深夜亚洲福利久久

 “Coming to Latin America”, edited by Lawrence Alexander and Javier Pérez-Osorio, engages with non–Latin American filmmakers who have produced work in and about the continent. As the Editors explain, it “interrogates the foreign gaze not because it is more important than that of practitioners from the continent but because, rather than simply reproducing extractive cinematic practices, we believe these works can become a catalyst for new epistemic pathways.”

This year’s symposium, Expanding Perspectives: Archives, Access and Creative Reuse, brings together filmmakers, archivists, academics and other film practitioners to explore how amateur films, newsreels, and other overlooked forms capture the minutiae of everyday life, and to ask vital questions about who preserves these stories, who gets access to them, and how they can be reimagined for the future.

Opinion: Despite Flora Kerrigan's youth at the time of her filmmaking, her work demonstrates someone ahead of her time and at the forefront of a transformative period in Irish society

Introduction and screening of recently restored footage of the Cork International Film Festival 1965 with Ciara Chambers, UCC and Don O’Mahony, CIFF - Wed 12th Nov @10am Film and Screen Media Auditorium, Kane building Basement B10.B

A masterclass on experimental and personal filmmaking, followed by a double-bill screening of my recent films Elpis (2023) and Dreaming Is Not Sleeping (2025). The Light House Cinema, Dublin, on Saturday, 27 September 2025. The event will conclude with a Q&A and open discussion. Full details and tickets are available here: