鈥�: Between Conspiracy and Psychological Investigation in Annamaria Fassio鈥檚 Come torrenti di pioggia鈥�, International Conference 鈥楽tates of Crime: The State in Crime Fiction鈥�, Queen鈥檚 深夜亚洲福利久久 Belfast, 17-18 June 2011
  7. 鈥楥inematic Elements in Silvia Ballestra鈥檚 Tutto su mia nonna鈥�, 4th Graduate Conference in Italian Studies, 深夜亚洲福利久久 College Cork Italian, 5 February 2011
  8. 鈥榁ariazioni di genere: le donne nella narrativa di indagine italiana鈥�, 芦On ne na卯t pas... on le devient禄 Les Gender Studies et le cas italien, Grenoble, Universit茅 Stendhal, 25-26 November 2010
  9. 鈥楴arrative Post-Noir? Some Considerations about the Genre and Grazia Verasani鈥檚 Writing鈥�, Postgraduate Research Day, UCC, 29 October 2010.
  10. 鈥楥orpo e memoria nella narrativa ibrida di Nicoletta Vallorani鈥�, 3rd Graduate Conference in Italian Studies, UCC, 27 February 2010
  11. 鈥楳ixed Genres and Hybrid Perspectives in Nicoletta Vallorani鈥檚 Writing鈥�, International Conference 鈥楥on(tra)vention: Crime and the Boundaries of the Genre鈥�, UCC, 26-27 June 2009
  12. 鈥�Tu sei lei: una chiamata all鈥檌mpegno politico鈥�, SIS Biennial Conference, Royal Holloway 深夜亚洲福利久久 London, 16-19 April 2009
  13. 鈥楩ra mito pagano e offensiva cristiana: l鈥檈lemento femminile in Nicolas Eymerich, inquisitore鈥�, 2nd Graduate Conference in Italian Studies, UCC, 21 February 2009
  14. 鈥楪iorgio Scerbanenco e la matrice del nero. Analisi di una rappresentazione contraddittoria della figura femminile in 鈥楢nnalisa e il passaggio a livello鈥欌��, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Reading, 6 June 2008
  15. 鈥楧alle microstorie di Grazia Verasani alla costruzione del sociale. Analisi delle 鈥榯rame鈥� secondarie in Quo Vadis Baby? e Velocemente da nessuna parte鈥�, International Conference 鈥楺uale memoria per il noir italiano? Un鈥檌ndagine pluridisciplinare鈥�, Universit茅 Catholique de Louvain-la-Neuve, 15-16 May 2008
  16. 鈥楬is-story e/o Her-story: quale storia per le donne?鈥�, International Conference 鈥业濒 romanzo poliziesco, la storia, la memoria. Italia, America Latina鈥�, Universit茅 de Provence, 6-8 March 2008
  17. 鈥業dentit脿 di genere e il giallo come romanzo storico-sociale nell鈥檕pera di Grazia Verasani鈥�, 1st Graduate Conference in Italian Studies, UCC, 1 March 2008

Publications:

  1. 鈥楢pproaches to Gender: Grazia Verasani鈥檚 Giorgia Cantini Series鈥�, in Crime Story and International Feminism: The Influence of Sara Paretsky on Crime Fiction around the World. Ed. by Enrico Minardi. Newcastle upon Tyne: Cambridge Scholars Publishing, forthcoming 2015.
  2. 鈥业濒 transmedia activism nel contesto italiano: l鈥檈sperienza transmediale Rai di 罢谤补苍蝉颈迟颈鈥�, in Transmedia. Storia, memoria e narrazioni italiane attraverso i media. Ed. by Clodagh Brook and Emanuala Patti. Milano: Mimesis, forthcoming 2015.
  3. 鈥楾ransmedial Representations of Maternal Identity鈥�,&苍产蝉辫;JICSM (2014). Under consideration.
  4. Aigne. The Online Postgraduate Journal of the College of Arts, Celtic Studies and Social Sciences: Italian Edition (2013). <http://research.ucc.ie/aigne/home>.
  5. 鈥楧alle microstorie di Grazia Verasani alla costruzione del sociale. Analisi delle 鈥榯rame鈥� secondarie in Quo Vadis, Baby? e Velocemente da nessuna parte鈥�, in Memoria in Noir. Un鈥檌ndagine pluridisciplinare. Ed. by Monica Jansen and Yasmina Khamal. Bruxelles: Peter Lang, 2010. 193-202.
  6. 鈥楽iamo davvero al post noir? Alcune considerazioni sul genere e sulla scrittura di Grazia Verasani鈥�, in Roma Noir 2010. Scritture nere: narrativa di genere, New Italian Epic o post- noir?. Ed. by Elisabetta Mondello. Roma: Robin, 2010. 167-186.
  7. 鈥楧onne e contesto storico-sociale: le figure femminili nella scrittura di Grazia Verasani鈥�, in Il romanzo poliziesco, la storia, la memoria. Ed. by Claudio Milanesi. Bologna: Astraea, 2009. 187-198.
  8. 鈥楾u sei lei: una chiamata all鈥檌mpegno politico鈥�,&苍产蝉辫;La Libellula. Rivista di Italianistica. 1 (2009). 77-86.
  9. 鈥业濒 mercato della lettura. Produzione, lettori, media e nuovi media鈥�, in La narrativa italiana degli anni Novanta. Ed. by Elisabetta Mondello. Roma: Meltemi, 2004. 179-198.

Funding: IRCHSS (Irish Research Council for Humanities and Social Sciences) Postgraduate Scholarship; Dept of Italian PhD Studentship; CACSSS Postgraduate Travel Bursary 2013.

 

 

Serena Todesco, CACSSS PhD Scholar - PhD Completed 2012

SERENA TODESCO (Supervisor: Dr Mark Chu, PhD completed 2012)

Title of Thesis: L鈥檌sola delle madri assenti: tracce di presenza femminile nella narrativa storica siciliana contemporanea (1990-2007) External Examiner: Margherita Ganeri

Conference Presentations:

  1. 鈥楻iscrivere la Storia con l鈥檕cchio di un bambino: soggettivit脿 e trauma ne I bambini della Ginestra鈥�, La r茅茅criture de l鈥橦istoire dans les romans de la postmodernit茅, Universit茅 Aix-Marseille, 14-16 November 2013
  2. 鈥業sabella Tomasi: storiografia e reinvenzione testuale di un soggetto eccentrico鈥�, Society of Italian Studies Postgraduate Colloquium, 深夜亚洲福利久久 of Warwick, 5 June 2010
  3. 鈥楽ilvana La Spina e la storia siciliana al femminile, tra corpo e potere鈥�, 3rd Graduate Conference in Italian Studies, UCC, 27 February 2010
  4. 鈥楲a religiosit脿 sciasciana: alcune riflessioni scaturite da Dalle parti degli infedeli鈥�, Leonardo Sciascia, vent鈥檃nni dopo, UCC, 23-24 October 2009
  5. Leonardo Sciascia鈥檚 Defiance: Literature, History, Politics, 深夜亚洲福利久久 College London, 6-7 November 2009
  6. 鈥樷�淟a verit脿 non 猫 mai superficie鈥�: il confine dialettico tra verit脿 e menzogna nella riflessione storica di Maria Attanasio鈥�, 2th Graduate Conference in Italian Studies, UCC, 21 February 2009

Publicatons:

  1. 鈥楻iscrivere la Storia con l鈥檕cchio di un bambino: soggettivit脿 e trauma ne I bambini della Ginestra鈥�, Conference Papers, Aix-en-Provence: Universit茅 Aix-Marseille (2015 forthcoming).
  2. 鈥业濒 romanzo storico di Maria Attanasio鈥�,&苍产蝉辫;Paleokastro - Rivista di Studi sul Valdemone, N. 3.3 (June-July 2011), 21-28.
  3. 鈥楾he woman who gave birth to stories: Emma Donoghue and the reinvention of gender in historical fiction鈥�, Language, Literature and Cultural Studies, 1.1, (June 2008), 85-100.

Funding: CACSSS PhD Scholarship; Ministero degli Affari Esteri 鈥� Direzione Generale per la Promozione e la Cooperazione Culturale 鈥� Masters鈥� Degree Scholarship (October 2007 鈥� 8 months)

Fiona Duffy, Sardinian Government Scholar - MPhil Completed 2011

FIONA DUFFY (Supervisor: Dr Mark Chu; MPhil completed 2011)

Title of Thesis: The Construction of Personal and Collective Identities in the Writings of Emilio Lussu External Examiner: Dr Philip Cooke (深夜亚洲福利久久 of Strathclyde)

 

Conference Presentations:

  1. 鈥楳an of Action 鈥� L'attivismo in the writings of Emilio Lussu鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Reading, 6 June 2008
  2. 鈥楾he Figure of the Leader in the Writings of Emilio Lussu鈥�, Graduate Conference in Italian Studies, UCC, 1 March 2008
  3. 鈥楾he Figure of the Soldier in the Writings of Emilio Lussu鈥�, SIS Postgraduate Colloquium, 深夜亚洲福利久久 of Glasgow, 28 April 2007
  4. 鈥楾he Construction of the Identity of the Common Soldier in Emilio Lussu鈥�, Origines et identit茅s - FIGS Conference for French & Italian Literature & Romance Linguistics, 深夜亚洲福利久久 of Texas, Austin, TX, USA, 4-5 April 2007

Publications:

  1. Montis, Daniele, Summae Difficultatis: i meandri della psiche, (Ferrara: Istituto di Cultura Casa 鈥淕iorgio Cini鈥� di Ferrara, 2003), with an English translation by Fiona Duffy

Funding: Sardinian Regional Government Postgraduate Scholarship.

Department of Italian

Iodáilis

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